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Joyce
Joyce

Chapter XI

Chapter 11 of Joyce is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

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There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.
She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.
Joyce seemed to have added to her stature in the intensity of her excitement.
The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.
Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Joyce

Chapter XI

Chapter 11 of Joyce is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.
Line 2
She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.
Line 3
Joyce seemed to have added to her stature in the intensity of her excitement.
/dʒɔɪs siːmd tuː hæv ˈædəd tuː hɜːr ˈstætʃər ɪn ðə ɪnˈtensəti ʌv hɜːr ɪkˈsaɪtmənt/
Line 4
The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.
Line 5
Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

distracting verb US /dɪˈstræktɪŋ/

-ing form of “distract” — draw someone's attention away from something

From this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

enthusiast noun US /enˈθuːziæst/

an ardent and enthusiastic supporter of some person or activity

From this reading “Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.”

impassioned adjective US /ˌɪmˈpæʃənd/

characterized by intense emotion

From this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

Joyce's noun US /ˈdʒɔɪsɪz/

possessive form of “joyce” — influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

metaphor noun US /ˈmetəfɔːr/

a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity

From this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

stab verb US /stæb/

use a knife on

From this reading “Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.”

surpassing adjective US /sərˈpæsɪŋ/

exceeding or surpassing usual limits especially in excellence

From this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

swiftness noun US /ˈswɪftnəs/

a rate (usually rapid) at which something happens

From this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

chief actors noun + noun counted as “chief actor”

In this reading “The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.”

look at verb + particle

take into consideration for exemplifying purposes

In this reading “Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.”

carrying out verb + adjective counted as “carry out”

put in effect

In this reading “She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.”

went out verb + adjective counted as “go out”

move out of or depart from

In this reading “She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.”

by surprise preposition + noun

In this reading “There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.”

touch of verb + particle

In this reading “Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.”

All words in this reading · 138

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

addedverbUS /ˈædəd/

past form of “add” — make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

affairsnounUS /əˈferz/

matters of personal concern

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

agitatedadjectiveUS /ˈædʒəteɪtɪd/

troubled emotionally and usually deeply

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

appealedverbUS /əˈpiːld/

past form of “appeal” — take a court case to a higher court for review

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

astonishedadjectiveUS /əˈstɑːnɪʃt/

filled with the emotional impact of overwhelming surprise or shock

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

atprepositionUS /æt/

in or near a particular place or position

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

backadverbUS /bæk/

in or to or toward a former location

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

Bellendean

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

Bellendean's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

byprepositionUS /baɪ/

showing who or what does the action

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

carryingverbUS /ˈkæriɪŋ/

-ing form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

continueverbUS /kənˈtɪnjuː/

continue a certain state, condition, or activity

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

creature's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

detainverbUS /dɪˈteɪn/

deprive of freedom; take into confinement

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

developmentnounUS /dɪˈveləpmənt/

act of improving by expanding or enlarging or refining

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

distractingverbUS /dɪˈstræktɪŋ/

-ing form of “distract” — draw someone's attention away from something

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

enthusiastnounUS /enˈθuːziæst/

an ardent and enthusiastic supporter of some person or activity

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

excitementnounUS /ɪkˈsaɪtmənt/

the feeling of lively and cheerful joy

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

faintestadjectiveUS /ˈfeɪntəst/

superlative of “faint” — deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

father'snounUS /ˈfɑːðərz/

possessive form of “father” — a male parent (also used as a term of address to your father)

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

gazenounUS /ɡeɪz/

a long fixed look

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

hithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

humbleadjectiveUS /ˈhʌmbəl/

low or inferior in station or quality

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

humblyadverbUS /ˈhʌmbli/

in a humble manner

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

impassionedadjectiveUS /ˌɪmˈpæʃənd/

characterized by intense emotion

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

indicationnounUS /ˌɪndəˈkeɪʃən/

something that serves to indicate or suggest

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

intensitynounUS /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

Janet

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

JoycenounUS /dʒɔɪs/

influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

Joyce'snounUS /ˈdʒɔɪsɪz/

possessive form of “joyce” — influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

keenadjectiveUS /kiːn/

having or demonstrating ability to recognize or draw fine distinctions

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

lawnounUS /lɔː/

the collection of rules imposed by authority

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

likeverbUS /laɪk/

prefer or wish to do something

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

luggernoun

small fishing boat rigged with one or more lugsails

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

metaphornounUS /ˈmetəfɔːr/

a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

nodeterminerUS /noʊ/

not any; not one

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

ownverbUS /oʊn/

have ownership or possession of

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

sailsnounUS /seɪlz/

plural of “sail” — a large piece of fabric (usually canvas fabric) by means of which wind is used to propel a sailing vessel

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

scenenounUS /siːn/

the place where some action occurs

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

shawlnounUS /ʃɔːl/

cloak consisting of an oblong piece of cloth used to cover the head and shoulders

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

shipverbUS /ʃɪp/

transport commercially

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

spectatorsnounUS /ˈspekteɪtərz/

plural of “spectator” — a close observer; someone who looks at something (such as an exhibition of some kind)

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

stabverbUS /stæb/

use a knife on

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

staturenounUS /ˈstætʃər/

high level of respect gained by impressive development or achievement

From this reading Joyce seemed to have added to her stature in the intensity of her excitement.

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

sufferingnounUS /ˈsʌfərɪŋ/

a state of acute pain

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

surpassingadjectiveUS /sərˈpæsɪŋ/

exceeding or surpassing usual limits especially in excellence

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

sweptadjectiveUS /swept/

possessing sweep

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

swiftnessnounUS /ˈswɪftnəs/

a rate (usually rapid) at which something happens

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

talladjectiveUS /tɔːl/

great in vertical dimension; high in stature

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

trainverbUS /treɪn/

create by training and teaching

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

unaccustomedadjectiveUS /ˌʌnəˈkʌstəmd/

unusual or unfamiliar

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

unitynounUS /ˈjuːnəti/

an undivided or unbroken completeness or totality with nothing wanting

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

unlooked-foradjective

not anticipated

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

utmostadjectiveUS /ˈʌtmoʊst/

of the greatest possible degree or extent or intensity

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

whileconjunctionUS /waɪl/

during the time that

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

whopronounUS /huː/

which person or people

From this reading There was no one who could detain her, for the agitated group in Mrs. Bellendean’s room were too much taken by surprise, in this curious development of affairs, to do anything but gaze astonished at Joyce’s unlooked-for passion.

whosedeterminerUS /huːz/

belonging to which person

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

withprepositionUS /wɪð/

in the company of; together with

From this reading She went out of the room and out of the house, with old Janet, in her big shawl, following humbly, like a tall ship carrying out a humble little lugger in her train.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Joyce would not see her father’s face, though it appealed to her with a keen touch of unaccustomed feeling which was like a stab--nor would she suffer herself to look at Mrs. Bellendean, whose faintest indication of a wish had hitherto been almost law to the enthusiast.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The nervous swiftness with which she moved, the air of passion in all her sails, to continue the metaphor, the unity of impassioned movement with which she swept forth--not looking back nor suffering any distracting influence to touch her--made the utmost impression upon the spectators who had been, to their own thinking, themselves chief actors in the scene, until this young creature’s surpassing emotion put them all into the position of audience while she herself filled the stage.

Chapter 11 of Joyce by Mrs. (Margaret) Oliphant holds 123 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of Joyce contain?

Chapter 11 holds 123 sentences of Joyce, unabridged, divided into 25 reading sections.

This page carries chapter 11 of Joyce by Mrs. (Margaret) Oliphant exactly as it stands in the source edition, without abridgement. It runs to 123 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of Joyce?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Joyce

Common questions about reading Joyce by Mrs. (Margaret) Oliphant on this page, its source edition and its audio.

Is this the complete text of Joyce?

Yes. All 9021 sentences of Project Gutenberg eBook #61378 are kept, with a record of which sentences cover which part.

Which edition of Joyce is used?

Project Gutenberg eBook #61378, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Joyce take to read?

About 600 minutes of reading across 1805 sections of 5 sentences each, at an unhurried pace.

How to read Joyce section by section

How to work through Joyce section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of Joyce to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Joyce

Words and structures a reader meets early in Joyce, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Joyce; the reader can tap it to hear it and see its dictionary entry.
Second
A word that appears in the opening chapter of Joyce; the reader can tap it to hear it and see its dictionary entry.
Country
A word that appears in the opening chapter of Joyce; the reader can tap it to hear it and see its dictionary entry.
Gentleman
A word that appears in the opening chapter of Joyce; the reader can tap it to hear it and see its dictionary entry.