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Lectures on the English Poets
Lectures on the English Poets

Chapter I · Chapter 1

Chapter 1 of Lectures on the English Poets is here in full — 365 sentences across 73 reading sections, with audio for every sentence and word.

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The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.
In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.
Poetry is the language of the imagination and the passions.
It relates to whatever gives immediate pleasure or pain to the human mind.
It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Lectures on the English Poets

Chapter I · Chapter 1

Chapter 1 of Lectures on the English Poets is here in full — 365 sentences across 73 reading sections, with audio for every sentence and word.

Reading 1/73 · 5 reading units · Lines 1–5

Line 1
The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.
/ðə best ˈdʒenərəl ˈnoʊʃən wɪtʃ aɪ kæn ɡɪv ʌv ˈpoʊətri ɪz ðæt ɪt ɪz ðə ˈnætʃərəl ˌɪmˈpreʃən ʌv ˈeni ˈɑːbdʒekt ɔːr ɪˈvent baɪ ɪts ˈvɪvədnəs ɪkˈsaɪtɪŋ æn ˌɪnˈvɑːlənteri ˈmuːvmənt ʌv ˌɪmædʒəˈneɪʃən ənd ˈpæʃən ənd prəˈduːsɪŋ baɪ ˈsɪmpəθi ə ˈsɜːrtən ˌmɑːdʒəˈleɪʃən ʌv ðə vɔɪs ɔːr saʊndz ɪkˈspresɪŋ ɪt/
Line 2
In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.
Line 3
Poetry is the language of the imagination and the passions.
/ˈpoʊətri ɪz ðə ˈlæŋɡwədʒ ʌv ðə ˌɪmædʒəˈneɪʃən ənd ðə ˈpæʃənz/
Line 4
It relates to whatever gives immediate pleasure or pain to the human mind.
/ɪt rɪˈleɪts tuː ˌwʌˈtevər ɡɪvz ˌɪˈmiːdiːət ˈpleʒər ɔːr peɪn tuː ðə ˈhjuːmən maɪnd/
Line 5
It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

businesses noun US /ˈbɪznəsəz/

plural of “business” — a commercial or industrial enterprise and the people who constitute it

From this reading “It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.”

intelligible adjective US /ˌɪnˈtelədʒəbəl/

capable of being apprehended or understood

From this reading “It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.”

involuntary adjective US /ˌɪnˈvɑːlənteri/

not subject to the control of the will

From this reading “The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.”

modulation noun US /ˌmɑːdʒəˈleɪʃən/

a musical passage moving from one key to another

From this reading “The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.”

producing verb US /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading “The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.”

relates verb US /rɪˈleɪts/

third-person singular of “relate” — make a logical or causal connection

From this reading “It relates to whatever gives immediate pleasure or pain to the human mind.”

treating verb US /ˈtriːtɪŋ/

-ing form of “treat” — interact in a certain way

From this reading “In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.”

vividness noun US /ˈvɪvədnəs/

interest and variety and intensity

From this reading “The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

afterwardsadverbUS /ˈæftərwərdz/

happening at a time subsequent to a reference time

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

bestnounUS /best/

the supreme effort one can make

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

birthnounUS /bɜːrθ/

the time when something begins (especially life)

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

bosoms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

businessesnounUS /ˈbɪznəsəz/

plural of “business” — a commercial or industrial enterprise and the people who constitute it

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

connectionnounUS /kəˈnekʃən/

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

eventnounUS /ɪˈvent/

something that happens at a given place and time

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

excitingadjectiveUS /ɪkˈsaɪtɪŋ/

creating or arousing excitement

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

expressingverbUS /ɪkˈspresɪŋ/

-ing form of “express” — give expression to

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

harmonynounUS /ˈhɑːrməni/

compatibility in opinion and action

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

homenounUS /hoʊm/

where you live at a particular time

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

intelligibleadjectiveUS /ˌɪnˈtelədʒəbəl/

capable of being apprehended or understood

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

involuntaryadjectiveUS /ˌɪnˈvɑːlənteri/

not subject to the control of the will

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading Poetry is the language of the imagination and the passions.

mennounUS /men/

the force of workers available

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

modulationnounUS /ˌmɑːdʒəˈleɪʃən/

a musical passage moving from one key to another

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

mostadverbUS /moʊst/

used to form the superlative

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

notionnounUS /ˈnoʊʃən/

a vague idea in which some confidence is placed

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

passionsnounUS /ˈpæʃənz/

plural of “passion” — a strong feeling or emotion

From this reading Poetry is the language of the imagination and the passions.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

relatesverbUS /rɪˈleɪts/

third-person singular of “relate” — make a logical or causal connection

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

shapenounUS /ʃeɪp/

any spatial attributes (especially as defined by outline)

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

soundsnounUS /saʊndz/

plural of “sound” — the particular auditory effect produced by a given cause

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

speakverbUS /spiːk/

express in speech

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

subject-matter

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

sympathynounUS /ˈsɪmpəθi/

an inclination to support or be loyal to or to agree with an opinion

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

treatingverbUS /ˈtriːtɪŋ/

-ing form of “treat” — interact in a certain way

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

vividnessnounUS /ˈvɪvədnəs/

interest and variety and intensity

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It comes home to the bosoms and businesses of men; for nothing but what so comes home to them in the most general and intelligible shape, can be a subject for poetry.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading It relates to whatever gives immediate pleasure or pain to the human mind.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it.

withprepositionUS /wɪð/

in the company of; together with

From this reading In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connection with harmony of sound.

Chapter 1 of Lectures on the English Poets by William Hazlitt holds 365 sentences, grouped into 73 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Lectures on the English Poets contain?

Chapter 1 holds 365 sentences of Lectures on the English Poets, unabridged, divided into 73 reading sections.

This page carries chapter 1 of Lectures on the English Poets by William Hazlitt exactly as it stands in the source edition, without abridgement. It runs to 365 sentences, grouped into 73 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Lectures on the English Poets?

Work through the 73 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 73 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Lectures on the English Poets

Common questions about reading Lectures on the English Poets by William Hazlitt on this page, its source edition and its audio.

Is this the complete text of Lectures on the English Poets?

Yes. All 2545 sentences of Project Gutenberg eBook #16209 are kept, with a record of which sentences cover which part.

Which edition of Lectures on the English Poets is used?

Project Gutenberg eBook #16209, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Lectures on the English Poets take to read?

About 212 minutes of reading across 509 sections of 5 sentences each, at an unhurried pace.

How to read Lectures on the English Poets section by section

How to work through Lectures on the English Poets section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Lectures on the English Poets to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Lectures on the English Poets

Words and structures a reader meets early in Lectures on the English Poets, each tappable for pronunciation and meaning.

General
A word that appears in the opening chapter of Lectures on the English Poets; the reader can tap it to hear it and see its dictionary entry.
Notion
A word that appears in the opening chapter of Lectures on the English Poets; the reader can tap it to hear it and see its dictionary entry.
Poetry
A word that appears in the opening chapter of Lectures on the English Poets; the reader can tap it to hear it and see its dictionary entry.
Natural
A word that appears in the opening chapter of Lectures on the English Poets; the reader can tap it to hear it and see its dictionary entry.