Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Massimilla Doni
Massimilla Doni

Chapter VII · Chapter 7

Chapter 7 of Massimilla Doni is here in full — 172 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for Massimilla Doni
Context Illustration Reading 1/34 · 5 lines
English subtitles · tap any word to listen 1 / 5
Are you idiotic?” cried Vendramin.
No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.
The genius of my dreams has taught me that, and much else!
You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.
Raphael alone ever united form and idea.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Massimilla Doni

Chapter VII · Chapter 7

Chapter 7 of Massimilla Doni is here in full — 172 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
Are you idiotic?” cried Vendramin.
Line 2
No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.
/noʊ juː ɑːr mæd fɔːr ˈmædnəs ðə ˈkraɪsəs wiː dɪˈspaɪz ɪz ðə ˈmem.ər.i ʌv æn ˌænˈtesədənt kənˈdɪʃən ˈæktɪŋ ɑːn ˈaʊər ˈprezənt steɪt ʌv ˈbiːɪŋ/
Line 3
The genius of my dreams has taught me that, and much else!
Line 4
You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.
Line 5
Raphael alone ever united form and idea.
/ˌrɑːfaɪˈel əˈloʊn ˈevər juːˈnaɪtɪd fɔːrm ənd aɪˈdiːə/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

antecedent noun US /ˌænˈtesədənt/

someone from whom you are descended (but usually more remote than a grandparent)

From this reading ““No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.”

crisis noun US /ˈkraɪsəs/

an unstable situation of extreme danger or difficulty

From this reading ““No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.”

despise verb US /dɪˈspaɪz/

look down on with disdain

From this reading ““No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.”

idiotic adjective US /ˌɪdiˈɑːtɪk/

insanely irresponsible

From this reading ““Are you idiotic?” cried Vendramin.”

madness noun US /ˈmædnəs/

obsolete terms for legal insanity

From this reading ““No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.”

Raphael noun US /ˌrɑːfaɪˈel/

Italian painter whose many paintings exemplify the ideals of the High Renaissance (1483-1520)

From this reading “Raphael alone ever united form and idea.”

separately adverb US /ˈsepərətli/

apart from others

From this reading “You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.”

wiser adjective US /ˈwaɪzər/

comparative of “wise” — having or prompted by wisdom or discernment

From this reading “You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.”

All words in this reading · 59

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

actingnounUS /ˈæktɪŋ/

the performance of a part or role in a drama

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Raphael alone ever united form and idea.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The genius of my dreams has taught me that, and much else!

antecedentnounUS /ˌænˈtesədənt/

someone from whom you are descended (but usually more remote than a grandparent)

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

Areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Are you idiotic?” cried Vendramin.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading “Are you idiotic?” cried Vendramin.

crisisnounUS /ˈkraɪsəs/

an unstable situation of extreme danger or difficulty

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

dearadjectiveUS /dɪr/

dearly loved

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

despiseverbUS /dɪˈspaɪz/

look down on with disdain

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

dreamsnounUS /driːmz/

plural of “dream” — a series of mental images and emotions occurring during sleep

From this reading The genius of my dreams has taught me that, and much else!

DuchessnounUS /ˈdʌtʃəs/

the wife of a duke or a woman holding ducal title in her own right

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The genius of my dreams has taught me that, and much else!

Emilio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

everadverbUS /ˈevər/

at any time

From this reading Raphael alone ever united form and idea.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Raphael alone ever united form and idea.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading The genius of my dreams has taught me that, and much else!

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The genius of my dreams has taught me that, and much else!

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading Raphael alone ever united form and idea.

idioticadjectiveUS /ˌɪdiˈɑːtɪk/

insanely irresponsible

From this reading “Are you idiotic?” cried Vendramin.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

lanounUS /lɑː/

a white soft metallic element that tarnishes readily; occurs in rare earth minerals and is usually classified as a rare earth

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

madadjectiveUS /mæd/

roused to anger

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

madnessnounUS /ˈmædnəs/

obsolete terms for legal insanity

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

makeverbUS /meɪk/

engage in

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading The genius of my dreams has taught me that, and much else!

memorynounUS /ˈmem.ər.i/

The faculty by which the mind stores and remembers information and knowledge.

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading The genius of my dreams has taught me that, and much else!

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The genius of my dreams has taught me that, and much else!

nayexclamationUS /neɪ/

an old word for “no”

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

NodeterminerUS /noʊ/

not any; not one

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

RaphaelnounUS /ˌrɑːfaɪˈel/

Italian painter whose many paintings exemplify the ideals of the High Renaissance (1483-1520)

From this reading Raphael alone ever united form and idea.

separatelyadverbUS /ˈsepərətli/

apart from others

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

takeverbUS /teɪk/

carry out

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

taughtverbUS /tɔːt/

inflected form of “teach” — impart skills or knowledge to

From this reading The genius of my dreams has taught me that, and much else!

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The genius of my dreams has taught me that, and much else!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

Tinti

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

unitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading Raphael alone ever united form and idea.

Vendramin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Are you idiotic?” cried Vendramin.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading “No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

wiseradjectiveUS /ˈwaɪzər/

comparative of “wise” — having or prompted by wisdom or discernment

From this reading You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser.

youpronounUS /juː/

the person or people being spoken to

From this reading “Are you idiotic?” cried Vendramin.

Chapter 7 of Massimilla Doni by Honoré de Balzac holds 172 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Massimilla Doni contain?

Chapter 7 holds 172 sentences of Massimilla Doni, unabridged, divided into 35 reading sections.

This page carries chapter 7 of Massimilla Doni by Honoré de Balzac exactly as it stands in the public-domain source edition, without abridgement. It runs to 172 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Massimilla Doni?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Massimilla Doni

Common questions about reading Massimilla Doni by Honoré de Balzac on this page, its source edition and its audio.

Is this the complete text of Massimilla Doni?

Yes. All 1352 sentences of Project Gutenberg eBook #1811 are kept, with a record of which sentences cover which part.

Which edition of Massimilla Doni is used?

Project Gutenberg eBook #1811, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Massimilla Doni take to read?

About 112 minutes of reading across 271 sections of 5 sentences each, at an unhurried pace.

How to read Massimilla Doni section by section

How to work through Massimilla Doni section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 8 chapters of Massimilla Doni to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Massimilla Doni

Words and structures a reader meets early in Massimilla Doni, each tappable for pronunciation and meaning.

Translated
A word that appears in the opening chapter of Massimilla Doni; the reader can tap it to hear it and see its dictionary entry.
Clara
A word that appears in the opening chapter of Massimilla Doni; the reader can tap it to hear it and see its dictionary entry.
James
A word that appears in the opening chapter of Massimilla Doni; the reader can tap it to hear it and see its dictionary entry.
Waring
A word that appears in the opening chapter of Massimilla Doni; the reader can tap it to hear it and see its dictionary entry.