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Lucian the Dreamer
Lucian the Dreamer

Chapter XIX

Chapter 19 of Lucian the Dreamer is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.
Lucian was flying at high game in respect of both.
The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.
The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.
He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Lucian the Dreamer

Chapter XIX

Chapter 19 of Lucian the Dreamer is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.
Line 2
Lucian was flying at high game in respect of both.
Line 3
The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.
Line 4
The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.
Line 5
He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.
/hiː hæd bɪˈɡʌn ðə wɜːrk ˈdʊrɪŋ hɪz ˈɑːksfərd deɪz ðə ˈɡreɪtər pɑːrt ʌv ɪt wɑːz naʊ ɪn taɪp ənd ˈmɪstər ˈrɑːbərtsən wɑːz ˌɪnˈkɜːrɪŋ væst ɪkˈspens ɪn ðə ʃeɪp ʌv ˈɔːθərz kərˈekʃənz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

corrections noun US /kərˈekʃənz/

the department of local government that is responsible for managing the treatment of convicted offenders

From this reading “He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.”

epic adjective US /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading “The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.”

incurring noun US /ˌɪnˈkɜːrɪŋ/

acquiring or coming into something (usually undesirable)

From this reading “He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.”

onwards adverb US /ˈɑːnwərdz/

in a forward direction

From this reading “The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.”

publish verb US /ˈpʌblɪʃ/

put into print

From this reading “During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.”

revive verb US /rɪˈvaɪv/

cause to regain consciousness

From this reading “The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.”

Robertson noun US /ˈrɑːbərtsən/

United States basketball guard (born in 1938)

From this reading “During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

greater part adjective + noun

In this reading “During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.”

tenth year noun + noun

In this reading “The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.”

since boyhood preposition + noun

In this reading “The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.”

high distinction adjective + noun

In this reading “The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.”

about the middle preposition + article + noun counted as “about … middle”

In this reading “During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.”

in connection preposition + noun

In this reading “The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.”

two things noun + noun

In this reading “During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.”

in the shape preposition + article + noun counted as “in … shape”

In this reading “He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.”

All words in this reading · 116

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

ambitiousadjectiveUS /æmˈbɪʃəs/

having a strong desire for success or achievement

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

atprepositionUS /æt/

in or near a particular place or position

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

Athenæum

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

autumnnounUS /ˈɔːtəm/

the season when the leaves fall from the trees

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

begunverbUS /bɪˈɡʌn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Lucian was flying at high game in respect of both.

boyhoodnounUS /ˈbɔɪhʊd/

the childhood of a boy

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

connectionnounUS /kəˈnekʃən/

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

ConquestnounUS /ˈkɑːŋkwest/

the act of conquering

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

correctionsnounUS /kərˈekʃənz/

the department of local government that is responsible for managing the treatment of convicted offenders

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

DecembernounUS /dɪˈsembər/

the last (12th) month of the year

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

dignitynounUS /ˈdɪɡnəti/

the quality of being worthy of esteem or respect

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

directverbUS /dərˈekt/

command with authority

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

distinctionnounUS /dɪˈstɪŋkʃən/

a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

documentnounUS /ˈdɑːkjəment/

writing that provides information (especially information of an official nature)

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

elevationnounUS /ˌeləˈveɪʃən/

the event of something being raised upward

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

epicadjectiveUS /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

equallyadverbUS /ˈiːkwəli/

to the same degree (often followed by “as”)

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

expensenounUS /ɪkˈspens/

amounts paid for goods and services that may be currently tax deductible (as opposed to capital expenditures)

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

fascinatingadjectiveUS /ˈfæsəneɪtɪŋ/

capable of arousing and holding the attention

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

flyingadjectiveUS /ˈflaɪɪŋ/

moving swiftly

From this reading Lucian was flying at high game in respect of both.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

gamenounUS /ɡeɪm/

a contest with rules to determine a winner

From this reading Lucian was flying at high game in respect of both.

gorgeousadjectiveUS /ˈɡɔːrdʒəs/

dazzlingly beautiful

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

greateradjectiveUS /ˈɡreɪtər/

greater in size or importance or degree

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

Harcourt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading Lucian was flying at high game in respect of both.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

incurringnounUS /ˌɪnˈkɜːrɪŋ/

acquiring or coming into something (usually undesirable)

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

intendedadjectiveUS /ˌɪnˈtendɪd/

resulting from one's intentions

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

intentionnounUS /ˌɪnˈtentʃən/

an anticipated outcome that is intended or that guides your planned actions

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

liftedadjectiveUS /ˈlɪftəd/

held up in the air

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

Lucian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

Lucian's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

meanverbUS /miːn/

mean or intend to express or convey

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

nineteenth-century

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

NormannounUS /ˈnɔːrmən/

United States operatic soprano (born in 1945)

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

onwardsadverbUS /ˈɑːnwərdz/

in a forward direction

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

OxfordnounUS /ˈɑːksfərd/

a city in southern England to the northwest of London; site of Oxford University

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

procurableadjective

capable of being obtained

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

produceverbUS /prəˈduːs/

bring forth or yield

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

publishverbUS /ˈpʌblɪʃ/

put into print

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

readverbUS /red/

interpret something that is written or printed

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading Lucian was flying at high game in respect of both.

reviveverbUS /rɪˈvaɪv/

cause to regain consciousness

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

RobertsonnounUS /ˈrɑːbərtsən/

United States basketball guard (born in 1938)

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

seasonnounUS /ˈsiːzən/

a period of the year marked by special events or activities in some field

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

setverbUS /set/

put into a certain place or abstract location

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

shapenounUS /ʃeɪp/

any spatial attributes (especially as defined by outline)

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

spectaclenounUS /ˈspektəkəl/

something or someone seen (especially a notable or unusual sight)

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

steadilyadverbUS /ˈstedəli/

at a steady rate or pace

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

summernounUS /ˈsʌmər/

the warmest season of the year; in the northern hemisphere it extends from the summer solstice to the autumnal equinox

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

tenthnounUS /tenθ/

a tenth part; one part in ten equal parts

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

thereadverbUS /ðer/

in or at that place or location

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

withprepositionUS /wɪð/

in the company of; together with

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading He had begun the work during his Oxford days; the greater part of it was now in type, and Mr. Robertson was incurring vast expense in the shape of author’s corrections.

workingadjectiveUS /ˈwɜːrkɪŋ/

actively engaged in paid work

From this reading During the greater part of that summer Lucian had been working steadily on two things: the tragedy which Mr. Harcourt was to produce at the Athenæum in December, and a new poem which Mr. Robertson intended to publish about the middle of the autumn season.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading The poem was an equally ambitious attempt to revive the epic; its subject, the Norman Conquest, had filled Lucian’s mind since boyhood, and from his tenth year onwards he had read every book and document procurable which treated of that fascinating period.

yetconjunctionUS /jet/

but in spite of that

From this reading The tragedy was intended to introduce something of the spirit and dignity of Greek art to the nineteenth-century stage--there was to be nothing common or mean in connection with its production; it was to be a gorgeous spectacle, but one of high distinction, and Lucian’s direct intention in writing it was to set English dramatic art on an elevation to which it had never yet been lifted.

Chapter 19 of Lucian the Dreamer by J. S. (Joseph Smith) Fletcher holds 134 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 19 of Lucian the Dreamer contain?

Chapter 19 holds 134 sentences of Lucian the Dreamer, unabridged, divided into 27 reading sections.

This page carries chapter 19 of Lucian the Dreamer by J. S. (Joseph Smith) Fletcher exactly as it stands in the source edition, without abridgement. It runs to 134 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 19 of Lucian the Dreamer?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 19 be read aloud to me?

Yes — every sentence and every individual word in chapter 19 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Lucian the Dreamer

Common questions about reading Lucian the Dreamer by J. S. (Joseph Smith) Fletcher on this page, its source edition and its audio.

Is this the complete text of Lucian the Dreamer?

Yes. All 3903 sentences of Project Gutenberg eBook #55484 are kept, with a record of which sentences cover which part.

Which edition of Lucian the Dreamer is used?

Project Gutenberg eBook #55484, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Lucian the Dreamer take to read?

About 325 minutes of reading across 781 sections of 5 sentences each, at an unhurried pace.

How to read Lucian the Dreamer section by section

How to work through Lucian the Dreamer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 32 chapters of Lucian the Dreamer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Lucian the Dreamer

Words and structures a reader meets early in Lucian the Dreamer, each tappable for pronunciation and meaning.

Study
A word that appears in the opening chapter of Lucian the Dreamer; the reader can tap it to hear it and see its dictionary entry.
Artistic
A word that appears in the opening chapter of Lucian the Dreamer; the reader can tap it to hear it and see its dictionary entry.
Temperament
A word that appears in the opening chapter of Lucian the Dreamer; the reader can tap it to hear it and see its dictionary entry.
Generation
A word that appears in the opening chapter of Lucian the Dreamer; the reader can tap it to hear it and see its dictionary entry.