used before a singular noun to mean one of a group, when it is not a particular one
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
(of actions or states) slightly short of or not quite accomplished; all but
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
at all times; all the time and on every occasion
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
the form of “a” used before a word that begins with a vowel sound
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
used to join words or parts of a sentence that go together
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
a person whose creative work shows sensitivity and imagination
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
at the same time that; because; in the way that
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
in or near a particular place or position
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
BALDRY
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
in the space, time, or range separating two things
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
the two together, not just one
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
used to introduce something that contrasts with what came before
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
showing who or what does the action
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
a degree on the centigrade scale of temperature
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
to be able to, or to be allowed to
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
CathedralnounUS /kəˈθiːdrəl/
any large and important church
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
COnounUS /koʊ/
an odorless very poisonous gas that is a product of incomplete combustion of carbon
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
having or capable of producing colors
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
a relation between things or events (as in the case of one causing the other or sharing features with it)
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
customaryadjectiveUS /ˈkʌstəmeri/
in accordance with convention or custom
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
decorationnounUS /ˌdekərˈeɪʃən/
something used to beautify
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
definiteadjectiveUS /ˈdefənət/
precise; explicit and clearly defined
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
departsverbUS /dɪˈpɑːrts/
third-person singular of “depart” — move away from a place into another direction
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
the act of working out the form of something (as by making a sketch or outline or plan)
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
a line leading to a place or point
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
DomenounUS /doʊm/
a concave shape whose distinguishing characteristic is that the concavity faces downward
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
being one more than seven
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
an item of information that is typical of a class or group
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
intended to be given to, or used by, somebody
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
the phonological or orthographic sound or appearance of a word that can be used to describe or identify something
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
FREDERICKnounUS /ˈfredrɪk/
a town in northern Maryland to the west of Baltimore
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
showing where something starts, or who sent it
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
GallerynounUS /ˈɡæləri/
spectators at a golf or tennis match
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
cause to have, in the abstract sense or physical sense
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
a man, boy, or male animal already mentioned, as the subject
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
belonging to a man, boy, or male animal already mentioned
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
ILLUSTRATEDverbUS /ˈɪləstreɪtəd/
past form of “illustrate” — clarify by giving an example of
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/
(used of persons or artifacts) marked by independence and creativity in thought or action
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
of great significance or value
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
inside something, or within a place, period, or state
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
resulting from one's intentions
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
arousing or holding the attention
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
the form of “be” used with he, she, it, or a singular noun
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
a thing, animal, or idea already mentioned
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
belonging to the thing or animal already mentioned
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
a small worthless amount
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
largenessnounUS /ˈlɑːrdʒnɪs/
the capacity to understand a broad range of topics
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
Leighton's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
LYS
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
markedlyadverbUS /ˈmɑːrkədli/
in a clearly noticeable manner
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
methodsnounUS /ˈmeθədz/
plural of “method” — a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
modenounUS /moʊd/
how something is done or how it happens
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
belonging to, or connected with, somebody or something
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
paintingsnounUS /ˈpeɪntɪŋz/
plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
panelnounUS /ˈpænəl/
sheet that forms a distinct (usually flat and rectangular) section or component of something
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
something determined in relation to something that includes it
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
Paul'snounUS /pɔːlz/
possessive form of “paul” — United States feminist (1885-1977)
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
a point located with respect to surface features of some region
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
possession of controlling influence
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
producesnounUS /prəˈduːsəz/
plural of “produce” — fresh fruits and vegetable grown for the market
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
REPRODUCTIONSnounUS /ˌriːprəˈdʌkʃənz/
plural of “reproduction” — the process of generating offspring
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
an elaborate and systematic plan of action
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
similar things placed in order or happening one after another
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
St
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
STOKESverbUS /stoʊks/
third-person singular of “stoke” — stir up or tend; of a fire
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
how something is done or how it happens
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
the subject matter of a conversation or discussion
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
a base found in DNA (but not in RNA) and derived from pyrimidine; pairs with adenine
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
TatenounUS /teɪt/
United States poet and critic (1899-1979)
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
temperamentnounUS /ˈtemprəmənt/
your usual mood
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
used to introduce what somebody said, thought, or felt
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
used for a person or thing that is near, or that has just been mentioned
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
used before the base form of a verb to make the infinitive
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
tracedverbUS /treɪst/
past form of “trace” — follow, discover, or ascertain the course of development of something
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
treatmentnounUS /ˈtriːtmənt/
care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
consistent with fact or reality; not false
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading (At the Tate Gallery, London) This panel was intended to form part of a scheme of decoration for the Dome of St. Paul's Cathedral, and is interesting as an example of Leighton's methods of design.
in the company of; together with
From this reading BY A. LYS BALDRY ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR LONDON: T. C.
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading It is true that a definite connection can almost always be traced between the temperament of an artist and the work that he produces.
buildings for carrying on industrial labor
From this reading Both in subject and mode of treatment it departs markedly from the customary direction of his paintings, but its largeness of style and imaginative power give it an important place in the series of his works.
the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose
From this reading & E. C. JACK NEW YORK: FREDERICK A. STOKES CO.
