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Life of Edwin Forrest, the American Tragedian. — Volume 2
Life of Edwin Forrest, the American Tragedian. — Volume 2

Chapter IX

Chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2 is here in full — 1057 sentences across 212 reading sections, with audio for every sentence and word.

Cover illustration for Life of Edwin Forrest, the American Tragedian. — Volume 2
Context Illustration Reading 1/211 · 5 lines
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FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.
At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.
There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.
In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.
They seem to have died with the strong and stately actors who gave them such noble life and motion.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Life of Edwin Forrest, the American Tragedian. — Volume 2

Chapter IX

Chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2 is here in full — 1057 sentences across 212 reading sections, with audio for every sentence and word.

Reading 1/211 · 5 reading units · Lines 1–5

Line 1
FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.
Line 2
At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.
/æt ðə deɪt ʌv ðɪs ˈraɪtɪŋ ˌɔːlˈðoʊ ðer ɑːr ˈmeni ɡʊd ˈæktərz ɪn əˈmerəkə ðer ɑːr nʌn huː ɑːr ˈdʒenərəli ˈrekəɡnaɪzd æz ɡreɪt/
Line 3
There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.
/ðer ˈɔːlsoʊ əˈpɪrz fɔːr ðə taɪm tuː biː ə dɪˈklaɪn ɪn ðə ˈpɑːpjələr teɪst fɔːr ðə ˈsɪriəs ənd ˈlɔːfti ˈdrɑːmə ənd ə ˈdʒenərəl ˈprefərəns fɔːr senˈseɪʃənəl ˈkɑːmɪk ənd spekˈtækjələr pleɪz/
Line 4
In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.
Line 5
They seem to have died with the strong and stately actors who gave them such noble life and motion.
/ðeɪ siːm tuː hæv daɪd wɪð ðə strɔːŋ ənd ˈsteɪtli ˈæktərz huː ɡeɪv ðem sʌtʃ ˈnoʊbəl laɪf ənd ˈmoʊʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

audiences noun US /ˈɑːdiənsəz/

plural of “audience” — a gathering of spectators or listeners at a (usually public) performance

From this reading “In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.”

bygone noun US /ˈbaɪɡɔːn/

past events to be put aside

From this reading “In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.”

entranced adjective US /ɪnˈtrænst/

filled with wonder and delight

From this reading “In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.”

lear noun US /lɪr/

British artist and writer of nonsense verse (1812-1888)

From this reading “FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.”

othello noun US /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading “FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.”

richelieu noun US /ˈrɪʃəluː/

French prelate and statesman; principal minister to Louis XIII (1585-1642)

From this reading “FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.”

roles noun US /roʊlz/

plural of “role” — the actions and activities assigned to or required or expected of a person or group

From this reading “FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.”

spectacular adjective US /spekˈtækjələr/

sensational in appearance or thrilling in effect

From this reading “There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

taste for verb + particle

In this reading “There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

audiencesnounUS /ˈɑːdiənsəz/

plural of “audience” — a gathering of spectators or listeners at a (usually public) performance

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

bygonenounUS /ˈbaɪɡɔːn/

past events to be put aside

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

call-boy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

CHARACTERSnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

CHIEFnounUS /tʃiːf/

a person who is in charge

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

comicadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

CORIOLANUS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

datenounUS /deɪt/

the specified day of the month

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

declineverbUS /dɪˈklaɪn/

grow worse

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

diedverbUS /daɪd/

past form of “die” — pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

entrancedadjectiveUS /ɪnˈtrænst/

filled with wonder and delight

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

FORREST

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

generationnounUS /ˌdʒenərˈeɪʃən/

all the people living at the same time or of approximately the same age

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

HAMLETnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

IMAGINATIVEadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

LEARnounUS /lɪr/

British artist and writer of nonsense verse (1812-1888)

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

loftyadjectiveUS /ˈlɔːfti/

of high moral or intellectual value; elevated in nature or style

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

MACBETHnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

motionnounUS /ˈmoʊʃən/

the use of movements (especially of the hands) to communicate familiar or prearranged signals

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

nobleadjectiveUS /ˈnoʊbəl/

impressive in appearance

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

nonepronounUS /nʌn/

not one, and not any

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

OTHELLOnounUS /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

partsnounUS /pɑːrts/

the local environment

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

PORTRAITUREnoun

a word picture of a person's appearance and character

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

preferencenounUS /ˈprefərəns/

a strong liking

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

recognizedadjectiveUS /ˈrekəɡnaɪzd/

generally approved or compelling recognition

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

RICHARD

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

RICHELIEUnounUS /ˈrɪʃəluː/

French prelate and statesman; principal minister to Louis XIII (1585-1642)

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

ROLESnounUS /roʊlz/

plural of “role” — the actions and activities assigned to or required or expected of a person or group

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

sensationaladjectiveUS /senˈseɪʃənəl/

causing intense interest, curiosity, or emotion

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

SEVENnounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading FORREST IN SEVEN OF HIS CHIEF ROLES.—CHARACTERS OF IMAGINATIVE PORTRAITURE.—RICHELIEU.—MACBETH.—RICHARD.—HAMLET.—CORIOLANUS.—OTHELLO.— LEAR.

spectacularadjectiveUS /spekˈtækjələr/

sensational in appearance or thrilling in effect

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

statelyadjectiveUS /ˈsteɪtli/

impressive in appearance

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

sublimeadjectiveUS /səˈblaɪm/

inspiring awe

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

summonverbUS /ˈsʌmən/

call in an official matter, such as to attend court

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

thereadverbUS /ðer/

in or at that place or location

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There also appears for the time to be a decline in the popular taste for the serious and lofty drama, and a general preference for sensational, comic, and spectacular plays.

vainadjectiveUS /veɪn/

characteristic of false pride; having an exaggerated sense of self-importance

From this reading In vain does the call-boy summon the sublime characters and parts that entranced the audiences of a bygone generation.

whopronounUS /huː/

which person or people

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

withprepositionUS /wɪð/

in the company of; together with

From this reading They seem to have died with the strong and stately actors who gave them such noble life and motion.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading At the date of this writing, although there are many good actors in America, there are none who are generally recognized as great.

Chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2 by William Rounseville Alger holds 1057 sentences, grouped into 212 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2 contain?

Chapter 9 holds 1057 sentences of Life of Edwin Forrest, the American Tragedian. — Volume 2, unabridged, divided into 212 reading sections.

This page carries chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2 by William Rounseville Alger exactly as it stands in the source edition, without abridgement. It runs to 1057 sentences, grouped into 212 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Life of Edwin Forrest, the American Tragedian. — Volume 2?

Work through the 212 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 212 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Life of Edwin Forrest, the American Tragedian. — Volume 2

Common questions about reading Life of Edwin Forrest, the American Tragedian. — Volume 2 by William Rounseville Alger on this page, its source edition and its audio.

Is this the complete text of Life of Edwin Forrest, the American Tragedian. — Volume 2?

Yes. All 6846 sentences of Project Gutenberg eBook #61470 are kept, with a record of which sentences cover which part.

Which edition of Life of Edwin Forrest, the American Tragedian. — Volume 2 is used?

Project Gutenberg eBook #61470, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Life of Edwin Forrest, the American Tragedian. — Volume 2 take to read?

About 570 minutes of reading across 1370 sections of 5 sentences each, at an unhurried pace.

How to read Life of Edwin Forrest, the American Tragedian. — Volume 2 section by section

How to work through Life of Edwin Forrest, the American Tragedian. — Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Life of Edwin Forrest, the American Tragedian. — Volume 2 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Life of Edwin Forrest, the American Tragedian. — Volume 2

Words and structures a reader meets early in Life of Edwin Forrest, the American Tragedian. — Volume 2, each tappable for pronunciation and meaning.

Newspaper
A word that appears in the opening chapter of Life of Edwin Forrest, the American Tragedian. — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Estimates
A word that appears in the opening chapter of Life of Edwin Forrest, the American Tragedian. — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Elements
A word that appears in the opening chapter of Life of Edwin Forrest, the American Tragedian. — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Dramatic
A word that appears in the opening chapter of Life of Edwin Forrest, the American Tragedian. — Volume 2; the reader can tap it to hear it and see its dictionary entry.