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Love of Brothers
Love of Brothers

Chapter XXVIII · Chapter 28

Chapter 28 of Love of Brothers is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.
She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.
But there were none of these signs.
Instead Mrs. Comerford was curiously quiet.
For a moment the quietness seemed to possess the little house.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Love of Brothers

Chapter XXVIII · Chapter 28

Chapter 28 of Love of Brothers is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.
Line 2
She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.
Line 3
But there were none of these signs.
/bʌt ðer wɜːr nʌn ʌv ðiːz saɪnz/
Line 4
Instead Mrs. Comerford was curiously quiet.
Line 5
For a moment the quietness seemed to possess the little house.
/fɔːr ə ˈmoʊmənt ðə ˈkwaɪətnəs siːmd tuː pəˈzes ðə ˈlɪtəl haʊs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

curiously adverb US /ˈkjʊriəsli/

in a manner differing from the usual or expected

From this reading “Instead Mrs. Comerford was curiously quiet.”

dilated verb US /ˌdaɪˈleɪtɪd/

past form of “dilate” — become wider

From this reading “She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.”

heaving noun US /ˈhiːvɪŋ/

an upward movement (especially a rhythmical rising and falling)

From this reading “She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.”

nostrils noun US /ˈnɑːstrəlz/

plural of “nostril” — either one of the two external openings to the nasal cavity in the nose

From this reading “She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.”

possess verb US /pəˈzes/

have as an attribute, knowledge, or skill

From this reading “For a moment the quietness seemed to possess the little house.”

quietness noun US /ˈkwaɪətnəs/

the property of making no sound

From this reading “For a moment the quietness seemed to possess the little house.”

Stella noun US /ˈstelə/

United States minimalist painter (born in 1936)

From this reading “THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.”

waken verb US /ˈweɪkən/

cause to become awake or conscious

From this reading “THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

alarmnounUS /əˈlɑːrm/

fear resulting from the awareness of danger

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

breastnounUS /brest/

the front of the trunk from the neck to the abdomen

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But there were none of these signs.

Comerford

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

curiouslyadverbUS /ˈkjʊriəsli/

in a manner differing from the usual or expected

From this reading Instead Mrs. Comerford was curiously quiet.

dilatedverbUS /ˌdaɪˈleɪtɪd/

past form of “dilate” — become wider

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

fearfullyadverb

in fear

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

heavingnounUS /ˈhiːvɪŋ/

an upward movement (especially a rhythmical rising and falling)

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading For a moment the quietness seemed to possess the little house.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

InsteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading Instead Mrs. Comerford was curiously quiet.

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading For a moment the quietness seemed to possess the little house.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading For a moment the quietness seemed to possess the little house.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

nonepronounUS /nʌn/

not one, and not any

From this reading But there were none of these signs.

nostrilsnounUS /ˈnɑːstrəlz/

plural of “nostril” — either one of the two external openings to the nasal cavity in the nose

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

O'Gara's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading For a moment the quietness seemed to possess the little house.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Instead Mrs. Comerford was curiously quiet.

quietnessnounUS /ˈkwaɪətnəs/

the property of making no sound

From this reading For a moment the quietness seemed to possess the little house.

rememberedverbUS /rɪˈmembərd/

past form of “remember” — recall knowledge from memory; have a recollection

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

risingadjectiveUS /ˈraɪzɪŋ/

advancing or becoming higher or greater in degree or value or status

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

scenenounUS /siːn/

the place where some action occurs

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading For a moment the quietness seemed to possess the little house.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

signsnounUS /saɪnz/

plural of “sign” — a perceptible indication of something not immediately apparent (as a visible clue that something has happened)

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

standverbUS /stænd/

be standing; be upright

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

StellanounUS /ˈstelə/

United States minimalist painter (born in 1936)

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

stormverbUS /stɔːrm/

behave violently, as if in state of a great anger

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

STORYnounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

thereadverbUS /ðer/

in or at that place or location

From this reading But there were none of these signs.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But there were none of these signs.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

TOLDverbUS /toʊld/

inflected form of “tell” — express in words

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

wakenverbUS /ˈweɪkən/

cause to become awake or conscious

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

weakadjectiveUS /wiːk/

wanting in physical strength

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But there were none of these signs.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE STORY IS TOLD Lady O'Gara's first terror was of a scene which should waken Stella and alarm her in her weak state.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

workingadjectiveUS /ˈwɜːrkɪŋ/

actively engaged in paid work

From this reading She made as if to stand between the two women: she looked fearfully for the signs of the rising storm as she remembered them in Mrs. Comerford, the heaving breast, the working hands, the dilated nostrils.

Chapter 28 of Love of Brothers by Katharine Tynan holds 205 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of Love of Brothers contain?

Chapter 28 holds 205 sentences of Love of Brothers, unabridged, divided into 41 reading sections.

This page carries chapter 28 of Love of Brothers by Katharine Tynan exactly as it stands in the source edition, without abridgement. It runs to 205 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of Love of Brothers?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Love of Brothers

Common questions about reading Love of Brothers by Katharine Tynan on this page, its source edition and its audio.

Is this the complete text of Love of Brothers?

Yes. All 5817 sentences of Project Gutenberg eBook #27445 are kept, with a record of which sentences cover which part.

Which edition of Love of Brothers is used?

Project Gutenberg eBook #27445, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Love of Brothers take to read?

About 484 minutes of reading across 1164 sections of 5 sentences each, at an unhurried pace.

How to read Love of Brothers section by section

How to work through Love of Brothers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of Love of Brothers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Love of Brothers

Words and structures a reader meets early in Love of Brothers, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Love of Brothers; the reader can tap it to hear it and see its dictionary entry.
Middle
A word that appears in the opening chapter of Love of Brothers; the reader can tap it to hear it and see its dictionary entry.
Years
A word that appears in the opening chapter of Love of Brothers; the reader can tap it to hear it and see its dictionary entry.
Shadows
A word that appears in the opening chapter of Love of Brothers; the reader can tap it to hear it and see its dictionary entry.