Chapter 1 of Love and tea is here in full — 580 sentences across 116 reading sections, with audio for every sentence and word.
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Chapter I
Chapter 1 of Love and tea is here in full — 580 sentences across 116 reading sections, with audio for every sentence and word.
Farce in Three Acts. Seven males, five females. Costumes, modern; scenery, not difficult. Plays a full evening. Farce in Four Acts.
Chapter 1 of Love and tea is here in full — 580 sentences across 116 reading sections, with audio for every sentence and word.
Reading 1/116 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
a New Testament book describing the development of the early church from Christ's Ascension to Paul's sojourn at Rome
From this reading “Farce in Three Acts.”
plural of “costume” — the attire worn in a play or at a fancy dress ball
From this reading “Costumes, modern; scenery, not difficult.”
a comedy characterized by broad satire and improbable situations
From this reading “Farce in Three Acts.”
plural of “female” — an animal that produces gametes (ova) that can be fertilized by male gametes
From this reading “Seven males, five females.”
plural of “male” — an animal that produces gametes (spermatozoa) that can fertilize female gametes
From this reading “Seven males, five females.”
belonging to the modern era; since the Middle Ages
From this reading “Costumes, modern; scenery, not difficult.”
plural of “play” — a dramatic work intended for performance by actors on a stage
From this reading “Plays a full evening.”
the painted structures of a stage set that are intended to suggest a particular locale
From this reading “Costumes, modern; scenery, not difficult.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “Farce in Four Acts.”
In this reading “Farce in Three Acts.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading Plays a full evening.
a New Testament book describing the development of the early church from Christ's Ascension to Paul's sojourn at Rome
From this reading Farce in Three Acts.
plural of “costume” — the attire worn in a play or at a fancy dress ball
From this reading Costumes, modern; scenery, not difficult.
not easy; requiring great physical or mental effort to accomplish or comprehend or endure
From this reading Costumes, modern; scenery, not difficult.
the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)
From this reading Plays a full evening.
a comedy characterized by broad satire and improbable situations
From this reading Farce in Three Acts.
plural of “female” — an animal that produces gametes (ova) that can be fertilized by male gametes
From this reading Seven males, five females.
the cardinal number that is the sum of four and one
From this reading Seven males, five females.
the cardinal number that is the sum of three and one
From this reading Farce in Four Acts.
containing as much or as many as is possible or normal
From this reading Plays a full evening.
inside something, or within a place, period, or state
From this reading Farce in Three Acts.
plural of “male” — an animal that produces gametes (spermatozoa) that can fertilize female gametes
From this reading Seven males, five females.
belonging to the modern era; since the Middle Ages
From this reading Costumes, modern; scenery, not difficult.
used to make a word, phrase, or sentence negative
From this reading Costumes, modern; scenery, not difficult.
plural of “play” — a dramatic work intended for performance by actors on a stage
From this reading Plays a full evening.
the painted structures of a stage set that are intended to suggest a particular locale
From this reading Costumes, modern; scenery, not difficult.
the cardinal number that is the sum of six and one
From this reading Seven males, five females.
the cardinal number that is the sum of one and one and one
From this reading Farce in Three Acts.
Chapter 1 of Love and tea by Anna Phillips See holds 580 sentences, grouped into 116 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 1 holds 580 sentences of Love and tea, unabridged, divided into 116 reading sections.
This page carries chapter 1 of Love and tea by Anna Phillips See exactly as it stands in the source edition, without abridgement. It runs to 580 sentences, grouped into 116 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 116 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 116 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Love and tea by Anna Phillips See on this page, its source edition and its audio.
Yes. All 1134 sentences of Project Gutenberg eBook #68194 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #68194, unabridged. The Project Gutenberg header, footer and licence are removed.
About 94 minutes of reading across 227 sections of 5 sentences each, at an unhurried pace.
How to work through Love and tea section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 2 chapters of Love and tea to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Love and tea, each tappable for pronunciation and meaning.
