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Lord Byron as a satirist in verse
Lord Byron as a satirist in verse

Chapter X

Chapter 10 of Lord Byron as a satirist in verse is here in full — 856 sentences across 172 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/171 · 5 lines
English subtitles · tap any word to listen 1 / 5
“THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.
The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.
During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.
Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.
On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Lord Byron as a satirist in verse

Chapter X

Chapter 10 of Lord Byron as a satirist in verse is here in full — 856 sentences across 172 reading sections, with audio for every sentence and word.

Reading 1/171 · 5 reading units · Lines 1–5

Line 1
“THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.
Line 2
The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.
/ðə ˈriːzənz fɔːr ðɪs ˈtempəreri əˈbændənmənt ʌv wʌt hæd bɪn ˈhɪðɜːrˈtuː ə ˈfeɪvərɪt ˈmeʒər ɑːr nɑːt ˌɔːltəˈɡeðər klɪr ˌɔːlˈðoʊ hɪz ˈækʃən meɪ biː əˈskraɪbd ɪn pɑːrt tuː hɪz rɪˌnʌnsiˈeɪʃən ʌv θɪŋz ˈɪŋɡlɪʃ ənd tuː ðə ˈɪnfluːəns əˈpɑːn hɪm ʌv hɪz ˈstʌdi ʌv ðə ˌɪˈtæljənz/
Line 3
During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.
Line 4
Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.
Line 5
On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blues noun US /bluːz/

a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes

From this reading ““THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.”

Byron's noun US /ˈbaɪrənz/

possessive form of “byron” — English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

ephemeral adjective US /ɪˈfemərəl/

lasting a very short time

From this reading “During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.”

Genoa noun US /ˈdʒenoʊə/

a seaport in northwestern Italy; provincial capital of Liguria

From this reading “On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.””

lyrics noun US /ˈlɪrɪks/

plural of “lyric” — the text of a popular song or musical-comedy number

From this reading “During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.”

metrical adjective US /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading “During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.”

renunciation noun US /rɪˌnʌnsiˈeɪʃən/

rejecting or disowning or disclaiming as invalid

From this reading “The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.”

rima noun US /ˈriːmə/

a narrow elongated opening or fissure between two symmetrical parts

From this reading “During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

blank verse adjective + noun

unrhymed verse (usually in iambic pentameter)

In this reading “During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.”

seven hundred noun + noun

In this reading “On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.””

wrote a letter verb + article + noun counted as “write … letter”

In this reading “On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.””

several years adjective + noun

In this reading ““THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.”

other things adjective + noun

In this reading “On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.””

followed by verb + particle counted as “follow by”

In this reading ““THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.”

for the benefit preposition + article + noun counted as “for … benefit”

In this reading “On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.””

any sort adjective + noun

In this reading ““THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.”

All words in this reading · 140

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

10

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

17

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

1816

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

1822

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

1823

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

7

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

abandonmentnounUS /əˈbændənmənt/

the act of giving something up

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

Achilli

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

AGEnounUS /eɪdʒ/

how long something has existed

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

altogetheradverbUS /ˌɔːltəˈɡeðər/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Annus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

ascribedverbUS /əˈskraɪbd/

past form of “ascribe” — attribute or credit to

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

atprepositionUS /æt/

in or near a particular place or position

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Bards

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

benefitnounUS /ˈbenəfɪt/

financial assistance in time of need

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

blankadjectiveUS /blæŋk/

(of a surface) not written or printed on

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

BLUESnounUS /bluːz/

a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

BRONZEnounUS /brɑːnz/

an alloy of copper and tin and sometimes other elements; also any copper-base alloy containing other elements in place of tin

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

byprepositionUS /baɪ/

showing who or what does the action

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

ByronnounUS /ˈbaɪrən/

English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

Byron'snounUS /ˈbaɪrənz/

possessive form of “byron” — English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Carmen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

ceasedverbUS /siːst/

past form of “cease” — put an end to a state or an activity

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

clearverbUS /klɪr/

rid of obstructions

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

Congressus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

copiedverbUS /ˈkɑːpid/

inflected form of “copy” — copy down as is

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

coupletnoun

two items of the same kind

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

DeathnounUS /deθ/

the event of dying or departure from life

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

DecembernounUS /dɪˈsembər/

the last (12th) month of the year

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

Diodati

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Drury

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

employverbUS /emˈplɔɪ/

put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

ephemeraladjectiveUS /ɪˈfemərəl/

lasting a very short time

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

Epigraphnoun

a quotation at the beginning of some piece of writing

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

et

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

favoritenounUS /ˈfeɪvərɪt/

something regarded with special favor or liking

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

fiftynounUS /ˈfɪfti/

the cardinal number that is the product of ten and five

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

GenoanounUS /ˈdʒenoʊə/

a seaport in northwestern Italy; provincial capital of Liguria

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

haud

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

helley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

heroicadjectiveUS /hɪˈroʊɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

hithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

hundrednounUS /ˈhʌndrəd/

ten 10s

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

HuntverbUS /hʌnt/

pursue for food or sport (as of wild animals)

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

Impar

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

ItaliansnounUS /ˌɪˈtæljənz/

plural of “italian” — a native or inhabitant of Italy

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

ItalynounUS /ˈɪtəli/

a republic in southern Europe on the Italian Peninsula; was the core of the Roman Republic and the Roman Empire between the 4th century BC and the 5th century AD

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

JanuarynounUS /ˈdʒænjuːeri/

the first month of the year; begins 10 days after the winter solstice

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

JulynounUS /ˌdʒuːˈlaɪ/

the month following June and preceding August

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

LanenounUS /leɪn/

a narrow way or road

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

LeighnounUS /liː/

English film actress (1913-1967)

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

lengthnounUS /leŋkθ/

the linear extent in space from one end to the other; the longest dimension of something that is fixed in place

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

lyricsnounUS /ˈlɪrɪks/

plural of “lyric” — the text of a popular song or musical-comedy number

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

measurenounUS /ˈmeʒər/

any maneuver made as part of progress toward a goal

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

measuresnounUS /ˈmeʒərz/

plural of “measure” — any maneuver made as part of progress toward a goal

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

Mirabilisnoun

four o'clocks

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

Monodynoun

music consisting of a single vocal part (usually with accompaniment)

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

ottava

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

reasonsnounUS /ˈriːzənz/

plural of “reason” — a rational motive for a belief or action

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

recitedverbUS /rəˈsaɪtɪd/

past form of “recite” — recite in elocution

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

renunciationnounUS /rɪˌnʌnsiˈeɪʃən/

rejecting or disowning or disclaiming as invalid

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

residencenounUS /ˈrezɪdəns/

any address at which you dwell more than temporarily

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

rimanounUS /ˈriːmə/

a narrow elongated opening or fissure between two symmetrical parts

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

Seculare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

SeptembernounUS /sepˈtembər/

the month following August and preceding October

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

SheridannounUS /ˈʃerɪdən/

Irish playwright remembered for his satirical comedies of manners (1751-1816)

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

shorteradjectiveUS /ˈʃɔːrtər/

comparative of “short” — primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Spenserian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

stanzanounUS /ˈstænzə/

a fixed number of lines of verse forming a unit of a poem

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

temporaryadjectiveUS /ˈtempəreri/

not permanent; not lasting

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

terza

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading Not until _The Age of Bronze_, which he began in December, 1822, did he return to the heroic couplet of _English Bards_.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

versenounUS /vɜːrs/

literature in metrical form

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

versesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading During his residence in Italy, Byron used many metrical forms: the Spenserian stanza, ottava rima, terza rima, blank verse, and other measures in some shorter lyrics and ephemeral verses.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The reasons for this temporary abandonment of what had been, hitherto, a favorite measure, are not altogether clear, although his action may be ascribed, in part, to his renunciation of things English and to the influence upon him of his study of the Italians.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

withprepositionUS /wɪð/

in the company of; together with

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading On January 10, 1823, Byron, then living in Genoa, wrote a letter to Leigh Hunt, in which, among other things, he said: “I have sent to Mrs. S[helley], for the benefit of being copied, a poem of about seven hundred and fifty lines length--_The Age of Bronze_--or _Carmen Seculare et Annus haud Mirabilis_, with this Epigraph--‘Impar _Congressus_ Achilli’.”

yearsnounUS /jɪrz/

a late time of life

From this reading “THE AGE OF BRONZE” AND “THE BLUES” Byron’s _Monody on the Death of Sheridan_, written at Diodati on July 17, 1816, and recited in Drury Lane Theatre on September 7, was followed by a period of several years in which he ceased to employ the heroic couplet in poetry of any sort.

Chapter 10 of Lord Byron as a satirist in verse by Claude Moore Fuess holds 856 sentences, grouped into 172 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Lord Byron as a satirist in verse contain?

Chapter 10 holds 856 sentences of Lord Byron as a satirist in verse, unabridged, divided into 172 reading sections.

This page carries chapter 10 of Lord Byron as a satirist in verse by Claude Moore Fuess exactly as it stands in the source edition, without abridgement. It runs to 856 sentences, grouped into 172 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Lord Byron as a satirist in verse?

Work through the 172 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Project Gutenberg eBook #73176, unabridged. The Project Gutenberg header, footer and licence are removed.

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Vocabulary met early in Lord Byron as a satirist in verse

Words and structures a reader meets early in Lord Byron as a satirist in verse, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Lord Byron as a satirist in verse; the reader can tap it to hear it and see its dictionary entry.
Henry
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Frowde
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Corner
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