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Joyce Kilmer
Joyce Kilmer

Chapter II

Chapter 2 of Joyce Kilmer is here in full — 451 sentences across 91 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/90 · 5 lines
English subtitles · tap any word to listen 1 / 5
Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.
Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.
Kilmer declared he would like to know what they were.
Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.
“I’ll write a poem about a delicatessen shop,” Kilmer promptly replied.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Joyce Kilmer

Chapter II

Chapter 2 of Joyce Kilmer is here in full — 451 sentences across 91 reading sections, with audio for every sentence and word.

Reading 1/90 · 5 reading units · Lines 1–5

Line 1
Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.
Line 2
Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.
Line 3
Kilmer declared he would like to know what they were.
Line 4
Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.
/ˈmɪstər ˈtɑːmpsən kæst əˈbaʊt ɪn hɪz maɪnd fɔːr ðə moʊst rɪˈdɪkjələs θiːm fɔːr ə ˈpoʊəm hiː kʊd θɪŋk ʌv ənd ˈfaɪnəli proʊˈkleɪmd ðæt noʊ wʌn kʊd ˈpɑːsəbli raɪt ə ˈpoʊəm əˈbaʊt sʌtʃ ə θɪŋ æz ə ˌdelɪkəˈtesən ʃɑːp/
Line 5
“I’ll write a poem about a delicatessen shop,” Kilmer promptly replied.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

delicatessen noun US /ˌdelɪkəˈtesən/

ready-to-eat food products

From this reading “Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.”

editorial adjective US /ˌedəˈtɔːriəl/

of or relating to an article stating opinions or giving perspectives

From this reading “Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.”

Magazine noun US /ˈmæɡəziːn/

a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

proclaimed adjective US /proʊˈkleɪmd/

declared publicly; made widely known

From this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

Review noun US /ˌriːˈvjuː/

a new appraisal or evaluation

theme noun US /θiːm/

the subject matter of a conversation or discussion

From this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

Thompson noun US /ˈtɑːmpsən/

United States classical archaeologist (born in Canada) noted for leading the excavation of the Athenian agora (1906-2000)

From this reading “Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.”

Willis noun US /ˈwɪlɪs/

English physician who was a pioneer in the study of the brain (1621-1675)

From this reading “Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

write a poem verb + article + noun counted as “write … poem”

In this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

most ridiculous adverb + adjective

In this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

any amount adjective + noun

In this reading “Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.”

of course preposition + noun

as might be expected

In this reading “Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.”

cast about verb + particle

search anxiously

In this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

think of verb + particle

keep in mind for attention or consideration

In this reading “Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.”

All words in this reading · 81

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

amountnounUS /əˈmaʊnt/

a quantity of money

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

belongsverbUS /bɪˈlɔːŋz/

third-person singular of “belong” — be owned by; be in the possession of

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

BooknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

castverbUS /kæst/

put or send forth

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

couldn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

creditnounUS /ˈkredət/

approval

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

declaredadjectiveUS /dɪˈklerd/

made known or openly avowed

From this reading Kilmer declared he would like to know what they were.

DelicatessennounUS /ˌdelɪkəˈtesən/

ready-to-eat food products

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

editornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

editorialadjectiveUS /ˌedəˈtɔːriəl/

of or relating to an article stating opinions or giving perspectives

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

finallyadverbUS /ˈfaɪnəli/

after an unspecified period of time or an especially long delay

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Kilmer declared he would like to know what they were.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

I'll

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “I’ll write a poem about a delicatessen shop,” Kilmer promptly replied.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

inspiredadjectiveUS /ˌɪnˈspaɪərd/

being of such surpassing excellence as to suggest inspiration by the gods

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

Kilmer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

Kilmer's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Kilmer declared he would like to know what they were.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Kilmer declared he would like to know what they were.

lotnounUS /lɑːt/

(often followed by “of”) a large number or amount or extent

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

MagazinenounUS /ˈmæɡəziːn/

a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

mostadverbUS /moʊst/

used to form the superlative

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

nodeterminerUS /noʊ/

not any; not one

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

possiblyadverbUS /ˈpɑːsəbli/

by chance

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

proclaimedadjectiveUS /proʊˈkleɪmd/

declared publicly; made widely known

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

promptlyadverbUS /ˈprɑːmptli/

with little or no delay

From this reading “I’ll write a poem about a delicatessen shop,” Kilmer promptly replied.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

repliedverbUS /rɪˈplaɪd/

inflected form of “reply” — react verbally

From this reading “I’ll write a poem about a delicatessen shop,” Kilmer promptly replied.

ReviewnounUS /ˌriːˈvjuː/

a new appraisal or evaluation

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

ridiculousadjectiveUS /rɪˈdɪkjələs/

inspiring scornful pity

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

sayverbUS /seɪ/

express in words

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

shopverbUS /ʃɑːp/

do one's shopping

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

stuffnounUS /stʌf/

the tangible substance that goes into the makeup of a physical object

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

SundaynounUS /ˈsʌndeɪ/

first day of the week; observed as a day of rest and worship by most Christians

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

thereadverbUS /ðer/

in or at that place or location

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Kilmer declared he would like to know what they were.

thingnounUS /θɪŋ/

a special situation

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

ThompsonnounUS /ˈtɑːmpsən/

United States classical archaeologist (born in Canada) noted for leading the excavation of the Athenian agora (1906-2000)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

TimesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

waynounUS /weɪ/

how something is done or how it happens

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Kilmer declared he would like to know what they were.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Mr. Thompson happened to remark to Kilmer that of course there were a lot of things which couldn’t be treated in poetry.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

WillisnounUS /ˈwɪlɪs/

English physician who was a pioneer in the study of the brain (1621-1675)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Kilmer declared he would like to know what they were.

writeverbUS /raɪt/

produce a literary work

From this reading Mr. Thompson cast about in his mind for the most ridiculous theme for a poem he could think of, and finally proclaimed that no one could possibly write a poem about such a thing as a delicatessen shop.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading Charles Willis Thompson, an editorial writer of the _New York Times_, and to whom belongs the credit of first taking, as editor of the _Sunday Magazine_ and _Book Review_, Kilmer’s “stuff” in any amount, inspired, so to say, the poem “Delicatessen,” in this way.

Chapter 2 of Joyce Kilmer by Joyce Kilmer holds 451 sentences, grouped into 91 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Joyce Kilmer contain?

Chapter 2 holds 451 sentences of Joyce Kilmer, unabridged, divided into 91 reading sections.

This page carries chapter 2 of Joyce Kilmer by Joyce Kilmer exactly as it stands in the source edition, without abridgement. It runs to 451 sentences, grouped into 91 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Joyce Kilmer?

Work through the 91 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 91 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Joyce Kilmer

Common questions about reading Joyce Kilmer by Joyce Kilmer on this page, its source edition and its audio.

Is this the complete text of Joyce Kilmer?

Yes. All 1628 sentences of Project Gutenberg eBook #65652 are kept, with a record of which sentences cover which part.

Which edition of Joyce Kilmer is used?

Project Gutenberg eBook #65652, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Joyce Kilmer take to read?

About 135 minutes of reading across 326 sections of 5 sentences each, at an unhurried pace.

How to read Joyce Kilmer section by section

How to work through Joyce Kilmer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of Joyce Kilmer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Joyce Kilmer

Words and structures a reader meets early in Joyce Kilmer, each tappable for pronunciation and meaning.

Persons
A word that appears in the opening chapter of Joyce Kilmer; the reader can tap it to hear it and see its dictionary entry.
Contributed
A word that appears in the opening chapter of Joyce Kilmer; the reader can tap it to hear it and see its dictionary entry.
Exceedingly
A word that appears in the opening chapter of Joyce Kilmer; the reader can tap it to hear it and see its dictionary entry.
Valuable
A word that appears in the opening chapter of Joyce Kilmer; the reader can tap it to hear it and see its dictionary entry.