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Max
Max

Chapter XXXIII · Chapter 33

Chapter 33 of Max is here in full — 127 sentences across 26 reading sections, with audio for every sentence and word.

Cover illustration for Max
Context Illustration Reading 1/25 · 5 lines
English subtitles · tap any word to listen 1 / 5
It was midway between the hours of nine and ten on the morning following.
Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.
Max himself, in a subtle manner, struck the same note.
The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.
And this moment arrived sooner even than anticipation had suggested.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Max

Chapter XXXIII · Chapter 33

Chapter 33 of Max is here in full — 127 sentences across 26 reading sections, with audio for every sentence and word.

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
It was midway between the hours of nine and ten on the morning following.
/ɪt wɑːz ˈmɪdweɪ bɪˈtwiːn ðə ˈaʊərz ʌv naɪn ənd ten ɑːn ðə ˈmɔːrnɪŋ ˈfɑːloʊɪŋ/
Line 2
Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.
/mæks wɑːz ˈstændɪŋ ɪn ðə ˈstuːdioʊ ðə ˈiːzəl stɪl ˈberɪŋ ðə ˈpɔːrtrət hæd bɪn pʊʃt ˈɪntuː ə ˈkɔːrnər ɪts feɪs tuː ðə wɔːl ˈevriwer ðə wɔːrm sʌn fel əˈpɑːn ə ˈrɪdʒəd sɪˈverɪti ʌv ˈæspekt æz ðoʊ ðə ruːm hæd ˌɪnˈstɪŋktɪvliː bɪn berd fɔːr ðə eˈnæktɪŋ ʌv sʌm siːn/
Line 3
Max himself, in a subtle manner, struck the same note.
/mæks hɪmˈself ɪn ə ˈsʌtəl ˈmænər strʌk ðə seɪm noʊt/
Line 4
The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.
/ðə oʊld ˈpeɪntɪŋ blaʊs hiː ˈjuːʒəwəli wɔːr hæd bɪn dɪˈskɑːrdɪd fɔːr ðə bluː sɜːrdʒ suːt səˈvɪrli ˈmæskjələn ɪn ˈæspekt hɪz her hæd bɪn rəˈduːst tuː æn ˈjuːʒəwəl ˈɔːrdər hɪz hoʊl əˈpɪrəns wɑːz ˈrɪdʒəd ˈæktɪv breɪst fɔːr ðə ˈkʌmɪŋ ˈmoʊmənt/
Line 5
And this moment arrived sooner even than anticipation had suggested.
/ənd ðɪs ˈmoʊmənt ərˈaɪvd ˈsuːnər ˈiːvɪn ðæn ænˌtɪsəˈpeɪʃən hæd səˈdʒestɪd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bared adjective US /berd/

having the head uncovered

From this reading “Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.”

blouse noun US /blaʊs/

a top worn by women

From this reading “The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.”

braced adjective US /breɪst/

positioned so as to be ready for confrontation or danger

From this reading “The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.”

discarded adjective US /dɪˈskɑːrdɪd/

thrown away

From this reading “The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.”

easel noun US /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading “Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.”

enacting verb US /eˈnæktɪŋ/

-ing form of “enact” — order by virtue of superior authority; decree

From this reading “Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.”

midway adjective US /ˈmɪdweɪ/

equally distant from the extremes

From this reading “It was midway between the hours of nine and ten on the morning following.”

serge noun US /sɜːrdʒ/

a twilled woolen fabric

From this reading “The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

activeadjectiveUS /ˈæktɪv/

tending to become more severe or wider in scope

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It was midway between the hours of nine and ten on the morning following.

anticipationnounUS /ænˌtɪsəˈpeɪʃən/

an expectation

From this reading And this moment arrived sooner even than anticipation had suggested.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

arrivedverbUS /ərˈaɪvd/

past form of “arrive” — reach a destination; arrive by movement or progress

From this reading And this moment arrived sooner even than anticipation had suggested.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

aspectnounUS /ˈæspekt/

a distinct feature or element in a problem

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

baredadjectiveUS /berd/

having the head uncovered

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

bearingnounUS /ˈberɪŋ/

relevant relation or interconnection

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading It was midway between the hours of nine and ten on the morning following.

blousenounUS /blaʊs/

a top worn by women

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

blueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

bracedadjectiveUS /breɪst/

positioned so as to be ready for confrontation or danger

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

discardedadjectiveUS /dɪˈskɑːrdɪd/

thrown away

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

easelnounUS /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

enactingverbUS /eˈnæktɪŋ/

-ing form of “enact” — order by virtue of superior authority; decree

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading And this moment arrived sooner even than anticipation had suggested.

everywhereadverbUS /ˈevriwer/

to or in any or all places

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

fellverbUS /fel/

cause to fall by or as if by delivering a blow

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading It was midway between the hours of nine and ten on the morning following.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Max himself, in a subtle manner, struck the same note.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading It was midway between the hours of nine and ten on the morning following.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

instinctivelyadverbUS /ˌɪnˈstɪŋktɪvliː/

as a matter of instinct

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was midway between the hours of nine and ten on the morning following.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading Max himself, in a subtle manner, struck the same note.

masculineadjectiveUS /ˈmæskjələn/

of grammatical gender

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

MaxnounUS /mæks/

street names for gamma hydroxybutyrate

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

midwayadjectiveUS /ˈmɪdweɪ/

equally distant from the extremes

From this reading It was midway between the hours of nine and ten on the morning following.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading It was midway between the hours of nine and ten on the morning following.

ninenounUS /naɪn/

the cardinal number that is the sum of eight and one

From this reading It was midway between the hours of nine and ten on the morning following.

notenounUS /noʊt/

a brief written record

From this reading Max himself, in a subtle manner, struck the same note.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It was midway between the hours of nine and ten on the morning following.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It was midway between the hours of nine and ten on the morning following.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

pushedverbUS /pʊʃt/

past form of “push” — move with force

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

reducedadjectiveUS /rəˈduːst/

made less in size or amount or degree

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

rigidadjectiveUS /ˈrɪdʒəd/

incapable of or resistant to bending

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Max himself, in a subtle manner, struck the same note.

scenenounUS /siːn/

the place where some action occurs

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

sergenounUS /sɜːrdʒ/

a twilled woolen fabric

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

severelyadverbUS /səˈvɪrli/

to a severe or serious degree

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

severitynounUS /sɪˈverɪti/

used of the degree of something undesirable e.g. pain or weather

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

sooneradverbUS /ˈsuːnər/

comparatives of “soon” or “early”

From this reading And this moment arrived sooner even than anticipation had suggested.

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading Max himself, in a subtle manner, struck the same note.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading Max himself, in a subtle manner, struck the same note.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading And this moment arrived sooner even than anticipation had suggested.

suitverbUS /suːt/

be agreeable or acceptable to

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

sunnounUS /sʌn/

the star that is the source of light and heat for the planets in the solar system

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading It was midway between the hours of nine and ten on the morning following.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading And this moment arrived sooner even than anticipation had suggested.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It was midway between the hours of nine and ten on the morning following.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading And this moment arrived sooner even than anticipation had suggested.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

warmadjectiveUS /wɔːrm/

having or producing a comfortable and agreeable degree of heat or imparting or maintaining heat

From this reading Max was standing in the studio; the easel, still bearing the portrait, had been pushed into a corner, its face to the wall; everywhere the warm sun fell upon a rigid severity of aspect, as though the room had instinctively been bared for the enacting of some scene.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was midway between the hours of nine and ten on the morning following.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

woreverbUS /wɔːr/

inflected form of “wear” — be dressed in

From this reading The old painting blouse he usually wore had been discarded for the blue serge suit, severely masculine in aspect; his hair had been reduced to an usual order, his whole appearance was rigid, active, braced for the coming moment.

Chapter 33 of Max by Katherine Cecil Thurston holds 127 sentences, grouped into 26 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 33 of Max contain?

Chapter 33 holds 127 sentences of Max, unabridged, divided into 26 reading sections.

This page carries chapter 33 of Max by Katherine Cecil Thurston exactly as it stands in the source edition, without abridgement. It runs to 127 sentences, grouped into 26 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 33 of Max?

Work through the 26 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 26 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 33 be read aloud to me?

Yes — every sentence and every individual word in chapter 33 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Max

Common questions about reading Max by Katherine Cecil Thurston on this page, its source edition and its audio.

Is this the complete text of Max?

Yes. All 5513 sentences of Project Gutenberg eBook #14054 are kept, with a record of which sentences cover which part.

Which edition of Max is used?

Project Gutenberg eBook #14054, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Max take to read?

About 459 minutes of reading across 1103 sections of 5 sentences each, at an unhurried pace.

How to read Max section by section

How to work through Max section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Max to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Max

Words and structures a reader meets early in Max, each tappable for pronunciation and meaning.

Journeys
A word that appears in the opening chapter of Max; the reader can tap it to hear it and see its dictionary entry.
Lovers'
A word that appears in the opening chapter of Max; the reader can tap it to hear it and see its dictionary entry.
Meeting
A word that appears in the opening chapter of Max; the reader can tap it to hear it and see its dictionary entry.
Phrase
A word that appears in the opening chapter of Max; the reader can tap it to hear it and see its dictionary entry.