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Max Fargus
Max Fargus

Chapter IV

Chapter 4 of Max Fargus is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

Cover illustration for Max Fargus
Context Illustration Reading 1/23 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.
In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.
"I am Mr. Bofinger," the lawyer said.
"What can I do for you?"
The client, without answer, remained blinking at the lawyer.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Max Fargus

Chapter IV

Chapter 4 of Max Fargus is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.
/ðə ˈlɪtəl mæn ʌv ðə ˈʃʌvəl hæt ðə ˈnuːkʌmər stʊd ˈrɪdʒɪdli/
Line 2
In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.
Line 3
"I am Mr. Bofinger," the lawyer said.
Line 4
"What can I do for you?"
/wʌt kæn aɪ duː fɔːr juː/
Line 5
The client, without answer, remained blinking at the lawyer.
/ðə ˈklaɪənt wɪˈθaʊt ˈænsər rɪˈmeɪnd ˈblɪŋkɪŋ æt ðə ˈlɔːjər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blinking adjective US /ˈblɪŋkɪŋ/

closing the eyes intermittently and rapidly

From this reading “The client, without answer, remained blinking at the lawyer.”

client noun US /ˈklaɪənt/

a person who seeks the advice of a lawyer

From this reading “The client, without answer, remained blinking at the lawyer.”

emphasize verb US /ˈemfəsaɪz/

to stress, single out as important

From this reading “In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.”

musty adjective US /ˈmʌsti/

covered with or smelling of mold

From this reading “In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.”

newcomer noun US /ˈnuːkʌmər/

any new participant in some activity

From this reading “THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.”

obscurity noun US /əbsˈkjʊrəti/

the quality of being unclear or abstruse and hard to understand

From this reading “In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.”

rigidly adverb US /ˈrɪdʒɪdli/

in a rigid manner

From this reading “THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.”

shovel noun US /ˈʃʌvəl/

a hand tool for lifting loose material; consists of a curved container or scoop and a handle

From this reading “THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sink into verb + particle

In this reading “In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.”

into obscurity preposition + noun

In this reading “In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.”

All words in this reading · 50

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading "I am Mr. Bofinger," the lawyer said.

answerverbUS /ˈænsər/

react verbally

From this reading The client, without answer, remained blinking at the lawyer.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

atprepositionUS /æt/

in or near a particular place or position

From this reading The client, without answer, remained blinking at the lawyer.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

blinkingadjectiveUS /ˈblɪŋkɪŋ/

closing the eyes intermittently and rapidly

From this reading The client, without answer, remained blinking at the lawyer.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

Bofinger

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I am Mr. Bofinger," the lawyer said.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading "What can I do for you?"

chalkiness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

clientnounUS /ˈklaɪənt/

a person who seeks the advice of a lawyer

From this reading The client, without answer, remained blinking at the lawyer.

dimnessnoun

the state of being poorly illuminated

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "What can I do for you?"

emphasizeverbUS /ˈemfəsaɪz/

to stress, single out as important

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading "What can I do for you?"

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

HATnounUS /hæt/

headdress that protects the head from bad weather; has shaped crown and usually a brim

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "I am Mr. Bofinger," the lawyer said.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

lawyernounUS /ˈlɔːjər/

a professional person authorized to practice law; conducts lawsuits or gives legal advice

From this reading "I am Mr. Bofinger," the lawyer said.

LITTLEadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading "I am Mr. Bofinger," the lawyer said.

mustyadjectiveUS /ˈmʌsti/

covered with or smelling of mold

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

newcomernounUS /ˈnuːkʌmər/

any new participant in some activity

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

obscuritynounUS /əbsˈkjʊrəti/

the quality of being unclear or abstruse and hard to understand

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

officenounUS /ˈɔːfɪs/

place of business where professional or clerical duties are performed

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading The client, without answer, remained blinking at the lawyer.

rigidlyadverbUS /ˈrɪdʒɪdli/

in a rigid manner

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "I am Mr. Bofinger," the lawyer said.

shouldersnounUS /ˈʃoʊldərz/

plural of “shoulder” — the part of the body between the neck and the upper arm

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

SHOVELnounUS /ˈʃʌvəl/

a hand tool for lifting loose material; consists of a curved container or scoop and a handle

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

sinkverbUS /sɪŋk/

fall or descend to a lower place or level

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE LITTLE MAN OF THE SHOVEL HAT The newcomer stood rigidly.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading "What can I do for you?"

whereconjunctionUS /wer/

in or at the place that

From this reading In the dimness of the office he had the look of a musty portrait where the artist has allowed the body from the shoulders to sink into obscurity, the better to emphasize the chalkiness of the face.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The client, without answer, remained blinking at the lawyer.

youpronounUS /juː/

the person or people being spoken to

From this reading "What can I do for you?"

Chapter 4 of Max Fargus by Owen Johnson holds 117 sentences, grouped into 24 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Max Fargus contain?

Chapter 4 holds 117 sentences of Max Fargus, unabridged, divided into 24 reading sections.

This page carries chapter 4 of Max Fargus by Owen Johnson exactly as it stands in the source edition, without abridgement. It runs to 117 sentences, grouped into 24 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Max Fargus?

Work through the 24 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 24 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Max Fargus

Common questions about reading Max Fargus by Owen Johnson on this page, its source edition and its audio.

Is this the complete text of Max Fargus?

Yes. All 3476 sentences of Project Gutenberg eBook #46358 are kept, with a record of which sentences cover which part.

Which edition of Max Fargus is used?

Project Gutenberg eBook #46358, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Max Fargus take to read?

About 289 minutes of reading across 696 sections of 5 sentences each, at an unhurried pace.

How to read Max Fargus section by section

How to work through Max Fargus section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of Max Fargus to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Max Fargus

Words and structures a reader meets early in Max Fargus, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Max Fargus; the reader can tap it to hear it and see its dictionary entry.
Arrows
A word that appears in the opening chapter of Max Fargus; the reader can tap it to hear it and see its dictionary entry.
Almighty
A word that appears in the opening chapter of Max Fargus; the reader can tap it to hear it and see its dictionary entry.
Liberty
A word that appears in the opening chapter of Max Fargus; the reader can tap it to hear it and see its dictionary entry.