Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Minerva's Manoeuvres
Minerva's Manoeuvres

Chapter XXI

Chapter 21 of Minerva's Manoeuvres is here in full — 62 sentences across 13 reading sections, with audio for every sentence and word.

Cover illustration for Minerva's Manoeuvres
Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
A MUSICAL TRAMP.
WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.
But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”
She laughed, and sitting down at the piano she said, “Why, certainly.
What shall it be?”
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Minerva's Manoeuvres

Chapter XXI

Chapter 21 of Minerva's Manoeuvres is here in full — 62 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
A MUSICAL TRAMP.
/ə ˈmjuːzɪkəl træmp/
Line 2
WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.
/wiː ˈwɔːntɪd ˈtʃeri tuː pleɪ bʌt wiː dɪd nɑːt fiːl ðæt wiː ɔːt tuː æsk hɜːr tuː duː ɪt ʃiː wʊd biː ˈtaɪərd ˈæftər hɜːr ˈdʒɜːrni ənd piˈænoʊ ˈpleɪɪŋ tuː hɜːr wɑːz noʊ ˈnɑːvəlti/
Line 3
But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”
Line 4
She laughed, and sitting down at the piano she said, “Why, certainly.
/ʃiː læft ənd ˈsɪtɪŋ daʊn æt ðə piˈænoʊ ʃiː sed waɪ ˈsɜːrtənli/
Line 5
What shall it be?”
/wʌt ʃæl ɪt biː/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Cherry noun US /ˈtʃeri/

wood of any of various cherry trees especially the black cherry

From this reading “WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.”

enticing adjective US /enˈtaɪsɪŋ/

highly attractive and able to arouse hope or desire

From this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

harmony noun US /ˈhɑːrməni/

compatibility in opinion and action

From this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

keys noun US /kiːz/

plural of “key” — metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

musical adjective US /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading “A MUSICAL TRAMP.”

novelty noun US /ˈnɑːvəlti/

originality by virtue of being refreshingly novel

From this reading “WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.”

tramp noun US /træmp/

a vagrant

From this reading “A MUSICAL TRAMP.”

veranda noun US /vərˈændə/

a porch along the outside of a building (sometimes partly enclosed)

From this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

after dinner preposition + noun

In this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

sitting room noun + noun

a room in a private house or establishment where people can sit and talk and relax

In this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

other hand adjective + noun

In this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

at the piano preposition + article + noun counted as “at … piano”

In this reading “She laughed, and sitting down at the piano she said, “Why, certainly.”

help saying verb + noun

In this reading “But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?””

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A MUSICAL TRAMP.

afterprepositionUS /ˈæftər/

later than; following

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

askverbUS /æsk/

make a request or demand for something to somebody

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

atprepositionUS /æt/

in or near a particular place or position

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

CherrynounUS /ˈtʃeri/

wood of any of various cherry trees especially the black cherry

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

dinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

Don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

enticingadjectiveUS /enˈtaɪsɪŋ/

highly attractive and able to arouse hope or desire

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

harmonynounUS /ˈhɑːrməni/

compatibility in opinion and action

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

helpverbUS /help/

give help or assistance; be of service

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

journeyverbUS /ˈdʒɜːrni/

undertake a journey or trip

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

keysnounUS /kiːz/

plural of “key” — metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

laughedverbUS /læft/

past form of “laugh” — produce laughter

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

likeverbUS /laɪk/

prefer or wish to do something

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

MUSICALadjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading A MUSICAL TRAMP.

nodeterminerUS /noʊ/

not any; not one

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

noveltynounUS /ˈnɑːvəlti/

originality by virtue of being refreshingly novel

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

pianonounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

playverbUS /pleɪ/

participate in games or sport

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

sayingnounUS /ˈseɪɪŋ/

a word or phrase that particular people use in particular situations

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading What shall it be?”

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

tiredadjectiveUS /ˈtaɪərd/

depleted of strength or energy

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

TRAMPnounUS /træmp/

a vagrant

From this reading A MUSICAL TRAMP.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

verandanounUS /vərˈændə/

a porch along the outside of a building (sometimes partly enclosed)

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

walkedverbUS /wɔːkt/

past form of “walk” — use one's feet to advance; advance by steps

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

waynounUS /weɪ/

how something is done or how it happens

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

WEpronounUS /wiː/

the speaker together with one or more other people

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What shall it be?”

whenconjunctionUS /wen/

at the time that

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

whileconjunctionUS /waɪl/

during the time that

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading She laughed, and sitting down at the piano she said, “Why, certainly.

withprepositionUS /wɪð/

in the company of; together with

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading WE wanted Cherry to play, but we did not feel that we ought to ask her to do it; she would be tired, after her journey, and piano playing to her was no novelty.

youpronounUS /juː/

the person or people being spoken to

From this reading But when, after dinner, while passing through the sitting room, on our way to the veranda she ran a harmony enticing hand over the keys as she walked by the piano, I could not help saying, “Don’t you feel like following that up with the other hand?”

Chapter 21 of Minerva's Manoeuvres by Charles Battell Loomis holds 62 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Minerva's Manoeuvres contain?

Chapter 21 holds 62 sentences of Minerva's Manoeuvres, unabridged, divided into 13 reading sections.

This page carries chapter 21 of Minerva's Manoeuvres by Charles Battell Loomis exactly as it stands in the source edition, without abridgement. It runs to 62 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Minerva's Manoeuvres?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Minerva's Manoeuvres

Common questions about reading Minerva's Manoeuvres by Charles Battell Loomis on this page, its source edition and its audio.

Is this the complete text of Minerva's Manoeuvres?

Yes. All 4595 sentences of Project Gutenberg eBook #56872 are kept, with a record of which sentences cover which part.

Which edition of Minerva's Manoeuvres is used?

Project Gutenberg eBook #56872, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Minerva's Manoeuvres take to read?

About 382 minutes of reading across 919 sections of 5 sentences each, at an unhurried pace.

How to read Minerva's Manoeuvres section by section

How to work through Minerva's Manoeuvres section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 35 chapters of Minerva's Manoeuvres to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Minerva's Manoeuvres

Words and structures a reader meets early in Minerva's Manoeuvres, each tappable for pronunciation and meaning.

Cheerful
A word that appears in the opening chapter of Minerva's Manoeuvres; the reader can tap it to hear it and see its dictionary entry.
Facts
A word that appears in the opening chapter of Minerva's Manoeuvres; the reader can tap it to hear it and see its dictionary entry.
Return
A word that appears in the opening chapter of Minerva's Manoeuvres; the reader can tap it to hear it and see its dictionary entry.
Nature
A word that appears in the opening chapter of Minerva's Manoeuvres; the reader can tap it to hear it and see its dictionary entry.