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Keats: Poems Published in 1820
Keats: Poems Published in 1820

Chapter IX · Chapter 9

Chapter 9 of Keats: Poems Published in 1820 is here in full — 161 sentences across 33 reading sections, with audio for every sentence and word.

Cover illustration for Keats: Poems Published in 1820
Context Illustration Reading 1/32 · 5 lines
English subtitles · tap any word to listen 1 / 5
PAGE 145. ll.
2-3.
By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.
10.
See how the sense is expressed in the cadence of the line.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Keats: Poems Published in 1820

Chapter IX · Chapter 9

Chapter 9 of Keats: Poems Published in 1820 is here in full — 161 sentences across 33 reading sections, with audio for every sentence and word.

Reading 1/32 · 5 reading units · Lines 1–5

Line 1
PAGE 145. ll.
Line 2
2-3.
Line 3
By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.
Line 4
10.
Line 5
See how the sense is expressed in the cadence of the line.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cadence noun US /ˈkeɪdəns/

(prosody) the accent in a metrical foot of verse

From this reading “See how the sense is expressed in the cadence of the line.”

changes noun US /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

changing adjective US /ˈtʃeɪndʒɪŋ/

marked by continuous change or effective action

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

gloom noun US /ɡluːm/

a state of partial or total darkness

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

Keats noun US /kiːts/

Englishman and romantic poet (1795-1821)

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

loneliness noun US /ˈloʊnlinəs/

the state of being alone in solitary isolation

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

realize verb US /ˈriːəlaɪz/

be fully aware or cognizant of

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

vivid adjective US /ˈvɪvəd/

evoking lifelike images within the mind

From this reading “By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.”

All words in this reading · 44

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

10

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10.

145

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PAGE 145. ll.

2

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 2-3.

3

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 2-3.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

atprepositionUS /æt/

in or near a particular place or position

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

cadencenounUS /ˈkeɪdəns/

(prosody) the accent in a metrical foot of verse

From this reading See how the sense is expressed in the cadence of the line.

changesnounUS /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

changingadjectiveUS /ˈtʃeɪndʒɪŋ/

marked by continuous change or effective action

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading See how the sense is expressed in the cadence of the line.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

givingnounUS /ˈɡɪvɪŋ/

the act of giving

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

gloomnounUS /ɡluːm/

a state of partial or total darkness

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading See how the sense is expressed in the cadence of the line.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading See how the sense is expressed in the cadence of the line.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading See how the sense is expressed in the cadence of the line.

KeatsnounUS /kiːts/

Englishman and romantic poet (1795-1821)

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

lnounUS /el/

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading See how the sense is expressed in the cadence of the line.

ll

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PAGE 145. ll.

lonelinessnounUS /ˈloʊnlinəs/

the state of being alone in solitary isolation

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

noonnounUS /nuːn/

the middle of the day

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

PAGEnounUS /peɪdʒ/

one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading PAGE 145. ll.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

realizeverbUS /ˈriːəlaɪz/

be fully aware or cognizant of

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

SeeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading See how the sense is expressed in the cadence of the line.

sensenounUS /sens/

a general conscious awareness

From this reading See how the sense is expressed in the cadence of the line.

terribleadjectiveUS /ˈterəbəl/

causing fear or dread or terror

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

vividadjectiveUS /ˈvɪvəd/

evoking lifelike images within the mind

From this reading By thus giving us a vivid picture of the changing day--at morning, noon, and night--Keats makes us realize the terrible loneliness and gloom of a place too deep to feel these changes. l.

Chapter 9 of Keats: Poems Published in 1820 by John Keats holds 161 sentences, grouped into 33 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Keats: Poems Published in 1820 contain?

Chapter 9 holds 161 sentences of Keats: Poems Published in 1820, unabridged, divided into 33 reading sections.

This page carries chapter 9 of Keats: Poems Published in 1820 by John Keats exactly as it stands in the source edition, without abridgement. It runs to 161 sentences, grouped into 33 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Keats: Poems Published in 1820?

Work through the 33 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 33 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Keats: Poems Published in 1820

Common questions about reading Keats: Poems Published in 1820 by John Keats on this page, its source edition and its audio.

Is this the complete text of Keats: Poems Published in 1820?

Yes. All 2634 sentences of Project Gutenberg eBook #23684 are kept, with a record of which sentences cover which part.

Which edition of Keats: Poems Published in 1820 is used?

Project Gutenberg eBook #23684, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Keats: Poems Published in 1820 take to read?

About 219 minutes of reading across 527 sections of 5 sentences each, at an unhurried pace.

How to read Keats: Poems Published in 1820 section by section

How to work through Keats: Poems Published in 1820 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Keats: Poems Published in 1820

Words and structures a reader meets early in Keats: Poems Published in 1820, each tappable for pronunciation and meaning.

Words
A word that appears in the opening chapter of Keats: Poems Published in 1820; the reader can tap it to hear it and see its dictionary entry.
Italics
A word that appears in the opening chapter of Keats: Poems Published in 1820; the reader can tap it to hear it and see its dictionary entry.
Original
A word that appears in the opening chapter of Keats: Poems Published in 1820; the reader can tap it to hear it and see its dictionary entry.
Surrounded
A word that appears in the opening chapter of Keats: Poems Published in 1820; the reader can tap it to hear it and see its dictionary entry.