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King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Chapter IV

Chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is here in full — 381 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
Context Illustration Reading 1/76 · 5 lines
English subtitles · tap any word to listen 1 / 5
The Assumption thus finds its setting among the very finest of the English legendary poems.
According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.
The period immediately following shows a decided falling off in poetic power and in talent for form.
The tone loses in depth and warmth, the style in fullness and swing.’
In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Chapter IV

Chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is here in full — 381 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/76 · 5 reading units · Lines 1–5

Line 1
The Assumption thus finds its setting among the very finest of the English legendary poems.
/ðə əˈsʌmpʃən ðʌs faɪndz ɪts ˈsetɪŋ əˈmʌŋ ðə ˈveri ˈfaɪnəst ʌv ðə ˈɪŋɡlɪʃ ˈledʒənderi ˈpoʊəmz/
Line 2
According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.
Line 3
The period immediately following shows a decided falling off in poetic power and in talent for form.
/ðə ˈpɪriəd ˌɪˈmiːdiːətli ˈfɑːloʊɪŋ ʃoʊz ə ˌdɪˈsaɪdɪd ˈfɑːlɪŋ ɔːf ɪn poʊˈetɪk ˈpaʊər ənd ɪn ˈtælənt fɔːr fɔːrm/
Line 4
The tone loses in depth and warmth, the style in fullness and swing.’
/ðə toʊn ˈluːzəz ɪn depθ ənd wɔːrmθ ðə staɪl ɪn ˈfʊlnəs ənd swɪŋ/
Line 5
In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Assumption noun US /əˈsʌmpʃən/

a statement that is assumed to be true and from which a conclusion can be drawn

From this reading “The Assumption thus finds its setting among the very finest of the English legendary poems.”

collections noun US /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading “In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.”

fullness noun US /ˈfʊlnəs/

completeness over a broad scope

From this reading “The tone loses in depth and warmth, the style in fullness and swing.’”

legendary adjective US /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading “The Assumption thus finds its setting among the very finest of the English legendary poems.”

legends noun US /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading “According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.”

loses verb US /ˈluːzəz/

third-person singular of “lose” — fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading “The tone loses in depth and warmth, the style in fullness and swing.’”

monks noun US /mʌŋks/

plural of “monk” — a male religious living in a cloister and devoting himself to contemplation and prayer and work

From this reading “In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.”

pathos noun US /ˈpeɪθɑːs/

a quality that arouses emotions (especially pity or sorrow)

From this reading “According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

th century noun + noun

In this reading “In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.”

immediately following adverb + adjective

In this reading “The period immediately following shows a decided falling off in poetic power and in talent for form.”

same height adjective + noun

In this reading “According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.”

entered the service verb + article + noun counted as “enter … service”

In this reading “In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

13th

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

AccordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

againadverbUS /əˈɡen/

anew

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

AssumptionnounUS /əˈsʌmpʃən/

a statement that is assumed to be true and from which a conclusion can be drawn

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

churchnounUS /tʃɜːrtʃ/

one of the groups of Christians who have their own beliefs and forms of worship

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

collectionsnounUS /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

decidedadjectiveUS /ˌdɪˈsaɪdɪd/

recognizable; marked

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

depthnounUS /depθ/

the extent downward or backward or inward

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

fallingadjectiveUS /ˈfɑːlɪŋ/

decreasing in amount or degree

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

findsnounUS /faɪndz/

plural of “find” — a productive insight

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

finestadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

fullnessnounUS /ˈfʊlnəs/

completeness over a broad scope

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

heightnounUS /haɪt/

the vertical dimension of extension; distance from the base of something to the top

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

Horstmann

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

lastadjectiveUS /læst/

immediately past

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

legendaryadjectiveUS /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

legendsnounUS /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

losesverbUS /ˈluːzəz/

third-person singular of “lose” — fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

monksnounUS /mʌŋks/

plural of “monk” — a male religious living in a cloister and devoting himself to contemplation and prayer and work

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

NeveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

pnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

pathosnounUS /ˈpeɪθɑːs/

a quality that arouses emotions (especially pity or sorrow)

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

puritynounUS /ˈpjʊrəti/

being undiluted or unmixed with extraneous material

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

quarternounUS /ˈkwɔːrtər/

one of four equal parts

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

servicenounUS /ˈsɜːrvəs/

work done by one person or group that benefits another

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

servicesnounUS /ˈsɜːrvəsəz/

performance of duties or provision of space and equipment helpful to others

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

settingnounUS /ˈsetɪŋ/

the context and environment in which something is set

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

showsnounUS /ʃoʊz/

plural of “show” — the act of publicly exhibiting or entertaining

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

stylenounUS /staɪl/

how something is done or how it happens

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

swingverbUS /swɪŋ/

move in a curve or arc, usually with the intent of hitting

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

talentnounUS /ˈtælənt/

natural abilities or qualities

From this reading The period immediately following shows a decided falling off in poetic power and in talent for form.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

tonenounUS /toʊn/

the quality of a person's voice

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The Assumption thus finds its setting among the very finest of the English legendary poems.

warmthnounUS /wɔːrmθ/

the sensation caused by heat energy

From this reading The tone loses in depth and warmth, the style in fullness and swing.’

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading In the last quarter of the 13th century, as we shall see, the legendary poetry entered the service of the church, and was worked over by the monks into great collections for reading in the services.

xliiiadjective

being three more than forty

From this reading According to Horstmann (as above, p. xliii): ‘Never again has legendary poetry reached the same height of pathos, the same purity and beauty of form as in these older legends.

Chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby holds 381 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady contain?

Chapter 4 holds 381 sentences of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady, unabridged, divided into 77 reading sections.

This page carries chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby exactly as it stands in the source edition, without abridgement. It runs to 381 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Common questions about reading King Horn, Floriz and Blauncheflur, The Assumption of Our Lady by J. Rawson (Joseph Rawson) [Editor] Lumby on this page, its source edition and its audio.

Is this the complete text of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady?

Yes. All 11199 sentences of Project Gutenberg eBook #42713 are kept, with a record of which sentences cover which part.

Which edition of King Horn, Floriz and Blauncheflur, The Assumption of Our Lady is used?

Project Gutenberg eBook #42713, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does King Horn, Floriz and Blauncheflur, The Assumption of Our Lady take to read?

About 600 minutes of reading across 2240 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in King Horn, Floriz and Blauncheflur, The Assumption of Our Lady

Words and structures a reader meets early in King Horn, Floriz and Blauncheflur, The Assumption of Our Lady, each tappable for pronunciation and meaning.

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Require
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