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Life And Letters Of John Gay (1685-1732)
Life And Letters Of John Gay (1685-1732)

Chapter VII · Chapter 7

Chapter 7 of Life And Letters Of John Gay (1685-1732) is here in full — 198 sentences across 40 reading sections, with audio for every sentence and word.

Cover illustration for Life And Letters Of John Gay (1685-1732)
Context Illustration Reading 1/39 · 5 lines
English subtitles · tap any word to listen 1 / 5
1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.
HOWARD.
During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.
"When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.
The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Life And Letters Of John Gay (1685-1732)

Chapter VII · Chapter 7

Chapter 7 of Life And Letters Of John Gay (1685-1732) is here in full — 198 sentences across 40 reading sections, with audio for every sentence and word.

Reading 1/39 · 5 reading units · Lines 1–5

Line 1
1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.
Line 2
HOWARD.
/ˈhaʊərd/
Line 3
During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.
Line 4
"When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.
/wen ðə ˈaʊər keɪm ˈdʒɑːnsən hæz rəˈkɔːrdɪd hiː sɔː ðə ˈprɪn.ses ʌv weɪlz ənd hɜːr ˈleɪdiz ɔːl ɪn ˌekspekˈteɪʃən ənd ədˈvænsɪŋ wɪð ˈrevərəns tuː ɡreɪt fɔːr ˈeni ˈʌðər əˈtenʃən ˈstʌmbəld æt ə stuːl ənd ˈfɑːlɪŋ ˈfɔːrwərd θruː daʊn ə ˈweɪti ˌdʒæpəˈniːz skriːn/
Line 5
The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.”

captives noun US /ˈkæptɪvz/

plural of “captive” — a person who is confined; especially a prisoner of war

From this reading “1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.”

disturbance noun US /dɪˈstɜːrbəns/

activity that is a malfunction, intrusion, or interruption

From this reading “The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.”

fables noun US /ˈfeɪbəlz/

plural of “fable” — a deliberately false or improbable account

From this reading “1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.”

Japanese noun US /ˌdʒæpəˈniːz/

a native or inhabitant of Japan

From this reading “"When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.”

Leicester noun US /ˈlestər/

a largely agricultural county in central England

From this reading “During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.”

Wales noun US /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading “"When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.”

weighty adjective US /ˈweɪti/

having relatively great weight; heavy

From this reading “"When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.”

All words in this reading · 93

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

1723

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

1724

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

1727

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

accordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

actedverbUS /ˈæktɪd/

past form of “act” — perform an action, or work out or perform (an action)

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

advancingadjectiveUS /ədˈvænsɪŋ/

moving forward

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

afterprepositionUS /ˈæftər/

later than; following

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

applausenounUS /əˈplɔːz/

a demonstration of approval by clapping the hands together

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

atprepositionUS /æt/

in or near a particular place or position

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

Biographica

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

CAPTIVESnounUS /ˈkæptɪvz/

plural of “captive” — a person who is confined; especially a prisoner of war

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

circlenounUS /ˈsɜːrkəl/

ellipse in which the two axes are of equal length; a plane curve generated by one point moving at a constant distance from a fixed point

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

commandnounUS /kəˈmænd/

an authoritative direction or instruction to do something

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

COURTnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

disturbancenounUS /dɪˈstɜːrbəns/

activity that is a malfunction, intrusion, or interruption

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

Dramatica

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

Drury

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

endnounUS /end/

either extremity of something that has length

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

expectationnounUS /ˌekspekˈteɪʃən/

belief about (or mental picture of) the future

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

FABLESnounUS /ˈfeɪbəlz/

plural of “fable” — a deliberately false or improbable account

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

fallingadjectiveUS /ˈfɑːlɪŋ/

decreasing in amount or degree

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

FIRSTadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

forwardadverbUS /ˈfɔːrwərd/

at or to or toward the front

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

GAYadjectiveUS /ɡeɪ/

bright and pleasant; promoting a feeling of cheer

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

HOWARDnounUS /ˈhaʊərd/

English actor of stage and screen (1893-1943)

From this reading HOWARD.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

JanuarynounUS /ˈdʒænjuːeri/

the first month of the year; begins 10 days after the winter solstice

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

JapanesenounUS /ˌdʒæpəˈniːz/

a native or inhabitant of Japan

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

JohnsonnounUS /ˈdʒɑːnsən/

English writer and lexicographer (1709-1784)

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

ladiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

LanenounUS /leɪn/

a narrow way or road

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

LeicesternounUS /ˈlestər/

a largely agricultural county in central England

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

MRSnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

nightsnounUS /naɪts/

Periods of darkness between sunset and sunrise.

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

ninenounUS /naɪn/

the cardinal number that is the sum of eight and one

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

playverbUS /pleɪ/

participate in games or sport

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

POPEnounUS /poʊp/

the head of the Roman Catholic Church

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

PrincenounUS /prɪns/

a male member of a royal family other than the sovereign (especially the son of a sovereign)

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

PrincessnounUS /ˈprɪn.ses/

The daughter of a monarch; a female member of a royal family.

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

readverbUS /red/

interpret something that is written or printed

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

recordedadjectiveUS /rəˈkɔːrdɪd/

set down or registered in a permanent form especially on film or tape for reproduction

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

reverenceverbUS /ˈrevərəns/

regard with feelings of respect and reverence; consider hallowed or exalted or be in awe of

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

royaladjectiveUS /ˈrɔɪəl/

of or relating to or indicative of or issued or performed by a king or queen or other monarch

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

sawverbUS /sɔː/

cut with a saw

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

screamedverbUS /skriːmd/

past form of “scream” — utter a sudden loud cry

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

screennounUS /skriːn/

a white or silvered surface where pictures can be projected for viewing

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

SERIESnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

startedverbUS /ˈstɑːrtɪd/

past form of “start” — take the first step or steps in carrying out an action

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

stoolnounUS /stuːl/

a simple seat without a back or arms

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

stumbledverbUS /ˈstʌmbəld/

past form of “stumble” — walk unsteadily

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

SWIFTadjectiveUS /swɪft/

moving very fast

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading 1724-1727 "THE CAPTIVES"--THE FIRST SERIES OF "FABLES"--GAY AND THE COURT--POPE, SWIFT AND MRS.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

threwverbUS /θruː/

inflected form of “throw” — propel through the air

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

WalesnounUS /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The Princess started, the ladies screamed, and poor Gay, after all the disturbance, was still to read his play."[1] "The Captives" was produced at Drury Lane Theatre in January, 1724, and according to the _Biographica Dramatica_ was "acted nine nights with great applause," the third, or author's night, being by the command of the Prince and Princess of Wales.

weightyadjectiveUS /ˈweɪti/

having relatively great weight; heavy

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

WhenconjunctionUS /wen/

at the time that

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

withprepositionUS /wɪð/

in the company of; together with

From this reading "When the hour came," Johnson has recorded, "he saw the Princess [of Wales] and her ladies all in expectation, and, advancing with reverence, too great for any other attention, stumbled at a stool, and, falling forward, threw down a weighty Japanese screen.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading During 1723 Gay wrote a tragedy, "The Captives," which at the end of the year he read to the royal circle at Leicester House.

Chapter 7 of Life And Letters Of John Gay (1685-1732) by Lewis Melville holds 198 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Life And Letters Of John Gay (1685-1732) contain?

Chapter 7 holds 198 sentences of Life And Letters Of John Gay (1685-1732), unabridged, divided into 40 reading sections.

This page carries chapter 7 of Life And Letters Of John Gay (1685-1732) by Lewis Melville exactly as it stands in the source edition, without abridgement. It runs to 198 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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