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Man on the Ocean
Man on the Ocean

Chapter I · Chapter 1

Chapter 1 of Man on the Ocean is here in full — 396 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for Man on the Ocean
Context Illustration Reading 1/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.
CHAPTER ONE.
TREATS OF SHIPS IN GENERAL.
There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!
Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Man on the Ocean

Chapter I · Chapter 1

Chapter 1 of Man on the Ocean is here in full — 396 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.
Line 2
CHAPTER ONE.
/ˈtʃæptər wʌn/
Line 3
TREATS OF SHIPS IN GENERAL.
/triːts ʌv ʃɪps ɪn ˈdʒenərəl/
Line 4
There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!
Line 5
Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.
/ðoʊz huː rɪˈɡɑːrd fəˈmɪljər ˈɑːbdʒekts ɪn ɑːrt ənd ˈneɪtʃər æz mɪr ˈmætərz ʌv kɔːrs ənd duː nɑːt ˈtrʌbəl ðemˈselvz tuː ˈwɑːndər aʊt ʌv ðə ˈbiːtən træk ʌv ˈevriˈdeɪ θɔːt meɪ nɑːt æt fɜːrst fiːl ðə fɔːrs ɔːr ədˈmɪt ðə truːθ ʌv ðɪs ˈsteɪtmənt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beaten adjective US /ˈbiːtən/

formed or made thin by hammering

From this reading “Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.”

boats noun US /boʊts/

plural of “boat” — a small vessel for travel on water

From this reading “MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.”

contrivance noun US /kənˈtraɪvəns/

a device or control that is very useful for a particular job

From this reading “There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!”

everyday adjective US /ˈevriˈdeɪ/

found in the ordinary course of events

From this reading “Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.”

gigantic adjective US /dʒaɪˈɡæntɪk/

so exceedingly large or extensive as to suggest a giant or mammoth

From this reading “There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!”

statement noun US /ˈsteɪtmənt/

a message that is stated or declared; a communication (oral or written) setting forth particulars or facts etc

From this reading “Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.”

treats noun US /triːts/

plural of “treat” — something considered choice to eat

From this reading “TREATS OF SHIPS IN GENERAL.”

wander verb US /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading “Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

ABOUTprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

admitverbUS /ədˈmɪt/

declare to be true or admit the existence or reality or truth of

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

atprepositionUS /æt/

in or near a particular place or position

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

BALLANTYNE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

beatenadjectiveUS /ˈbiːtən/

formed or made thin by hammering

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

BOATSnounUS /boʊts/

plural of “boat” — a small vessel for travel on water

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

BOOKnounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

CHAPTERnounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading CHAPTER ONE.

contrivancenounUS /kənˈtraɪvəns/

a device or control that is very useful for a particular job

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

everydayadjectiveUS /ˈevriˈdeɪ/

found in the ordinary course of events

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

full-rigged

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

GENERALadjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading TREATS OF SHIPS IN GENERAL.

giganticadjectiveUS /dʒaɪˈɡæntɪk/

so exceedingly large or extensive as to suggest a giant or mammoth

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading TREATS OF SHIPS IN GENERAL.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

mattersnounUS /ˈmætərz/

plural of “matter” — a vaguely specified concern

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

nodeterminerUS /noʊ/

not any; not one

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

OCEANnounUS /ˈoʊʃən/

a large body of water constituting a principal part of the hydrosphere

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading TREATS OF SHIPS IN GENERAL.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

ONEpronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading CHAPTER ONE.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

perhapsadverbUS /pərˈhæps/

by chance

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

RnounUS /ɑːr/

a unit of radiation exposure; the dose of ionizing radiation that will produce 1 electrostatic unit of electricity in 1 cc of dry air

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

regardnounUS /rɪˈɡɑːrd/

(usually preceded by “in”) a detail or point

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

shipverbUS /ʃɪp/

transport commercially

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

SHIPSnounUS /ʃɪps/

plural of “ship” — a vessel that carries passengers or freight

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

statementnounUS /ˈsteɪtmənt/

a message that is stated or declared; a communication (oral or written) setting forth particulars or facts etc

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MAN ON THE OCEAN, A BOOK ABOUT BOATS AND SHIPS, BY R.M. BALLANTYNE.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

ThosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

tracknounUS /træk/

a line or route along which something travels or moves

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

TREATSnounUS /triːts/

plural of “treat” — something considered choice to eat

From this reading TREATS OF SHIPS IN GENERAL.

troublenounUS /ˈtrʌbəl/

a source of difficulty

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

truthnounUS /truːθ/

a fact that has been verified

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

wanderverbUS /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

well-manned

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

whopronounUS /huː/

which person or people

From this reading Those who regard familiar objects in art and nature as mere matters of course, and do not trouble themselves to wander out of the beaten track of everyday thought, may not at first feel the force or admit the truth of this statement.

wideadjectiveUS /waɪd/

having great (or a certain) extent from one side to the other

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading There is, perhaps, no contrivance in the wide world more wonderful than a ship--a full-rigged, well-manned, gigantic ship!

Chapter 1 of Man on the Ocean by R. M. (Robert Michael) Ballantyne holds 396 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Man on the Ocean contain?

Chapter 1 holds 396 sentences of Man on the Ocean, unabridged, divided into 80 reading sections.

This page carries chapter 1 of Man on the Ocean by R. M. (Robert Michael) Ballantyne exactly as it stands in the source edition, without abridgement. It runs to 396 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Man on the Ocean?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Man on the Ocean

Common questions about reading Man on the Ocean by R. M. (Robert Michael) Ballantyne on this page, its source edition and its audio.

Is this the complete text of Man on the Ocean?

Yes. All 2053 sentences of Project Gutenberg eBook #21749 are kept, with a record of which sentences cover which part.

Which edition of Man on the Ocean is used?

Project Gutenberg eBook #21749, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Man on the Ocean take to read?

About 171 minutes of reading across 411 sections of 5 sentences each, at an unhurried pace.

How to read Man on the Ocean section by section

How to work through Man on the Ocean section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 5 chapters of Man on the Ocean to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Man on the Ocean

Words and structures a reader meets early in Man on the Ocean, each tappable for pronunciation and meaning.

Ocean
A word that appears in the opening chapter of Man on the Ocean; the reader can tap it to hear it and see its dictionary entry.
Boats
A word that appears in the opening chapter of Man on the Ocean; the reader can tap it to hear it and see its dictionary entry.
Ships
A word that appears in the opening chapter of Man on the Ocean; the reader can tap it to hear it and see its dictionary entry.
Ballantyne
A word that appears in the opening chapter of Man on the Ocean; the reader can tap it to hear it and see its dictionary entry.