Chapter XXVIII
Chapter 28 of Lost in the Wilds of Brazil is here in full — 61 sentences across 13 reading sections, with audio for every sentence and word.
The Forced Get-away "Bob!" "Joe!" "Did you see it?" "Yes. Human bones!
Chapter 28 of Lost in the Wilds of Brazil is here in full — 61 sentences across 13 reading sections, with audio for every sentence and word.
Chapter XXVIII
Chapter 28 of Lost in the Wilds of Brazil is here in full — 61 sentences across 13 reading sections, with audio for every sentence and word.
The Forced Get-away "Bob!" "Joe!" "Did you see it?" "Yes. Human bones!
Chapter 28 of Lost in the Wilds of Brazil is here in full — 61 sentences across 13 reading sections, with audio for every sentence and word.
Reading 1/12 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
move up and down repeatedly
From this reading “The Forced Get-away "Bob!"”
(used in the plural) a percussion instrument consisting of a pair of hollow pieces of wood or bone (usually held between the thumb and fingers) that are made to click together (as by Spanish dancers) in rhythm with the dance
From this reading “Human bones!”
produced by or subjected to forcing
From this reading “The Forced Get-away "Bob!"”
characteristic of humanity
From this reading “Human bones!”
perceive by sight or have the power to perceive by sight
From this reading “"Did you see it?"”
an affirmative
From this reading “"Yes.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “Human bones!”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
move up and down repeatedly
From this reading The Forced Get-away "Bob!"
(used in the plural) a percussion instrument consisting of a pair of hollow pieces of wood or bone (usually held between the thumb and fingers) that are made to click together (as by Spanish dancers) in rhythm with the dance
From this reading Human bones!
the past form of “do”, used in questions and negatives
From this reading "Did you see it?"
produced by or subjected to forcing
From this reading The Forced Get-away "Bob!"
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The Forced Get-away "Bob!"
characteristic of humanity
From this reading Human bones!
a thing, animal, or idea already mentioned
From this reading "Did you see it?"
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading "Joe!"
perceive by sight or have the power to perceive by sight
From this reading "Did you see it?"
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The Forced Get-away "Bob!"
an affirmative
From this reading "Yes.
the person or people being spoken to
From this reading "Did you see it?"
Chapter 28 of Lost in the Wilds of Brazil by James H. Foster holds 61 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 28 holds 61 sentences of Lost in the Wilds of Brazil, unabridged, divided into 13 reading sections.
This page carries chapter 28 of Lost in the Wilds of Brazil by James H. Foster exactly as it stands in the source edition, without abridgement. It runs to 61 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Lost in the Wilds of Brazil by James H. Foster on this page, its source edition and its audio.
Yes. All 3128 sentences of Project Gutenberg eBook #43266 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #43266, unabridged. The Project Gutenberg header, footer and licence are removed.
About 260 minutes of reading across 626 sections of 5 sentences each, at an unhurried pace.
How to work through Lost in the Wilds of Brazil section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 28 chapters of Lost in the Wilds of Brazil to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Lost in the Wilds of Brazil, each tappable for pronunciation and meaning.