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Lord Byron as a satirist in verse
Lord Byron as a satirist in verse

Chapter VI

Chapter 6 of Lord Byron as a satirist in verse is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
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THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.
He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.
The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.
Nearly all are timely impromptus, to few of which he gave careful revision.
The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Lord Byron as a satirist in verse

Chapter VI

Chapter 6 of Lord Byron as a satirist in verse is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.
Line 2
He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.
/hiː kəmˈpoʊzd ɪn ðɪs ˈpɪriəd ˈoʊnli wʌn lɔːŋ ˈfɔːrməl ˈsætaɪər ðə wɔːlts ənd ðæt əˈpɪrd əˈnɑːnəməsli tuː biː dɪˈsoʊnd baɪ ɪts ˈɔːθər/
Line 3
The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.
Line 4
Nearly all are timely impromptus, to few of which he gave careful revision.
Line 5
The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

anonymously adverb US /əˈnɑːnəməsli/

without giving a name

From this reading “He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.”

colloquial adjective US /kəˈloʊkwiəl/

characteristic of informal spoken language or conversation

From this reading “The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.”

disowned verb US /dɪˈsoʊnd/

past form of “disown” — prevent deliberately (as by making a will) from inheriting

From this reading “He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.”

ephemeral adjective US /ɪˈfemərəl/

lasting a very short time

From this reading “THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.”

Poetics noun US /poʊˈetɪks/

study of poetic works

satiric adjective US /səˈtɪrɪk/

exposing human folly to ridicule

From this reading “The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.”

sporadic adjective US /spərˈædɪk/

recurring in scattered and irregular or unpredictable instances

From this reading “THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.”

transitional adjective US /trænˈsɪʃənəl/

of or relating to or characterized by transition

From this reading “The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

seven years noun + noun

In this reading “THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.”

domestic troubles adjective + noun counted as “domestic trouble”

In this reading “The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.”

illustrated by verb + particle counted as “illustrate by”

In this reading “The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.”

Nearly all adverb + adjective

In this reading “Nearly all are timely impromptus, to few of which he gave careful revision.”

change in verb + particle

In this reading “The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.”

in the newspapers preposition + article + noun counted as “in … newspaper”

In this reading “The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

anonymouslyadverbUS /əˈnɑːnəməsli/

without giving a name

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

Bards

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

Beppo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

byprepositionUS /baɪ/

showing who or what does the action

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

Byron'snounUS /ˈbaɪrənz/

possessive form of “byron” — English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

carefuladjectiveUS /ˈkerfəl/

exercising caution or showing care or attention

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

colloquialadjectiveUS /kəˈloʊkwiəl/

characteristic of informal spoken language or conversation

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

completionnounUS /kəmˈpliːʃən/

(American football) a successful forward pass in football

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

contributionsnounUS /ˌkɑːntrəˈbjuːʃənz/

plural of “contribution” — the effort contributed by a person in bringing about a result

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

CursenounUS /kɜːrs/

profane or obscene expression usually of surprise or anger

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

d'esprit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

dealingnounUS /ˈdiːlɪŋ/

method or manner of conduct in relation to others

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

Devil'snounUS /ˈdevəlz/

possessive form of “devil” — (Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

disownedverbUS /dɪˈsoʊnd/

past form of “disown” — prevent deliberately (as by making a will) from inheriting

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

domesticadjectiveUS /dəˈmestɪk/

of concern to or concerning the internal affairs of a nation

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

DriveverbUS /draɪv/

operate or control a vehicle

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

ephemeraladjectiveUS /ɪˈfemərəl/

lasting a very short time

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

epigrams

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

formaladjectiveUS /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

fragmentaryadjectiveUS /ˈfræɡmənteri/

consisting of small disconnected parts

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

gradualadjectiveUS /ˈɡrædʒuːəl/

proceeding in small stages

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

groupsnounUS /ɡruːps/

plural of “group” — any number of entities (members) considered as a unit

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

illustratedverbUS /ˈɪləstreɪtəd/

past form of “illustrate” — clarify by giving an example of

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

impromptus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

invectivenounUS /ˌɪnˈvektɪv/

abusive or venomous language used to express blame or censure or bitter deep-seated ill will

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

ironicaladjectiveUS /aɪˈrɑːnɪkəl/

characterized by often poignant difference or incongruity between what is expected and what actually is

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

jeux

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

jocularadjectiveUS /ˈdʒɑːkjələr/

characterized by jokes and good humor

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

lettersnounUS /ˈletərz/

the literary culture

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

MinervanounUS /məˈnɜːrvə/

(Roman mythology) goddess of wisdom; counterpart of Greek Athena

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

NearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

newspapersnounUS /ˈnuːzpeɪpərz/

plural of “newspaper” — a daily or weekly publication on folded sheets; contains news and articles and advertisements

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

PERIODnounUS /ˈpɪriəd/

an amount of time

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

plainlyadverbUS /ˈpleɪnli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

PoeticsnounUS /poʊˈetɪks/

study of poetic works

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

politicaladjectiveUS /pəˈlɪtəkəl/

involving or characteristic of politics or parties or politicians

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

printedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

productnounUS /ˈprɑːdəkt/

commodities offered for sale

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

publicationnounUS /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

raillerynoun

light teasing repartee

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

remainingadjectiveUS /rɪˈmeɪnɪŋ/

not used up

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

revisionnounUS /riˈvɪʒən/

the act of revising or altering (involving reconsideration and modification)

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

satirenounUS /ˈsætaɪər/

witty language used to convey insults or scorn

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

satiricadjectiveUS /səˈtɪrɪk/

exposing human folly to ridicule

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

semi-political

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

SketchnounUS /sketʃ/

preliminary drawing for later elaboration

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

sporadicadjectiveUS /spərˈædɪk/

recurring in scattered and irregular or unpredictable instances

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

squibs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

timelyadjectiveUS /ˈtaɪmli/

before a time limit expires

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

TRANSITIONnounUS /trænˈzɪʃən/

the act of passing from one state or place to the next

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

transitionaladjectiveUS /trænˈsɪʃənəl/

of or relating to or characterized by transition

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

troublesnounUS /ˈtrʌbəlz/

plural of “trouble” — a source of difficulty

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

unworthyadjectiveUS /ənˈwɜːrði/

lacking in value or merit

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

versesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

vituperationnoun

abusive or venomous language used to express blame or censure or bitter deep-seated ill will

From this reading The period is plainly transitional, for it marks the gradual change in Byron’s satiric method from the formal vituperation of _English Bards_ to the colloquial raillery of _Beppo_.

WaltznounUS /wɔːlts/

an assured victory (especially in an election)

From this reading He composed in this period only one long formal satire, _The Waltz_, and that appeared anonymously, to be disowned by its author.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Nearly all are timely impromptus, to few of which he gave careful revision.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

WindsornounUS /ˈwɪnzər/

a city in southeastern Ontario on the Detroit River opposite Detroit

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

withprepositionUS /wɪð/

in the company of; together with

From this reading The remaining satiric product may be divided into three groups: political epigrams and squibs, like _Windsor Poetics_, many of them printed in the newspapers, others sent in letters to friends; jocular and fragmentary _jeux d’esprit_, often, like _The Devil’s Drive_, semi-political; and ironical and invective verses dealing with his domestic troubles, illustrated by _A Sketch_.

yearsnounUS /jɪrz/

a late time of life

From this reading THE PERIOD OF TRANSITION During the seven years between the completion of _The Curse of Minerva_ and the publication of _Beppo_, Byron’s contributions to satire were, on the whole, sporadic, ephemeral, and unworthy of his genius.

Chapter 6 of Lord Byron as a satirist in verse by Claude Moore Fuess holds 181 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Lord Byron as a satirist in verse contain?

Chapter 6 holds 181 sentences of Lord Byron as a satirist in verse, unabridged, divided into 37 reading sections.

This page carries chapter 6 of Lord Byron as a satirist in verse by Claude Moore Fuess exactly as it stands in the source edition, without abridgement. It runs to 181 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Lord Byron as a satirist in verse?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Lord Byron as a satirist in verse

Common questions about reading Lord Byron as a satirist in verse by Claude Moore Fuess on this page, its source edition and its audio.

Is this the complete text of Lord Byron as a satirist in verse?

Yes. All 2531 sentences of Project Gutenberg eBook #73176 are kept, with a record of which sentences cover which part.

Which edition of Lord Byron as a satirist in verse is used?

Project Gutenberg eBook #73176, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Lord Byron as a satirist in verse take to read?

About 210 minutes of reading across 507 sections of 5 sentences each, at an unhurried pace.

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How to work through Lord Byron as a satirist in verse section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in Lord Byron as a satirist in verse

Words and structures a reader meets early in Lord Byron as a satirist in verse, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Henry
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Frowde
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Corner
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.