Chapter XXVII · Chapter 27

(old-fashioned) at or from or to a great distance; far

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

used to join words or parts of a sentence that go together

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

an old form of “are”, used with “thou”

From this reading Is it so sweet to survey the ills from which thou art delivered?

in or near a particular place or position

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

the month following July and preceding September

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

tough protective covering of the woody stems and roots of trees and other woody plants

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

a hostile meeting of opposing military forces in the course of a war

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

see with attention

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

any cognitive content held as true

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

used to introduce something that contrasts with what came before

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

make calm or still

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

to be able to, or to be allowed to

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

motivation deriving logically from ethical or moral principles that govern a person's thoughts and actions

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

an old form of “could”, used with “thou”

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “cry” — a loud utterance; often in protest or opposition

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

(criminal law) an act punishable by law; usually considered an evil act

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

absence of light or illumination

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

performance of moral or religious acts

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

keep in mind or convey as a conviction or view

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

past form of “deliver” — deliver (a speech, oration, or idea)

From this reading Is it so sweet to survey the ills from which thou art delivered?

a very dark black

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

Fluent, persuasive, and graceful speaking or writing. (Sự hùng biện, tài ăn nói lưu loát.)

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

a wrong action attributable to bad judgment or ignorance or inattention

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

opinion or judgment

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “fetter” — a shackle for the ankles or feet

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

come upon, as if by accident; meet with

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

intended to be given to, or used by, somebody

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

grant freedom to; free from confinement

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

showing where something starts, or who sent it

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

a long fixed look

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

relatively large in size or number or extent; larger than others of its kind

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

used with a past participle to form the perfect tenses

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

a man, boy, or male animal already mentioned, as the subject

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

the locus of feelings and intuitions

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

the male already mentioned, as the object of a verb or preposition

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

belonging to a man, boy, or male animal already mentioned

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

characteristic of humanity

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

the person speaking or writing, as the subject of the verb

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “ill” — an often persistent bodily disorder or disease; a cause for complaining

From this reading Is it so sweet to survey the ills from which thou art delivered?

inside something, or within a place, period, or state

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

in truth (often tends to intensify)

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

the form of “be” used with he, she, it, or a singular noun

From this reading Is it so sweet to survey the ills from which thou art delivered?

a thing, animal, or idea already mentioned

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

the collection of rules imposed by authority

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

a characteristic state or mode of living

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

prefer or wish to do something

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “life” — a characteristic state or mode of living

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

perceive with attention; direct one's gaze towards

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

third-person singular of “lose” — fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

Roman philosopher and poet; in a long didactic poem he tried to provide a scientific explanation of the universe (96-55 BC)

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

an adult person who is male (as opposed to a woman)

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “murmur” — a low continuous indistinct sound; often accompanied by movement of the lips without the production of articulate speech

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

the essential qualities or characteristics by which something is recognized

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

not any; not one

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

used to make a word, phrase, or sentence negative

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

belonging to, or connected with, somebody or something

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

touching and supported by a surface

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

on one occasion

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

used to join alternatives or possibilities

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

not allowed to continue to bat or run

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

third-person singular of “own” — have ownership or possession of

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

a source of danger; a possibility of incurring loss or misfortune

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

The study of the fundamental nature of knowledge, reality, and existence. (Triết học, đạo lý nhân sinh.)

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “probe” — an inquiry into unfamiliar or questionable activities

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

The protective care of God or nature as a spiritual power. (Sự quan phòng, thiên ý phù hộ.)

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

censure severely or angrily

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

experiencing or showing sorrow or unhappiness

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

free from danger or the risk of harm

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

being the one previously mentioned or spoken of

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “say” — the chance to speak

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

a division of an ocean or a large body of salt water partially enclosed by land

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “seek” — the movement of a read/write head to a specific data track on a disk

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

your consciousness of your own identity

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

not agitated; without losing self-possession

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

plural of “set” — a group of things of the same kind that belong together and are so used

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

used with I and we for the future, or to offer and suggest

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

a structure that provides privacy and protection from danger

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

an instance of visual perception

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

the killing of animals (as for food)

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “smile” — a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

for that reason; with the result that

From this reading Is it so sweet to survey the ills from which thou art delivered?

dignified and somber in manner or character and committed to keeping promises

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

a male human offspring

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

having great beauty and splendor

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

having a sharp inclination

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

behave violently, as if in state of a great anger

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

lack of agreement or harmony

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

having strength or power greater than average or expected

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

how something is done or how it happens

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

a detailed critical inspection

From this reading Is it so sweet to survey the ills from which thou art delivered?

having or denoting the characteristic taste of sugar

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

an inclination to support or be loyal to or to agree with an opinion

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

the process of shedding tears (usually accompanied by sobs or other inarticulate sounds)

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “temple” — place of worship consisting of an edifice for the worship of a deity

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

Carthaginian theologian whose writing influenced early Christian theology (160-230)

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

used to introduce what somebody said, thought, or felt

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

an old word for “you”, as the object, speaking to one person

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

the plural of “this”: the people or things near, or just mentioned

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

an old word for “you”, as the subject, speaking to one person

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

an old word for “your”, speaking to one person

From this reading Shall not the strong law of SYMPATHY find thee out, and thy heart rebuke thy philosophy?

used before the base form of a verb to make the infinitive

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

emotionally unmoved

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

a formal word for “on”

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

plural of “wandering” — travelling about without any clear destination

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

the past form of “be” used with I, he, she, it, or a singular noun

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

shed tears because of sadness, rage, or pain

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

at the time that

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

used to introduce a clause giving more about a thing just mentioned

From this reading Is it so sweet to survey the ills from which thou art delivered?

which person or people

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.

having or prompted by wisdom or discernment

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

misery resulting from affliction

From this reading Not sweet, indeed, can be man’s shelter in self when he says to the storm, “I have no bark on the sea;” or to the gods of the battle, “I have no son in the slaughter;” when he smiles unmoved upon Woe, and murmurs, “Weep on, for these eyes know no tears;” when, unappalled, he beholdeth the black deeds of crime, and cries to his conscience, “Thou art calm.”

intense anger (usually on an epic scale)

From this reading And how, O Poet of the sad belief, and eloquence “like ebony, at once dark and splendid [It was said of Tertullian that ‘his style was like ebony, dark and splendid’],” how couldst thou, august Lucretius, deem it but sweet to behold from the steep the strife of the great sea, or, safe from the peril, gaze on the wrath of the battle, or, serene in the temples of the wise, look afar on the wanderings of human error?

but in spite of that

From this reading Yet solemn is the sight to him who lives in all life,--seeks for Nature in the storm, and Providence in the battle; loses self in the woe; probes his heart in the crime; and owns no philosophy that sets him free from the fetters of man.