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agreeable
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
almost
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
amateurish
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
ambition
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
American
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
any
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
apparently
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
apt
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
artauxiliary verbUS /ɑːrt/
an old form of “are”, used with “thou”
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
asconjunctionUS /æz/
at the same time that; because; in the way that
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
author
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
authors
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
bad
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
beauxiliary verbUS /biː/
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
beenauxiliary verbUS /bɪn/
the past participle of “be”
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
bothdeterminerUS /boʊθ/
the two together, not just one
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
branch
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
butconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
byprepositionUS /baɪ/
showing who or what does the action
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
commonly
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
competent
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
Continent
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
countries
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
critic
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
criticism
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
degree
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
eclipse
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
English
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
Englishman
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
expression
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
false
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
fault
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
formed
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
freed
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
gained
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
glib
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
heirnounUS /er/
A person legally or magically entitled to the property or rank of another on that person's death.
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
himpronounUS /hɪm/
the male already mentioned, as the object of a verb or preposition
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
ifconjunctionUS /ɪf/
on condition that; in the event that
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
illustrate
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
imaginative
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
InprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
individual
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
itsdeterminerUS /ɪts/
belonging to the thing or animal already mentioned
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
knownounUS /know/
an important story-specific word used in this passage
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
largely
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
learning
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
like
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
literature
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
lively
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
manners
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
misfortune
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
models
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
more
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
nature
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
notion
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
ourdeterminerUS /ˈaʊər/
belonging to the speaker and others
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
person
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
polite
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
rather
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
review
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
school
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
serious
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
show
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
some
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
stillnounUS /still/
an important story-specific word used in this passage
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
strive
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
thanconjunctionUS /ðæn/
used to introduce the second part of a comparison
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
ThedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
themselvespronounUS /ðemˈselvz/
used when the people doing the action are also its object
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
theory
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From this reading The misfortune rather than the fault of our individual critic is that he is the heir of the false theory and bad manners of the English school.
theypronounUS /ðeɪ/
the people, animals, or things already mentioned, as the subject
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
underprepositionUS /ˈʌndər/
below or beneath something; less than
From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
very
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
viewed
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
VII
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From this reading VII.
wepronounUS /wiː/
the speaker together with one or more other people
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
whatpronounUS /wʌt/
used to ask for information about something
From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
whompronounUS /huːm/
the form of “who” used as the object of a verb or preposition
From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
wit
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From this reading In some degree our authors have freed themselves from English models; they have gained some notion of the more serious work of the Continent: but it is still the ambition of the American critic to write like the English critic, to show his wit if not his learning, to strive to eclipse the author under review rather than illustrate him.
work
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From this reading The American, whom it has largely formed, is by nature very glib and very lively, and commonly his criticism, viewed as imaginative work, is more agreeable than that of the Englishman; but it is, like the art of both countries, apt to be amateurish.
write
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From this reading The theory of that school has apparently been that almost any person of glib and lively expression is competent to write of almost any branch of polite literature; its manners are what we know.
