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Letters to Dead Authors
Letters to Dead Authors

Chapter II · Chapter 2

Chapter 2 of Letters to Dead Authors is here in full — 135 sentences across 27 reading sections, with audio for every sentence and word.

Cover illustration for Letters to Dead Authors
Context Illustration Reading 1/27 · 5 lines
English subtitles · tap any word to listen 1 / 5
When an author deliberately sits down and says, Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.
Out of Dombey and Son there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of Martin Chuzzlewit.”
I have read in that book a score of times; I never see it but I revel in itin Pecksniff, and Mrs. Gamp, and the Americans.
But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.
In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Letters to Dead Authors

Chapter II · Chapter 2

Chapter 2 of Letters to Dead Authors is here in full — 135 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/27 · 5 reading units · Lines 1–5

Line 1
When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.
/wen æn ˈɔːθər dɪˈlɪbərətli sɪts daʊn ənd sez naʊ let ʌs hæv ə ɡʊd kraɪ hiː ˈpɔɪzənz ðə welz ʌv ˌsensɪˈbɪlɪti ənd tʃoʊks æt liːst ɪn ˈmeni brests ðə ˈfaʊntən ʌv terz/
Line 2
Out ofDombey and Sonthere is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics ofMartin Chuzzlewit.”
Line 3
I have read in that book a score of times; I never see it but I revel in itin Pecksniff, and Mrs. Gamp, and the Americans.
Line 4
But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.
Line 5
In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) thatRalph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chokes noun US /tʃoʊks/

plural of “choke” — a coil of low resistance and high inductance used in electrical circuits to pass direct current and attenuate alternating current

From this reading “When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.”

Gamp noun US /ɡæmp/

colloquial terms for an umbrella

From this reading “I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.”

licence noun US /ˈlaɪsəns/

excessive freedom; lack of due restraint

From this reading “In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.”

Montagu noun US /ˈmɑːntəɡjuː/

United States anthropologist (born in England) who popularized anthropology (1905-)

From this reading “But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.”

poisons noun US /ˈpɔɪzənz/

plural of “poison” — any substance that causes injury or illness or death of a living organism

From this reading “When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.”

precipitous adjective US /prɪˈsɪpɪtəs/

done with very great haste and without due deliberation

From this reading “In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.”

shading noun US /ˈʃeɪdɪŋ/

graded markings that indicate light or shaded areas in a drawing or painting

From this reading “But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.”

Toots noun US /tuːts/

plural of “toot” — a blast of a horn

From this reading “Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.””

All words in this reading · 109

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

admirersnounUS /ədˈmaɪrərz/

plural of “admirer” — a person who backs a politician or a team etc.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

AmericansnounUS /əˈmerəkənz/

plural of “american” — a native or inhabitant of the United States

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

atprepositionUS /æt/

in or near a particular place or position

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

breastsnounUS /brests/

plural of “breast” — the front of the trunk from the neck to the abdomen

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

chokesnounUS /tʃoʊks/

plural of “choke” — a coil of low resistance and high inductance used in electrical circuits to pass direct current and attenuate alternating current

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

Chuzzlewit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

comprehendverbUS /ˌkɑːmpriˈhend/

get the meaning of something

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

conversationnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

cryverbUS /kraɪ/

utter a sudden loud cry

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

cultivatedadjectiveUS /ˈkʌltəveɪtɪd/

(of land or fields) prepared for raising crops by plowing or fertilizing

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

deathlessadjective

never dying

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

Dombey

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

forgetverbUS /fərˈɡet/

dismiss from the mind; stop remembering

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

fountainnounUS /ˈfaʊntən/

a structure from which an artificially produced jet of water arises

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

GampnounUS /ɡæmp/

colloquial terms for an umbrella

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

illustrateverbUS /ˈɪləstreɪt/

clarify by giving an example of

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

Jonas

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

justadverbUS /dʒʌst/

and nothing more

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

licencenounUS /ˈlaɪsəns/

excessive freedom; lack of due restraint

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

makeverbUS /meɪk/

engage in

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

MartinnounUS /ˈmɑːrtən/

French bishop who is a patron saint of France (died in 397)

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

matternounUS /ˈmætər/

a vaguely specified concern

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

melodramatics

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

MonknounUS /mʌŋk/

a male religious living in a cloister and devoting himself to contemplation and prayer and work

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

MontagunounUS /ˈmɑːntəɡjuː/

United States anthropologist (born in England) who popularized anthropology (1905-)

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

mostadverbUS /moʊst/

used to form the superlative

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

Nickleby

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

OutadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

Pecksniff

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

plentynounUS /ˈplenti/

a full supply

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

poisonsnounUS /ˈpɔɪzənz/

plural of “poison” — any substance that causes injury or illness or death of a living organism

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

precipitousadjectiveUS /prɪˈsɪpɪtəs/

done with very great haste and without due deliberation

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

privateadjectiveUS /ˈpraɪvət/

confined to particular persons or groups or providing privacy

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

Ralph

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

readverbUS /red/

interpret something that is written or printed

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

revelverbUS /ˈrevəl/

take delight in

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

sensibilitynounUS /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

shadingnounUS /ˈʃeɪdɪŋ/

graded markings that indicate light or shaded areas in a drawing or painting

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

sitsverbUS /sɪts/

third-person singular of “sit” — be seated

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

SonnounUS /sʌn/

a male human offspring

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

steepadjectiveUS /stiːp/

having a sharp inclination

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

tearsnounUS /terz/

the process of shedding tears (usually accompanied by sobs or other inarticulate sounds)

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

thereadverbUS /ðer/

in or at that place or location

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

thorough-going

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

Tigg

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading I have read in that book a score of times; I never see it but I revel in it—in Pecksniff, and Mrs. Gamp, and the Americans.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

TootsnounUS /tuːts/

plural of “toot” — a blast of a horn

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

waynounUS /weɪ/

how something is done or how it happens

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Out of “Dombey and Son” there is little we care to remember except the deathless Mr. Toots; just as we forget the melodramatics of “Martin Chuzzlewit.”

wellsnounUS /welz/

prolific English writer best known for his science-fiction novels; he also wrote on contemporary social problems and wrote popular accounts of history and science (1866-1946)

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

whatpronounUS /wʌt/

used to ask for information about something

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

WhenconjunctionUS /wen/

at the time that

From this reading When an author deliberately sits down and says, “Now, let us have a good cry,” he poisons the wells of sensibility and chokes, at least in many breasts, the fountain of tears.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

withprepositionUS /wɪð/

in the company of; together with

From this reading But what the plot is all about, what Jonas did, what Montagu Tigg had to make in the matter, what all the pictures with plenty of shading illustrate, I have never been able to comprehend.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading In the same way, one of your most thorough-going admirers has allowed (in the licence of private conversation) that “Ralph Nickleby and Monk are too steep;” and probably a cultivated taste will always find them a little precipitous.

Chapter 2 of Letters to Dead Authors by Andrew Lang holds 135 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Letters to Dead Authors contain?

Chapter 2 holds 135 sentences of Letters to Dead Authors, unabridged, divided into 27 reading sections.

This page carries chapter 2 of Letters to Dead Authors by Andrew Lang exactly as it stands in the public-domain source edition, without abridgement. It runs to 135 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Letters to Dead Authors?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Letters to Dead Authors

Common questions about reading Letters to Dead Authors by Andrew Lang on this page, its source edition and its audio.

Is this the complete text of Letters to Dead Authors?

Yes. All 1381 sentences of Project Gutenberg eBook #1491 are kept, with a record of which sentences cover which part.

Which edition of Letters to Dead Authors is used?

Project Gutenberg eBook #1491, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Letters to Dead Authors take to read?

About 115 minutes of reading across 277 sections of 5 sentences each, at an unhurried pace.

How to read Letters to Dead Authors section by section

How to work through Letters to Dead Authors section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Letters to Dead Authors to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Letters to Dead Authors

Words and structures a reader meets early in Letters to Dead Authors, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Longmans
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Green
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.