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Miss Hildreth: A Novel, Volume 1
Miss Hildreth: A Novel, Volume 1

Chapter XI

Chapter 11 of Miss Hildreth: A Novel, Volume 1 is here in full — 111 sentences across 23 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/22 · 5 lines
English subtitles · tap any word to listen 1 / 5
A WOMAN SCORNED.
When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.
Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.
It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.
Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Miss Hildreth: A Novel, Volume 1

Chapter XI

Chapter 11 of Miss Hildreth: A Novel, Volume 1 is here in full — 111 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/22 · 5 reading units · Lines 1–5

Line 1
A WOMAN SCORNED.
/ə ˈwʊmən skɔːrnd/
Line 2
When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.
Line 3
Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.
Line 4
It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.
/ɪt ɪz ˈseldəm wʌn kʌmz əˈkrɔːs sʌtʃ ə ˈkaʊntənəns ˈoʊvər wɪtʃ noʊ əˈpriːʃəbəl tʃeɪndʒ ˈevər ˈpæsəz ənd əˈpɑːn wɪtʃ ðə ˈpæʃənz liːv noʊ ˈriːfleks nɑːt ˈiːvɪn ðə ˈslaɪtəst ˈʃæd.oʊ sʌtʃ æz ˈtrʌbəlz ə puːl wen ə klaʊd ˈpæsəz ˈoʊvərˈhed ðæt ɪz ɡɔːn ˈiːvɪn æz wʌn ˈwɑːtʃəz ɪts əˈproʊtʃ/
Line 5
Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

appreciable adjective US /əˈpriːʃəbəl/

enough to be estimated or measured

From this reading “It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.”

capabilities noun US /ˌkeɪpəˈbɪlətiz/

plural of “capability” — the quality of being capable -- physically or intellectually or legally

From this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

inflexible adjective US /ˌɪnˈfleksəbəl/

incapable of change

From this reading “Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.”

lightest adjective US /ˈlaɪtəst/

superlative of “light” — of comparatively little physical weight or density

From this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

reflex noun US /ˈriːfleks/

an automatic instinctive unlearned reaction to a stimulus

From this reading “It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.”

strives verb US /straɪvz/

third-person singular of “strive” — attempt by employing effort

From this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

temperaments noun US /ˈtemprəmənts/

plural of “temperament” — your usual mood

From this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

vacuous adjective US /ˈvækjuːəs/

devoid of intelligence or thought

From this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

absolute control adjective + noun

In this reading “Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.”

outward expression adjective + noun

In this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

too weak adverb + adjective

In this reading “Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.”

comes across verb + particle counted as “come across”

find unexpectedly

In this reading “It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.”

All words in this reading · 136

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A WOMAN SCORNED.

absoluteadjectiveUS /ˈæbsəluːt/

perfect or complete or pure

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

appreciableadjectiveUS /əˈpriːʃəbəl/

enough to be estimated or measured

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

approachverbUS /əˈproʊtʃ/

move towards

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

atprepositionUS /æt/

in or near a particular place or position

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

backadverbUS /bæk/

in or to or toward a former location

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

betokens

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

bornadjectiveUS /bɔːrn/

brought into existence

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

capabilitiesnounUS /ˌkeɪpəˈbɪlətiz/

plural of “capability” — the quality of being capable -- physically or intellectually or legally

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

cloudverbUS /klaʊd/

make overcast or cloudy

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

comprehendverbUS /ˌkɑːmpriˈhend/

get the meaning of something

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

concealverbUS /kənˈsiːl/

prevent from being seen or discovered

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

controlnounUS /kənˈtroʊl/

power to direct or determine

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

conventionalities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

CountverbUS /kaʊnt/

determine the number or amount of

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

countenancenounUS /ˈkaʊntənəns/

the appearance conveyed by a person's face

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

emotionsnounUS /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

everadverbUS /ˈevər/

at any time

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

exhibitverbUS /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

featurenounUS /ˈfiːtʃər/

a prominent attribute or aspect of something

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

FollynounUS /ˈfɑːli/

the trait of acting stupidly or rashly

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

gazedverbUS /ɡeɪzd/

past form of “gaze” — look at with fixed eyes

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

inanitionnoun

weakness characterized by a lack of vitality or energy

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

inflexibleadjectiveUS /ˌɪnˈfleksəbəl/

incapable of change

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

intenseadjectiveUS /ˌɪnˈtens/

possessing or displaying a distinctive feature to a heightened degree

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

irresponsive

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

leaveverbUS /liːv/

go away from a place

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

lestconjunctionUS /lest/

in order that something should not happen

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

lightestadjectiveUS /ˈlaɪtəst/

superlative of “light” — of comparatively little physical weight or density

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

Mellikoff

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

musclenounUS /ˈmʌsəl/

one of the contractile organs of the body

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

nodeterminerUS /noʊ/

not any; not one

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

outwardadjectiveUS /ˈaʊtwərd/

relating to physical reality rather than with thoughts or the mind

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

overheadadverbUS /ˈoʊvərˈhed/

above your head; in the sky

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

ownverbUS /oʊn/

have ownership or possession of

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

passesnounUS /ˈpæsəz/

plural of “pass” — (baseball) an advance to first base by a batter who receives four balls

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

passionsnounUS /ˈpæʃənz/

plural of “passion” — a strong feeling or emotion

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

poolnounUS /puːl/

an excavation that is (usually) filled with water

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

portières

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

preconcertedadjective

previously arranged or agreed on

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

reflexnounUS /ˈriːfleks/

an automatic instinctive unlearned reaction to a stimulus

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

Rosalie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

SCORNEDadjectiveUS /skɔːrnd/

treated with dislike or contempt

From this reading A WOMAN SCORNED.

seldomadverbUS /ˈseldəm/

not often

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

shroudedverbUS /ˈʃraʊdɪd/

past form of “shroud” — cover as if with a shroud

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

slightestadjectiveUS /ˈslaɪtəst/

superlative of “slight” — (quantifier used with mass nouns) small in quantity or degree; not much or almost none or (with “a”) at least some

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

strivesverbUS /straɪvz/

third-person singular of “strive” — attempt by employing effort

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

temperamentsnounUS /ˈtemprəmənts/

plural of “temperament” — your usual mood

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

trainingnounUS /ˈtreɪnɪŋ/

activity leading to skilled behavior

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

troublesnounUS /ˈtrʌbəlz/

plural of “trouble” — a source of difficulty

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

unexpectednessnoun

extraordinariness by virtue of being unexpected

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

vacuousadjectiveUS /ˈvækjuːəs/

devoid of intelligence or thought

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

visibleadjectiveUS /ˈvɪzəbəl/

capable of being seen; or open to easy view

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

Vladimir

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

watchesnounUS /ˈwɑːtʃəz/

plural of “watch” — a small portable timepiece

From this reading It is seldom one comes across such a countenance, over which no appreciable change ever passes, and upon which the passions leave no reflex, not even the slightest shadow, such as troubles a pool when a cloud passes overhead, that is gone even as one watches its approach.

weakadjectiveUS /wiːk/

wanting in physical strength

From this reading Such a countenance betokens one of two temperaments: a nature too weak and vacuous to feel or comprehend any master passion, and which from very inanition becomes irresponsive, or one so strong and so intense as to fear its own capabilities, and therefore strives to conceal all outward expression, lest its lightest emotion might exhibit something more than the usual conventionalities.

WhenconjunctionUS /wen/

at the time that

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Count Mellikoff never allowed ordinary emotions to be visible in his face; he had that absolute control of feature and muscle which only long training and an inflexible will can effect.

withprepositionUS /wɪð/

in the company of; together with

From this reading When Count Vladimir Mellikoff drew back the _portières_ that shrouded the doors of the large drawing-room at the Folly, he came face to face with Miss Rosalie James, and for a full moment these two gazed at each other in a silence that might have been born either of unexpectedness, or preconcerted arrangement.

WOMANnounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading A WOMAN SCORNED.

Chapter 11 of Miss Hildreth: A Novel, Volume 1 by Augusta de Grasse Stevens holds 111 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of Miss Hildreth: A Novel, Volume 1 contain?

Chapter 11 holds 111 sentences of Miss Hildreth: A Novel, Volume 1, unabridged, divided into 23 reading sections.

This page carries chapter 11 of Miss Hildreth: A Novel, Volume 1 by Augusta de Grasse Stevens exactly as it stands in the source edition, without abridgement. It runs to 111 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of Miss Hildreth: A Novel, Volume 1?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Miss Hildreth: A Novel, Volume 1

Common questions about reading Miss Hildreth: A Novel, Volume 1 by Augusta de Grasse Stevens on this page, its source edition and its audio.

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Yes. All 1590 sentences of Project Gutenberg eBook #40431 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #40431, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 132 minutes of reading across 318 sections of 5 sentences each, at an unhurried pace.

How to read Miss Hildreth: A Novel, Volume 1 section by section

How to work through Miss Hildreth: A Novel, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Miss Hildreth: A Novel, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Miss Hildreth: A Novel, Volume 1

Words and structures a reader meets early in Miss Hildreth: A Novel, Volume 1, each tappable for pronunciation and meaning.

Hildreth
A word that appears in the opening chapter of Miss Hildreth: A Novel, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Novel
A word that appears in the opening chapter of Miss Hildreth: A Novel, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of Miss Hildreth: A Novel, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Boston
A word that appears in the opening chapter of Miss Hildreth: A Novel, Volume 1; the reader can tap it to hear it and see its dictionary entry.