used before a singular noun to mean one of a group, when it is not a particular one
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
used to join words or parts of a sentence that go together
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
conventionalizedadjective
using artistic forms and conventions to create effects; not natural or spontaneous
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
the act of working out the form of something (as by making a sketch or outline or plan)
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
embroiderynounUS /emˈbrɔɪdəri/
elaboration of an interpretation by the use of decorative (sometimes fictitious) detail
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
ETHEL
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
everlastingadjectiveUS /ˌevərˈlæstɪŋ/
continuing forever or indefinitely
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
a plant cultivated for its blooms or blossoms
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
intended to be given to, or used by, somebody
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
the solid part of the earth's surface
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
hadauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading She had two purposes in mind.
belonging to a woman, girl, or female animal already mentioned
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
a dwelling that serves as living quarters for one or more families
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
inside something, or within a place, period, or state
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
the form of “be” used with he, she, it, or a singular noun
From this reading WHEN THE LAW IS ON.
laceverbUS /leɪs/
spin, wind, or twist together
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
the collection of rules imposed by authority
From this reading WHEN THE LAW IS ON.
limited or below average in number or quantity or magnitude or extent
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
the act of directing the eyes toward something and perceiving it visually
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
engage in
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
The element of a person that enables awareness and thought.
From this reading She had two purposes in mind.
MinervanounUS /məˈnɜːrvə/
(Roman mythology) goddess of wisdom; counterpart of Greek Athena
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
MisnounUS /mɪs/
plural of “mi” — destruction of heart tissue resulting from obstruction of the blood supply to the heart muscle
From this reading “Mis.
(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
the essential qualities or characteristics by which something is recognized
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
belonging to, or connected with, somebody or something
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
touching and supported by a surface
From this reading WHEN THE LAW IS ON.
orchardnounUS /ˈɔːrtʃərd/
garden consisting of a small cultivated wood without undergrowth
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
not allowed to continue to bat or run
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
have the will and intention to carry out some action
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
purposesnounUS /ˈpɜːrpəsəz/
plural of “purpose” — an anticipated outcome that is intended or that guides your planned actions
From this reading She had two purposes in mind.
queen'snounUS /kwiːnz/
possessive form of “queen” — the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
a woman, girl, or female animal already mentioned, as the subject
From this reading She had two purposes in mind.
a thing, without saying which
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
the region of the United States lying to the south of the Mason-Dixon line
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
impart skills or knowledge to
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading WHEN THE LAW IS ON.
used before the base form of a verb to make the infinitive
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading She had two purposes in mind.
the act of using
From this reading To teach Minerva something more of nature and to make a conventionalized design of the ground plan of the flower for use in her everlasting embroidery.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”
at the time that
From this reading WHEN THE LAW IS ON.
in the company of; together with
From this reading ETHEL was out in the little orchard south of the house with Minerva, looking for “queen’s lace.”