Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Mary of Lorraine
Mary of Lorraine

Chapter XX

Chapter 20 of Mary of Lorraine is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

Cover illustration for Mary of Lorraine
Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
MADELINE HOME.
'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.
What's Montague?
It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.
_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Mary of Lorraine

Chapter XX

Chapter 20 of Mary of Lorraine is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
MADELINE HOME.
Line 2
'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.
Line 3
What's Montague?
Line 4
It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.
/ɪt ɪz nɔːr hænd nɔːr fʊt nɔːr ɑːrm nɔːr feɪs nɔːr ˈeni ˈʌðər pɑːrt bɪˈlɔːŋɪŋ tuː ə mæn/
Line 5
_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alternately adverb US /ˈɔːltərnətli/

in an alternating sequence or position

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

Belonging noun US /bɪˈlɔːŋɪŋ/

happiness felt in a secure relationship

From this reading “It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.”

bitterness noun US /ˈbɪtərnəs/

a feeling of deep and bitter anger and ill-will

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

emotions noun US /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

mortification noun US /ˈmɔːrtəfkeɪʃən/

strong feelings of embarrassment

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

prey noun US /preɪ/

a person who is the aim of an attack (especially a victim of ridicule or exploitation) by some hostile person or influence

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

Romeo noun US /ˈroʊmioʊ/

an ardent male lover

sadness noun US /ˈsædnəs/

emotions experienced when not in a state of well-being

From this reading “_Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

other part adjective + noun

In this reading “It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

alternatelyadverbUS /ˈɔːltərnətli/

in an alternating sequence or position

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

angernounUS /ˈæŋɡər/

a strong emotion; a feeling that is oriented toward some real or supposed grievance

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

armnounUS /ɑːrm/

a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

BelongingnounUS /bɪˈlɔːŋɪŋ/

happiness felt in a secure relationship

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

bitternessnounUS /ˈbɪtərnəs/

a feeling of deep and bitter anger and ill-will

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

emotionsnounUS /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

enemynounUS /ˈenəmi/

an opposing military force

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

FlorencenounUS /ˈflɔːrəns/

a city in central Italy on the Arno; provincial capital of Tuscany; center of the Italian Renaissance from 14th to 16th centuries

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

HOMEnounUS /hoʊm/

where you live at a particular time

From this reading MADELINE HOME.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

Juliet

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

king'snounUS /kɪŋz/

possessive form of “king” — a male sovereign; ruler of a kingdom

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

LeftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

MADELINE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MADELINE HOME.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

Montague

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

mortificationnounUS /ˈmɔːrtəfkeɪʃən/

strong feelings of embarrassment

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

preynounUS /preɪ/

a person who is the aim of an attack (especially a victim of ridicule or exploitation) by some hostile person or influence

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

retiredadjectiveUS /rɪˈtaɪrd/

no longer active in your work or profession

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

RomeonounUS /ˈroʊmioʊ/

an ardent male lover

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

sadnessnounUS /ˈsædnəs/

emotions experienced when not in a state of well-being

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

ThoupronounUS /ðaʊ/

an old word for “you”, as the subject, speaking to one person

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

thydeterminerUS /ðaɪ/

an old word for “your”, speaking to one person

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

thyself

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

TisnounUS /tɪz/

plural of “ti” — a light strong grey lustrous corrosion-resistant metallic element used in strong lightweight alloys (as for airplane parts); the main sources are rutile and ilmenite

From this reading 'Tis but thy name, that is my enemy;-- Thou art thyself though, not a Montague.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

What's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading What's Montague?

withprepositionUS /wɪð/

in the company of; together with

From this reading _Romeo and Juliet._ Left almost alone in the king's hall, Florence retired from it with a heart that was alternately a prey to the emotions of sadness and mortification, bitterness and anger.

Chapter 20 of Mary of Lorraine by James Grant holds 64 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of Mary of Lorraine contain?

Chapter 20 holds 64 sentences of Mary of Lorraine, unabridged, divided into 13 reading sections.

This page carries chapter 20 of Mary of Lorraine by James Grant exactly as it stands in the source edition, without abridgement. It runs to 64 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of Mary of Lorraine?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Mary of Lorraine

Common questions about reading Mary of Lorraine by James Grant on this page, its source edition and its audio.

Is this the complete text of Mary of Lorraine?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Mary of Lorraine is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Mary of Lorraine take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Mary of Lorraine section by section

How to work through Mary of Lorraine section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Mary of Lorraine to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Mary of Lorraine

Words and structures a reader meets early in Mary of Lorraine, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Mary of Lorraine, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Mary of Lorraine, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Mary of Lorraine, divided into 5-sentence reading sections.