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Madame Bovary — Vol. 1
Madame Bovary — Vol. 1

Chapter I · Chapter 1

Chapter 1 of Madame Bovary — Vol. 1 is here in full — 265 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/53 · 5 lines
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VOLUME I.
_Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.
This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.
Flaubert, indeed, had no "outward life;" he lived only for his art.
A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Madame Bovary — Vol. 1

Chapter I · Chapter 1

Chapter 1 of Madame Bovary — Vol. 1 is here in full — 265 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/53 · 5 reading units · Lines 1–5

Line 1
VOLUME I.
/ˈvɑːljuːm aɪ/
Line 2
_Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.
Line 3
This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.
Line 4
Flaubert, indeed, had no "outward life;" he lived only for his art.
/ˈflaʊbərt ˌɪnˈdiːd hæd noʊ ˈaʊtwərd laɪf hiː lɪvd ˈoʊnli fɔːr hɪz ɑːrt/
Line 5
A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Balzac noun US /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

distinguishes verb US /dɪˈstɪŋɡwɪʃɪz/

third-person singular of “distinguish” — mark as different

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

Dumas noun US /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

Flaubert noun US /ˈflaʊbərt/

French writer of novels and short stories (1821-1880)

From this reading “_Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.”

Lisle noun US /ˈlaɪəl/

a fabric woven with lisle thread

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

mingling noun US /ˈmɪŋɡəlɪŋ/

the action of people mingling and coming into contact

From this reading “A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.”

trait noun US /treɪt/

a distinguishing feature of your personal nature

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

voluntarily adverb US /ˌvɑːlənˈterəli/

out of your own free will

From this reading “This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

agitationnounUS /ˌædʒəˈteɪʃən/

a mental state of extreme emotional disturbance

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

atprepositionUS /æt/

in or near a particular place or position

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

BalzacnounUS /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

disordernounUS /dɪˈsɔːrdər/

a physical condition in which there is a disturbance of normal functioning

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

distinguishesverbUS /dɪˈstɪŋɡwɪʃɪz/

third-person singular of “distinguish” — mark as different

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

Domi

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

DumasnounUS /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

eldernounUS /ˈeldər/

a person who is older than you are

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

Eugène

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

fecit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

filsnoun

100 Yemeni fils are worth one Yemeni rial

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

FlaubertnounUS /ˈflaʊbərt/

French writer of novels and short stories (1821-1880)

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

fortunenounUS /ˈfɔːrtʃən/

an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

generationnounUS /ˌdʒenərˈeɪʃən/

all the people living at the same time or of approximately the same age

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

Gustave

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

homenounUS /hoʊm/

where you live at a particular time

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading VOLUME I.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

lanam

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

Leconte

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

LislenounUS /ˈlaɪəl/

a fabric woven with lisle thread

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

mansit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

minglingnounUS /ˈmɪŋɡəlɪŋ/

the action of people mingling and coming into contact

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

nodeterminerUS /noʊ/

not any; not one

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

outwardadjectiveUS /ˈaʊtwərd/

relating to physical reality rather than with thoughts or the mind

From this reading Flaubert, indeed, had no "outward life;" he lived only for his art.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

Renan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

SandnounUS /sænd/

a loose material consisting of grains of rock or coral

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

sharesnounUS /ʃerz/

plural of “share” — assets belonging to or due to or contributed by an individual person or group

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

speakverbUS /spiːk/

express in speech

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

SueverbUS /suː/

institute legal proceedings against; file a suit against

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

Taine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

thingnounUS /θɪŋ/

a special situation

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

traitnounUS /treɪt/

a distinguishing feature of your personal nature

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

visionnounUS /ˈvɪʒən/

a vivid mental image

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

VOLUMEnounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading VOLUME I.

voluntarilyadverbUS /ˌvɑːlənˈterəli/

out of your own free will

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

whopronounUS /huː/

which person or people

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

withprepositionUS /wɪð/

in the company of; together with

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading A second trait of his character, and of his genius as a writer, is that of seeing in his art only the art itself--and art alone, without the mingling of any vision of fortune or success.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading This trait, which he shares with many of the writers of his generation,--Renan, Taine, Leconte de Lisle and Dumas _fils_,--distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,--Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading _Domi mansit, lanam fecit:_ "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert.

Chapter 1 of Madame Bovary — Vol. 1 by Gustave Flaubert holds 265 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Madame Bovary — Vol. 1 contain?

Chapter 1 holds 265 sentences of Madame Bovary — Vol. 1, unabridged, divided into 53 reading sections.

This page carries chapter 1 of Madame Bovary — Vol. 1 by Gustave Flaubert exactly as it stands in the source edition, without abridgement. It runs to 265 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Madame Bovary — Vol. 1?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Madame Bovary — Vol. 1

Common questions about reading Madame Bovary — Vol. 1 by Gustave Flaubert on this page, its source edition and its audio.

Is this the complete text of Madame Bovary — Vol. 1?

Yes. All 4346 sentences of Project Gutenberg eBook #27575 are kept, with a record of which sentences cover which part.

Which edition of Madame Bovary — Vol. 1 is used?

Project Gutenberg eBook #27575, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Madame Bovary — Vol. 1 take to read?

About 362 minutes of reading across 870 sections of 5 sentences each, at an unhurried pace.

How to read Madame Bovary — Vol. 1 section by section

How to work through Madame Bovary — Vol. 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 3 chapters of Madame Bovary — Vol. 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Madame Bovary — Vol. 1

Words and structures a reader meets early in Madame Bovary — Vol. 1, each tappable for pronunciation and meaning.

Volume
A word that appears in the opening chapter of Madame Bovary — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Mansit
A word that appears in the opening chapter of Madame Bovary — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Lanam
A word that appears in the opening chapter of Madame Bovary — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Fecit
A word that appears in the opening chapter of Madame Bovary — Vol. 1; the reader can tap it to hear it and see its dictionary entry.