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Joyce's Investments: A Story for Girls
Joyce's Investments: A Story for Girls

Chapter II · Chapter 2

Chapter 2 of Joyce's Investments: A Story for Girls is here in full — 126 sentences across 26 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/25 · 5 lines
English subtitles · tap any word to listen 1 / 5
JOYCE'S INTERESTS.
Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."
Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"
So was the site of the great factories known as the Early Glass Works.
They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Joyce's Investments: A Story for Girls

Chapter II · Chapter 2

Chapter 2 of Joyce's Investments: A Story for Girls is here in full — 126 sentences across 26 reading sections, with audio for every sentence and word.

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
JOYCE'S INTERESTS.
/ˈdʒɔɪsɪz ˈɪntrəsts/
Line 2
Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."
Line 3
Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"
/hæd ʃiː neɪmd ðem ə ˈdezərt ˌɪnˈsted ðoʊ ʃiː wʊd hæv bɪn ˈnɪrər kərˈekt fɔːr ɪz nɑːt ə ˈdezərt ə ɡreɪt ˈsændi pleɪn/
Line 4
So was the site of the great factories known as the Early Glass Works.
/soʊ wɑːz ðə saɪt ʌv ðə ɡreɪt ˈfæktəriz noʊn æz ðə ˈɜːrli ɡlæs wɜːrks/
Line 5
They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

construct verb US /kənˈstrʌkt/

make by combining materials and parts

From this reading “They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.”

exaggerated adjective US /ɪɡˈzædʒəreɪtəd/

represented as greater than is true or reasonable

From this reading “Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."”

factories noun US /ˈfæktəriz/

plural of “factory” — a plant consisting of one or more buildings with facilities for manufacturing

From this reading “So was the site of the great factories known as the Early Glass Works.”

Joyce noun US /dʒɔɪs/

influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading “JOYCE'S INTERESTS.”

joyce's noun US /ˈdʒɔɪsɪz/

possessive form of “joyce” — influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading “JOYCE'S INTERESTS.”

site noun US /saɪt/

the piece of land on which something is located (or is to be located)

From this reading “So was the site of the great factories known as the Early Glass Works.”

skirted verb US /ˈskɜːrtɪd/

past form of “skirt” — avoid or try to avoid fulfilling, answering, or performing (duties, questions, or issues)

From this reading “Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."”

uninviting adjective US /ˌʌnɪnˈvaɪtɪŋ/

neither attractive nor tempting

From this reading “Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

acresnounUS /ˈeɪkərz/

extensive landed property (especially in the country) retained by the owner for his own use

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

anyhowadverbUS /ˈenihaʊ/

used to indicate that a statement explains or supports a previous statement

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

atprepositionUS /æt/

in or near a particular place or position

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

Camille

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

constructverbUS /kənˈstrʌkt/

make by combining materials and parts

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

correctverbUS /kərˈekt/

make right or correct

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

costlyadjectiveUS /ˈkɑːstli/

entailing great loss or sacrifice

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

desertverbUS /ˈdezərt/

leave someone who needs or counts on you; leave in the lurch

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

desolateadjectiveUS /ˈdesələt/

providing no shelter or sustenance

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

EarlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading So was the site of the great factories known as the Early Glass Works.

exaggeratedadjectiveUS /ɪɡˈzædʒəreɪtəd/

represented as greater than is true or reasonable

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

factoriesnounUS /ˈfæktəriz/

plural of “factory” — a plant consisting of one or more buildings with facilities for manufacturing

From this reading So was the site of the great factories known as the Early Glass Works.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

GlassnounUS /ɡlæs/

a brittle transparent solid with irregular atomic structure

From this reading So was the site of the great factories known as the Early Glass Works.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

inheritedadjectiveUS /ˌɪnˈherətɪd/

occurring among members of a family usually by heredity

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

INTERESTSnounUS /ˈɪntrəsts/

plural of “interest” — a sense of concern with and curiosity about someone or something

From this reading JOYCE'S INTERESTS.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

JoycenounUS /dʒɔɪs/

influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

JOYCE'SnounUS /ˈdʒɔɪsɪz/

possessive form of “joyce” — influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading JOYCE'S INTERESTS.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading So was the site of the great factories known as the Early Glass Works.

landsnounUS /lændz/

plural of “land” — the land on which real estate is located

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

machinerynounUS /məˈʃiːnəri/

machines or machine systems collectively

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

manageverbUS /ˈmænədʒ/

be successful; achieve a goal

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

marshnounUS /mɑːrʃ/

low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

namedverbUS /neɪmd/

past form of “name” — assign a specified (usually proper) proper name to

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

neareradverbUS /ˈnɪrər/

(comparative of “near” or “close”) within a shorter distance

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

nodeterminerUS /noʊ/

not any; not one

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

plainadjectiveUS /pleɪn/

clearly revealed to the mind or the senses or judgment

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

referredverbUS /rəˈfɜːrd/

inflected form of “refer” — make reference to

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

sandyadjectiveUS /ˈsændi/

of hair color; pale yellowish to yellowish brown

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

setverbUS /set/

put into a certain place or abstract location

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

settlementnounUS /ˈsetəlmənt/

a body of people who settle far from home but maintain ties with their homeland; inhabitants remain nationals of their home state but are not literally under the home state's system of government

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

shelternounUS /ˈʃeltər/

a structure that provides privacy and protection from danger

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

sitenounUS /saɪt/

the piece of land on which something is located (or is to be located)

From this reading So was the site of the great factories known as the Early Glass Works.

skirtedverbUS /ˈskɜːrtɪd/

past form of “skirt” — avoid or try to avoid fulfilling, answering, or performing (duties, questions, or issues)

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So was the site of the great factories known as the Early Glass Works.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

spotnounUS /spɑːt/

a point located with respect to surface features of some region

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

truthnounUS /truːθ/

a fact that has been verified

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

uninvitingadjectiveUS /ˌʌnɪnˈvaɪtɪŋ/

neither attractive nor tempting

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

unpicturesqueadjective

without beauty or charm

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading So was the site of the great factories known as the Early Glass Works.

whenconjunctionUS /wen/

at the time that

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

whopronounUS /huː/

which person or people

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

withprepositionUS /wɪð/

in the company of; together with

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow.

WorksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands."

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?"

Chapter 2 of Joyce's Investments: A Story for Girls by Fannie E. (Fannie Ellsworth) Newberry holds 126 sentences, grouped into 26 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Joyce's Investments: A Story for Girls contain?

Chapter 2 holds 126 sentences of Joyce's Investments: A Story for Girls, unabridged, divided into 26 reading sections.

This page carries chapter 2 of Joyce's Investments: A Story for Girls by Fannie E. (Fannie Ellsworth) Newberry exactly as it stands in the source edition, without abridgement. It runs to 126 sentences, grouped into 26 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Joyce's Investments: A Story for Girls?

Work through the 26 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 26 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Joyce's Investments: A Story for Girls

Common questions about reading Joyce's Investments: A Story for Girls by Fannie E. (Fannie Ellsworth) Newberry on this page, its source edition and its audio.

Is this the complete text of Joyce's Investments: A Story for Girls?

Yes. All 4896 sentences of Project Gutenberg eBook #21857 are kept, with a record of which sentences cover which part.

Which edition of Joyce's Investments: A Story for Girls is used?

Project Gutenberg eBook #21857, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Joyce's Investments: A Story for Girls take to read?

About 408 minutes of reading across 980 sections of 5 sentences each, at an unhurried pace.

How to read Joyce's Investments: A Story for Girls section by section

How to work through Joyce's Investments: A Story for Girls section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of Joyce's Investments: A Story for Girls to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Joyce's Investments: A Story for Girls

Words and structures a reader meets early in Joyce's Investments: A Story for Girls, each tappable for pronunciation and meaning.

Friends
A word that appears in the opening chapter of Joyce's Investments: A Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Lavillotte
A word that appears in the opening chapter of Joyce's Investments: A Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Descended
A word that appears in the opening chapter of Joyce's Investments: A Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Elevator
A word that appears in the opening chapter of Joyce's Investments: A Story for Girls; the reader can tap it to hear it and see its dictionary entry.