Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Letters to Dead Authors
Letters to Dead Authors

Chapter III · Chapter 3

Chapter 3 of Letters to Dead Authors is here in full — 145 sentences across 29 reading sections, with audio for every sentence and word.

Cover illustration for Letters to Dead Authors
Context Illustration Reading 1/29 · 5 lines
English subtitles · tap any word to listen 1 / 5
Now behold,” he went on, how the curse of the Gods falls upon Herodotus.
For he pretends that he saw Cadmeian inscriptions at Thebes.
Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.
Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?
Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Letters to Dead Authors

Chapter III · Chapter 3

Chapter 3 of Letters to Dead Authors is here in full — 145 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/29 · 5 reading units · Lines 1–5

Line 1
Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.
Line 2
For he pretends that he saw Cadmeian inscriptions at Thebes.
Line 3
Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.
Line 4
Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?
Line 5
Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.
/bɪˈkɔːz hiː ˈbiːɪŋ ə tʃaɪld æt skuːl dɪd nɑːt lɜːrn ˈsɑːfəkliz baɪ hɑːrt fɔːr ðə ˈtrædʒədiz ʌv ˈsɑːfəkliz kʊd nɑːt hæv bɪn lɜːrnd æt skuːl bɪˈfɔːr ðeɪ wɜːr ˈrɪtən nɔːr kæn ˈeni mæn kwoʊt ə ˈpoʊət huːm hiː ˈnevər lɜːrnd æt skuːl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Athenian noun US /əˈθiːniən/

a resident of Athens

From this reading “Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?”

inscriptions noun US /ˌɪnˈskrɪpʃənz/

plural of “inscription” — letters inscribed (especially words engraved or carved) on something

From this reading “For he pretends that he saw Cadmeian inscriptions at Thebes.”

manifestly adverb US /ˈmænəfestli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading “Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.”

pretends noun US /priˈtendz/

plural of “pretend” — the enactment of a pretense

From this reading “For he pretends that he saw Cadmeian inscriptions at Thebes.”

quote verb US /kwoʊt/

repeat a passage from

From this reading “Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.”

Sophocles noun US /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading “Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?”

Thebes noun US /θiːbz/

an ancient Egyptian city on the Nile River that flourished from the 22nd century BC to the 18th century BC; today the archeological remains include many splendid temples and tombs

From this reading “For he pretends that he saw Cadmeian inscriptions at Thebes.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.”

All words in this reading · 64

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

atprepositionUS /æt/

in or near a particular place or position

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

AtheniannounUS /əˈθiːniən/

a resident of Athens

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

BecauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

beholdverbUS /bɪˈhoʊld/

see with attention

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

Cadmeian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

childnounUS /tʃaɪld/

a young person of either sex

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

cursenounUS /kɜːrs/

profane or obscene expression usually of surprise or anger

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

fallsnounUS /fɔːlz/

the petals or sepals of a flower that bend downward (especially the outer perianth of an iris)

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

GodsnounUS /ɡɑːdz/

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

Herodotus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

inscriptionsnounUS /ˌɪnˈskrɪpʃənz/

plural of “inscription” — letters inscribed (especially words engraved or carved) on something

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

learnedadjectiveUS /lɜːrnd/

having or showing profound knowledge

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

lyingnounUS /ˈlaɪɪŋ/

the deliberate act of deviating from the truth

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

manifestlyadverbUS /ˈmænəfestli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

MoreoveradverbUS /mɔːˈroʊvər/

in addition to what has just been said

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

mostadverbUS /moʊst/

used to form the superlative

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

pretendsnounUS /priˈtendz/

plural of “pretend” — the enactment of a pretense

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

quoteverbUS /kwoʊt/

repeat a passage from

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

sawverbUS /sɔː/

cut with a saw

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

schoolnounUS /skuːl/

an educational institution

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

SophoclesnounUS /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

speaksverbUS /spiːks/

third-person singular of “speak” — express in speech

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

ThebesnounUS /θiːbz/

an ancient Egyptian city on the Nile River that flourished from the 22nd century BC to the 18th century BC; today the archeological remains include many splendid temples and tombs

From this reading For he pretends that he saw Cadmeian inscriptions at Thebes.

thereadverbUS /ðer/

in or at that place or location

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading “Now behold,” he went on, “how the curse of the Gods falls upon Herodotus.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Now I do not believe there were any Cadmeian inscriptions there: therefore Herodotus is most manifestly lying.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Moreover, this Herodotus never speaks of Sophocles the Athenian, and why not?

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Because he, being a child at school, did not learn Sophocles by heart: for the tragedies of Sophocles could not have been learned at school before they were written, nor can any man quote a poet whom he never learned at school.

Chapter 3 of Letters to Dead Authors by Andrew Lang holds 145 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Letters to Dead Authors contain?

Chapter 3 holds 145 sentences of Letters to Dead Authors, unabridged, divided into 29 reading sections.

This page carries chapter 3 of Letters to Dead Authors by Andrew Lang exactly as it stands in the public-domain source edition, without abridgement. It runs to 145 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Letters to Dead Authors?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Letters to Dead Authors

Common questions about reading Letters to Dead Authors by Andrew Lang on this page, its source edition and its audio.

Is this the complete text of Letters to Dead Authors?

Yes. All 1381 sentences of Project Gutenberg eBook #1491 are kept, with a record of which sentences cover which part.

Which edition of Letters to Dead Authors is used?

Project Gutenberg eBook #1491, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Letters to Dead Authors take to read?

About 115 minutes of reading across 277 sections of 5 sentences each, at an unhurried pace.

How to read Letters to Dead Authors section by section

How to work through Letters to Dead Authors section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Letters to Dead Authors to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Letters to Dead Authors

Words and structures a reader meets early in Letters to Dead Authors, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Longmans
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Green
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of Letters to Dead Authors; the reader can tap it to hear it and see its dictionary entry.