Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Chapter II

Chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is here in full — 382 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
Context Illustration Reading 1/76 · 5 lines
English subtitles · tap any word to listen 1 / 5
On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.
The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.
§ 6.
VERSIFICATION.
As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Chapter II

Chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is here in full — 382 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/76 · 5 reading units · Lines 1–5

Line 1
On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.
/ɑːn ðə hoʊl ðen wiː siː ðæt ðə ˈlæŋɡwədʒ ʌv kɪŋ hɔːrn ɪz mʌtʃ les ˈɪnfluːənst ðæn wʌn wʊd ɪkˈspekt baɪ ˈoʊldər ˈɪŋɡlɪʃ ˈmɑːdəlz/
Line 2
The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.
/ðə ˈlæŋɡwədʒ ʌv ðə ˈsekənd ɡroʊθ ʌv ˈstɔːri siːmz tuː hæv ˈfɑːlən ˈɪntuː nuː kənˈvenʃənəl moʊldz kwaɪt ˌɪndɪˈpendənt ʌv ðə ˈoʊldər trəˈdɪʃən/
Line 3
§ 6.
Line 4
VERSIFICATION.
Line 5
As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.
/æz wiː hæv siːn ðə ˌfreɪziˈɔːlɔːdʒi ʌv kɪŋ hɔːrn ʃoʊz ˈrelətɪvli ˈlɪtəl treɪs ʌv ˈɪnfluːəns baɪ ðə ˈoʊldər ˈɪŋɡlɪʃ trəˈdɪʃənəl ˈsteriətaɪpt fɔːrmz ʌv ɪkˈspreʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conventional adjective US /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading “The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.”

influenced verb US /ˈɪnfluːənst/

past form of “influence” — have and exert influence or effect

From this reading “On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.”

models noun US /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading “On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.”

moulds noun US /moʊldz/

plural of “mould” — loose soil rich in organic matter

From this reading “The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.”

phraseology noun US /ˌfreɪziˈɔːlɔːdʒi/

the manner in which something is expressed in words

From this reading “As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.”

relatively adverb US /ˈrelətɪvli/

in a relative manner; by comparison to something else

From this reading “As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.”

stereotyped adjective US /ˈsteriətaɪpt/

lacking spontaneity or originality or individuality

From this reading “As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.”

traditional adjective US /trəˈdɪʃənəl/

consisting of or derived from tradition

From this reading “As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

quite independent adverb + adjective

In this reading “The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.”

All words in this reading · 51

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

6

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading § 6.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

byprepositionUS /baɪ/

showing who or what does the action

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

conventionaladjectiveUS /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

expectverbUS /ɪkˈspekt/

regard something as probable or likely

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

fallenadjectiveUS /ˈfɑːlən/

having dropped by the force of gravity

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

growthnounUS /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

HornnounUS /hɔːrn/

a noisemaker (as at parties or games) that makes a loud noise when you blow through it

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

independentadjectiveUS /ˌɪndɪˈpendənt/

free from external control and constraint

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

influencedverbUS /ˈɪnfluːənst/

past form of “influence” — have and exert influence or effect

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

modelsnounUS /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

mouldsnounUS /moʊldz/

plural of “mould” — loose soil rich in organic matter

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

phraseologynounUS /ˌfreɪziˈɔːlɔːdʒi/

the manner in which something is expressed in words

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

relativelyadverbUS /ˈrelətɪvli/

in a relative manner; by comparison to something else

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

showsnounUS /ʃoʊz/

plural of “show” — the act of publicly exhibiting or entertaining

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

stereotypedadjectiveUS /ˈsteriətaɪpt/

lacking spontaneity or originality or individuality

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

tracenounUS /treɪs/

a just detectable amount

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

traditionnounUS /trəˈdɪʃən/

an inherited pattern of thought or action

From this reading The language of the second growth of story seems to have fallen into new conventional moulds quite independent of the older tradition.

traditionaladjectiveUS /trəˈdɪʃənəl/

consisting of or derived from tradition

From this reading As we have seen, the phraseology of King Horn shows relatively little trace of influence by the older English traditional stereotyped forms of expression.

VERSIFICATIONnoun

a metrical adaptation of something (e.g., of a prose text)

From this reading VERSIFICATION.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading On the whole, then, we see that the language of King Horn is much less influenced, than one would expect, by older English models.

Chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby holds 382 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady contain?

Chapter 2 holds 382 sentences of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady, unabridged, divided into 77 reading sections.

This page carries chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby exactly as it stands in the source edition, without abridgement. It runs to 382 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Common questions about reading King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby on this page, its source edition and its audio.

Is this the complete text of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady?

Yes. All 11199 sentences of Project Gutenberg eBook #42713 are kept, with a record of which sentences cover which part.

Which edition of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is used?

Project Gutenberg eBook #42713, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does King Horn, Floriz and Blauncheflur, The Assumption of Our Lady take to read?

About 600 minutes of reading across 2240 sections of 5 sentences each, at an unhurried pace.

How to read King Horn, Floriz and Blauncheflur, The Assumption of Our Lady section by section

How to work through King Horn, Floriz and Blauncheflur, The Assumption of Our Lady section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Words and structures a reader meets early in King Horn, Floriz and Blauncheflur, The Assumption of Our Lady, each tappable for pronunciation and meaning.

Includes
A word that appears in the opening chapter of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady; the reader can tap it to hear it and see its dictionary entry.
Characters
A word that appears in the opening chapter of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady; the reader can tap it to hear it and see its dictionary entry.
Require
A word that appears in the opening chapter of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady; the reader can tap it to hear it and see its dictionary entry.
Unicode
A word that appears in the opening chapter of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady; the reader can tap it to hear it and see its dictionary entry.