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Lord Byron as a satirist in verse
Lord Byron as a satirist in verse

Chapter III

Chapter 3 of Lord Byron as a satirist in verse is here in full — 84 sentences across 17 reading sections, with audio for every sentence and word.

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BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.
Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.
The arrangement of the different items is, however, unsystematic and inconsistent.
The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.
These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Lord Byron as a satirist in verse

Chapter III

Chapter 3 of Lord Byron as a satirist in verse is here in full — 84 sentences across 17 reading sections, with audio for every sentence and word.

Reading 1/16 · 5 reading units · Lines 1–5

Line 1
BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.
Line 2
Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.
Line 3
The arrangement of the different items is, however, unsystematic and inconsistent.
Line 4
The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.
/ðə laɪnz ɑːn ə tʃeɪndʒ ʌv ˈmæstərz æt ə ɡreɪt ˈpʌblɪk skuːl kəmˈpraɪzɪŋ ə ˈpredʒədəst ənd ˌɪmˈpʌlsɪv ˈdaɪətraɪb ɑːr ˈfɑːloʊd baɪ ðə ˈepətæf ɑːn ə bɪˈlʌvd frend ə sɪnˈsɪr ənd ˈhɑːrtfelt ˈelədʒiː waɪl ðə kənˈvenʃənəli ˌsentəˈmentəl laɪnz tuː ˈmeri ɑːn rəˈsiːvɪŋ hɜːr ˈpɪktʃər ɑːr prɪˈsiːdɪd ənd ˈfɑːloʊd baɪ səˈtɪrɪk ˈpoʊəmz/
Line 5
These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.
/ðiːz ˌʌnɪkˈspektɪd ˌdʒʌkstəpəˈzɪʃənz ˌɪnəkˈsplɪsəbəl ˈiːvɪn ɑːn ðə ˈθɪri ʌv æn ədˈhɪrəns tuː krəˈnɑːlədʒi səˈdʒest æt wʌns ðə ˈkjʊriəs weɪ ɪn wɪtʃ ˈbaɪrənz ˈvɜːrsətəl ənd ˈkɑːmpleks ˈneɪtʃər ˈtendɪd tuː ʃoʊ ˌɪtˈself æt ˈveriəs taɪmz ɪn muːdz əˈperəntli ˌæntəˈθetɪkəl pərˈmɪtɪŋ ðem ˈɔːfən tuː ˈfɑːloʊ iːtʃ ˈʌðər ˈkloʊsli ɔːr ˈiːvɪn tuː ɪɡˈzɪst æt ˈpræktɪkli ðə seɪm ˈmoʊmənt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

antithetical adjective US /ˌæntəˈθetɪkəl/

sharply contrasted in character or purpose

From this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

chronology noun US /krəˈnɑːlədʒi/

an arrangement of events in time

From this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

conventionally adverb US /kənˈvenʃənəli/

in a conventional manner

From this reading “The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.”

diatribe noun US /ˈdaɪətraɪb/

thunderous verbal attack

From this reading “The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.”

juxtapositions noun US /ˌdʒʌkstəpəˈzɪʃənz/

plural of “juxtaposition” — the act of positioning close together (or side by side)

From this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

satires noun US /ˈsætaɪərz/

plural of “satire” — witty language used to convey insults or scorn

From this reading “Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.”

satiric adjective US /səˈtɪrɪk/

exposing human folly to ridicule

From this reading “BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.”

versatile adjective US /ˈvɜːrsətəl/

having great diversity or variety

From this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Public School noun + noun

a tuition free school in the United States supported by taxes and controlled by a school board

In this reading “The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.”

at once preposition + adverb

without delay or hesitation; with no time intervening

In this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

various times adjective + noun

In this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

same moment adjective + noun

In this reading “These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.”

first volume adjective + noun

In this reading “BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.”

Beloved Friend adjective + noun

In this reading “The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.”

followed by verb + particle counted as “follow by”

In this reading “The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.”

certain passages adjective + noun counted as “certain passage”

In this reading “BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.”

All words in this reading · 127

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1806

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

actuallyadverbUS /ˈæktʃuːəli/

in actual fact

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

adherencenounUS /ədˈhɪrəns/

faithful support for a cause or political party or religion

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

antitheticaladjectiveUS /ˌæntəˈθetɪkəl/

sharply contrasted in character or purpose

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

atprepositionUS /æt/

in or near a particular place or position

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

Becher

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

BelovedadjectiveUS /bɪˈlʌvd/

dearly loved

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

BYRON'SnounUS /ˈbaɪrənz/

possessive form of “byron” — English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

ChangeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

chronologynounUS /krəˈnɑːlədʒi/

an arrangement of events in time

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

classedverbUS /klæst/

past form of “class” — arrange or order by classes or categories

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

collectionnounUS /kəˈlekʃən/

several things grouped together or considered as a whole

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

complexnounUS /ˈkɑːmpleks/

a conceptual whole made up of complicated and related parts

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

comprisingverbUS /kəmˈpraɪzɪŋ/

-ing form of “comprise” — be composed of

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

conventionallyadverbUS /kənˈvenʃənəli/

in a conventional manner

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

diatribenounUS /ˈdaɪətraɪb/

thunderous verbal attack

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

EARLYadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

eightadjectiveUS /eɪt/

being one more than seven

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

eldernounUS /ˈeldər/

a person who is older than you are

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

elegynounUS /ˈelədʒiː/

a mournful poem; a lament for the dead

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

EpitaphnounUS /ˈepətæf/

an inscription on a tombstone or monument in memory of the person buried there

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

existverbUS /ɪɡˈzɪst/

have an existence, be extant

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

expostulated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

FugitivenounUS /ˈfjuːdʒətɪv/

someone who flees from an uncongenial situation

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

heartfeltadjectiveUS /ˈhɑːrtfelt/

sincerely earnest

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

HerdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

impulsiveadjectiveUS /ˌɪmˈpʌlsɪv/

proceeding from natural feeling or impulse without external stimulus

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

inconsistentadjectiveUS /ˌɪnkənˈsɪstənt/

displaying a lack of consistency

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

inexplicableadjectiveUS /ˌɪnəkˈsplɪsəbəl/

incapable of being explained or accounted for

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

itemsnounUS /ˈaɪtəmz/

plural of “item” — a distinct part that can be specified separately in a group of things that could be enumerated on a list

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

JnounUS /dʒeɪ/

a unit of electrical energy equal to the work done when a current of one ampere passes through a resistance of one ohm for one second

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

juxtapositionsnounUS /ˌdʒʌkstəpəˈzɪʃənz/

plural of “juxtaposition” — the act of positioning close together (or side by side)

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

legitimateadjectiveUS /ləˈdʒɪtəmət/

of marriages and offspring; recognized as lawful

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

MastersnounUS /ˈmæstərz/

United States poet (1869-1950)

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

mentornounUS /ˈmentɔːr/

a wise and trusted guide and advisor

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

moodsnounUS /muːdz/

plural of “mood” — a characteristic (habitual or relatively temporary) state of feeling

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

NovembernounUS /noʊˈvembər/

the month following October and preceding December

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

onceadverbUS /wʌns/

on one occasion

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

permittingverbUS /pərˈmɪtɪŋ/

inflected form of “permit” — consent to, give permission

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

PicturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

PiecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

practicallyadverbUS /ˈpræktɪkli/

almost; nearly

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

precededverbUS /prɪˈsiːdɪd/

past form of “precede” — be earlier in time; go back further

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

prejudicedadjectiveUS /ˈpredʒədəst/

emanating from a person's emotions and prejudices

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

printedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

prudishlyadverb

in a prudish manner

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

PublicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

ReceivingverbUS /rəˈsiːvɪŋ/

-ing form of “receive” — get something; come into possession of

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

RevverbUS /rev/

increase the number of rotations per minute

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

satiresnounUS /ˈsætaɪərz/

plural of “satire” — witty language used to convey insults or scorn

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

SATIRICadjectiveUS /səˈtɪrɪk/

exposing human folly to ridicule

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

SchoolnounUS /skuːl/

an educational institution

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

self-appointedadjective

designated or chosen by yourself

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

sensuousadjectiveUS /ˈsenʃəwəs/

taking delight in beauty

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

sentimentaladjectiveUS /ˌsentəˈmentəl/

given to or marked by sentiment or sentimentality

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

separateverbUS /ˈsepəreɪt/

act as a barrier between; stand between

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

sincereadjectiveUS /sɪnˈsɪr/

open and genuine; not deceitful

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

suggestverbUS /səˈdʒest/

make a proposal, declare a plan for something

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

suppressedadjectiveUS /səˈprest/

kept from public knowledge by various means

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

TnounUS /tiː/

a base found in DNA (but not in RNA) and derived from pyrimidine; pairs with adenine

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

tendedverbUS /ˈtendɪd/

past form of “tend” — have a tendency or disposition to do or be something; be inclined

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

theorynounUS /ˈθɪri/

a well-substantiated explanation of some aspect of the natural world; an organized system of accepted knowledge that applies in a variety of circumstances to explain a specific set of phenomena

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

thirty-eightadjective

being eight more than thirty

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

tonenounUS /toʊn/

the quality of a person's voice

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

unsystematicadjective

lacking systematic arrangement or method or organization

From this reading The arrangement of the different items is, however, unsystematic and inconsistent.

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

versatileadjectiveUS /ˈvɜːrsətəl/

having great diversity or variety

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

VERSEnounUS /vɜːrs/

literature in metrical form

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

waynounUS /weɪ/

how something is done or how it happens

From this reading These unexpected juxtapositions, inexplicable even on the theory of an adherence to chronology, suggest at once the curious way in which Byron’s versatile and complex nature tended to show itself at various times in moods apparently antithetical, permitting them often to follow each other closely or even to exist at practically the same moment.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Of the thirty-eight separate poems which the collection contains, eight, at least, may be classed as legitimate satires.

whileconjunctionUS /waɪl/

during the time that

From this reading The lines _On a Change of Masters at a Great Public School_, comprising a prejudiced and impulsive diatribe, are followed by the _Epitaph on a Beloved Friend_, a sincere and heartfelt elegy; while the conventionally sentimental _Lines to Mary, On Receiving Her Picture_ are preceded and followed by satiric poems.

whopronounUS /huː/

which person or people

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

withprepositionUS /wɪð/

in the company of; together with

From this reading BYRON’S EARLY SATIRIC VERSE _Fugitive Pieces_, Byron’s first volume of verse, actually printed in November, 1806, was almost immediately suppressed at the instance of his elder friend and self-appointed mentor, Rev. J. T. Becher, who somewhat prudishly expostulated with him on the sensuous tone of certain passages.

Chapter 3 of Lord Byron as a satirist in verse by Claude Moore Fuess holds 84 sentences, grouped into 17 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Lord Byron as a satirist in verse contain?

Chapter 3 holds 84 sentences of Lord Byron as a satirist in verse, unabridged, divided into 17 reading sections.

This page carries chapter 3 of Lord Byron as a satirist in verse by Claude Moore Fuess exactly as it stands in the source edition, without abridgement. It runs to 84 sentences, grouped into 17 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Lord Byron as a satirist in verse?

Work through the 17 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 17 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Lord Byron as a satirist in verse

Common questions about reading Lord Byron as a satirist in verse by Claude Moore Fuess on this page, its source edition and its audio.

Is this the complete text of Lord Byron as a satirist in verse?

Yes. All 2531 sentences of Project Gutenberg eBook #73176 are kept, with a record of which sentences cover which part.

Which edition of Lord Byron as a satirist in verse is used?

Project Gutenberg eBook #73176, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Lord Byron as a satirist in verse take to read?

About 210 minutes of reading across 507 sections of 5 sentences each, at an unhurried pace.

How to read Lord Byron as a satirist in verse section by section

How to work through Lord Byron as a satirist in verse section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Lord Byron as a satirist in verse to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Lord Byron as a satirist in verse

Words and structures a reader meets early in Lord Byron as a satirist in verse, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Henry
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Frowde
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Corner
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.