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Literature in the Elementary School
Literature in the Elementary School

Chapter XII

Chapter 12 of Literature in the Elementary School is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/23 · 5 lines
English subtitles · tap any word to listen 1 / 5
POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.
In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.
And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.
Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.
As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Literature in the Elementary School

Chapter XII

Chapter 12 of Literature in the Elementary School is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.
/ˈpoʊətri ðer ɑːr ˈsɜːrtən rɪˈzʌlts ɪn ˈlɪtəreri ˈtreɪnɪŋ ðæt kæn biː sɪˈkjʊrd wɪð ˈtʃɪldrən ˈoʊnli baɪ ðə ˈtiːtʃɪŋ ʌv ˈpoʊətri/
Line 2
In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.
Line 3
And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.
/ənd waɪl wiː ˈoʊldər ˈstuːdənts noʊ ðæt ðə tʃɔɪs ənd ərˈeɪndʒmənt ʌv məˈtɪriəl ˌɪnˈvɑːlvd ɪn ðə ˈmeɪkɪŋ ʌv ə ˈstɔːri ɑːr ekˈstriːmli ˌɪmˈpɔːrtənt ənd moʊst ˈtruːli ˌedʒɪˈkeɪtɪv wiː ˈɔːlsoʊ noʊ ðæt ðeɪ bɪˈlɔːŋ ɪn ðə ˈlɑːrdʒər ˈfreɪmwɜːrk ʌv ðə ˈstɔːri ənd duː nɑːt lend ðemˈselvz tuː kloʊs ˌɪnˈspekʃən ɔːr dɪˈteɪld ˈstʌdi wen ˈaʊər ˈskɑːlərz ɑːr ˌeləˈmentri ˈtʃɪldrən/
Line 4
Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.
/əˈɡen moʊst ʌv ðə ˈstɔːriz best ˈsuːtɪd tuː ðə ˈtʃɪldrən mʌst biː juːzd ɪn trænzˈleɪtɪd ənd əˈdæptɪd ˈvɜːrʒənz ənd ɔːl ʌv ðem ʃʊd biː toʊld ɪn ə weɪ ðæt ˈveriz mɔːr ɔːr les frʌm ˈtelɪŋ tuː ˈtelɪŋ ɪn voʊˈkæbjəleri ɪn ˈfɪɡjər ənd əˈkeɪʒənəli ɪn məˈtɪriəl dɪˈteɪl/
Line 5
As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

devices noun US /dɪˈvaɪsəz/

an inclination or desire; used in the plural in the phrase “left to your own devices”

From this reading “As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.”

educative adjective US /ˌedʒɪˈkeɪtɪv/

resulting in education

From this reading “And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.”

elementary adjective US /ˌeləˈmentri/

easy and not involved or complicated

From this reading “And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.”

framework noun US /ˈfreɪmwɜːrk/

a hypothetical description of a complex entity or process

From this reading “And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.”

imaginative adjective US /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading “In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.”

varies verb US /ˈveriz/

third-person singular of “vary” — become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading “Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.”

versions noun US /ˈvɜːrʒənz/

plural of “version” — an interpretation of a matter from a particular viewpoint

From this reading “Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.”

vocabulary noun US /voʊˈkæbjəleri/

a listing of the words used in some enterprise

From this reading “Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

close inspection adjective + noun

In this reading “And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.”

last year adjective + noun

In this reading “As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.”

come down verb + adjective

move downward and lower, but not necessarily all the way

In this reading “As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

adaptedadjectiveUS /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

AgainadverbUS /əˈɡen/

anew

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

belongverbUS /bɪˈlɔːŋ/

be owned by; be in the possession of

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

bestnounUS /best/

the supreme effort one can make

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

byprepositionUS /baɪ/

showing who or what does the action

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

creationnounUS /kriˈeɪʃən/

the human act of creating

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

detailedadjectiveUS /dɪˈteɪld/

developed or executed with care and in minute detail

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

devicesnounUS /dɪˈvaɪsəz/

an inclination or desire; used in the plural in the phrase “left to your own devices”

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

educativeadjectiveUS /ˌedʒɪˈkeɪtɪv/

resulting in education

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

elementaryadjectiveUS /ˌeləˈmentri/

easy and not involved or complicated

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

extremelyadverbUS /ekˈstriːmli/

to a high degree or extent; favorably or with much respect

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

finishverbUS /ˈfɪnɪʃ/

come or bring to a finish or an end

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

frameworknounUS /ˈfreɪmwɜːrk/

a hypothetical description of a complex entity or process

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

inevitablenessnoun

the quality of being unavoidable

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

inspectionnounUS /ˌɪnˈspekʃən/

a formal or official examination

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

intentnounUS /ˌɪnˈtent/

an anticipated outcome that is intended or that guides your planned actions

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

involvedadjectiveUS /ˌɪnˈvɑːlvd/

connected by participation or association or use

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

largeradjectiveUS /ˈlɑːrdʒər/

large or big relative to something else

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

lastadjectiveUS /læst/

immediately past

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

lendverbUS /lend/

bestow a quality on

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

makeverbUS /meɪk/

engage in

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

mattersnounUS /ˈmætərz/

plural of “matter” — a vaguely specified concern

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

mostadverbUS /moʊst/

used to form the superlative

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

nodeterminerUS /noʊ/

not any; not one

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

occasionallyadverbUS /əˈkeɪʒənəli/

sporadically and infrequently

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

POETRYnounUS /ˈpoʊətri/

literature in metrical form

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

resultnounUS /rɪˈzʌlt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

resultsnounUS /rɪˈzʌlts/

plural of “result” — a phenomenon that follows and is caused by some previous phenomenon

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

scholarsnounUS /ˈskɑːlərz/

plural of “scholar” — a learned person (especially in the humanities); someone who by long study has gained mastery in one or more disciplines

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

securedverbUS /sɪˈkjʊrd/

past form of “secure” — get by special effort

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

smalleradjectiveUS /ˈsmɔːlər/

small or little relative to something else

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

studentsnounUS /ˈstuːdənts/

plural of “student” — a learner who is enrolled in an educational institution

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

stylenounUS /staɪl/

how something is done or how it happens

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

subject-matter

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

suitedadjectiveUS /ˈsuːtɪd/

meant or adapted for an occasion or use

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

teachingnounUS /ˈtiːtʃɪŋ/

the profession of a teacher

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

ThereadverbUS /ðer/

in or at that place or location

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

trainingnounUS /ˈtreɪnɪŋ/

activity leading to skilled behavior

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

trulyadverbUS /ˈtruːli/

in accordance with truth or fact or reality

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

variesverbUS /ˈveriz/

third-person singular of “vary” — become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

versionsnounUS /ˈvɜːrʒənz/

plural of “version” — an interpretation of a matter from a particular viewpoint

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

vocabularynounUS /voʊˈkæbjəleri/

a listing of the words used in some enterprise

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

waynounUS /weɪ/

how something is done or how it happens

From this reading Again, most of the stories best suited to the children must be used in translated and adapted versions, and all of them should be told in a way that varies more or less from telling to telling, in vocabulary, in figure, and occasionally in material detail.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In story we and they are intent upon subject-matter, and on the larger matters of the imaginative creation.

whenconjunctionUS /wen/

at the time that

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

whileconjunctionUS /waɪl/

during the time that

From this reading And, while we older students know that the choice and arrangement of material involved in the making of a story are extremely important and most truly educative, we also know that they belong in the larger framework of the story and do not lend themselves to close inspection or detailed study when our scholars are elementary children.

withprepositionUS /wɪð/

in the company of; together with

From this reading POETRY There are certain results in literary training that can be secured with children only by the teaching of poetry.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading As a result, the stories, until we come down to the very last year of the period, make on the children no impression of the inevitableness of form, or of any of the smaller devices of style and finish.

Chapter 12 of Literature in the Elementary School by Porter Lander MacClintock holds 117 sentences, grouped into 24 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Literature in the Elementary School contain?

Chapter 12 holds 117 sentences of Literature in the Elementary School, unabridged, divided into 24 reading sections.

This page carries chapter 12 of Literature in the Elementary School by Porter Lander MacClintock exactly as it stands in the source edition, without abridgement. It runs to 117 sentences, grouped into 24 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Literature in the Elementary School?

Work through the 24 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 24 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Literature in the Elementary School

Common questions about reading Literature in the Elementary School by Porter Lander MacClintock on this page, its source edition and its audio.

Is this the complete text of Literature in the Elementary School?

Yes. All 2159 sentences of Project Gutenberg eBook #35341 are kept, with a record of which sentences cover which part.

Which edition of Literature in the Elementary School is used?

Project Gutenberg eBook #35341, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Literature in the Elementary School take to read?

About 179 minutes of reading across 432 sections of 5 sentences each, at an unhurried pace.

How to read Literature in the Elementary School section by section

How to work through Literature in the Elementary School section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of Literature in the Elementary School to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Literature in the Elementary School

Words and structures a reader meets early in Literature in the Elementary School, each tappable for pronunciation and meaning.

Porter
A word that appears in the opening chapter of Literature in the Elementary School; the reader can tap it to hear it and see its dictionary entry.
Lander
A word that appears in the opening chapter of Literature in the Elementary School; the reader can tap it to hear it and see its dictionary entry.
Macclintock
A word that appears in the opening chapter of Literature in the Elementary School; the reader can tap it to hear it and see its dictionary entry.
Published
A word that appears in the opening chapter of Literature in the Elementary School; the reader can tap it to hear it and see its dictionary entry.