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Miss Maitland, Private Secretary
Miss Maitland, Private Secretary

Chapter XIII · Molly’s Story

Chapter XIII of Miss Maitland, Private Secretary, “Molly’s Story,” is here in full — 160 sentences across 32 reading sections, with audio for every sentence and word.

Cover illustration for Miss Maitland, Private Secretary
Context Illustration Reading 1/32 · 5 lines
English subtitles · tap any word to listen 1 / 5
One of the chief features of detective work is that you must be able to change your mind.
That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.
You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.
Well, that’s what happened to me.
In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Miss Maitland, Private Secretary

Chapter XIII · Molly’s Story

Chapter XIII of Miss Maitland, Private Secretary, “Molly’s Story,” is here in full — 160 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/32 · 5 reading units · Lines 1–5

Line 1
One of the chief features of detective work is that you must be able to change your mind.
/wʌn ʌv ðə tʃiːf ˈfiːtʃərz ʌv dɪˈtektɪv wɜːrk ɪz ðæt juː mʌst biː ˈeɪbəl tuː tʃeɪndʒ jɔːr maɪnd/
Line 2
That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.
Line 3
You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.
/juː ɡet ˈpɔɪntɪd wʌn weɪ ənd tuː hæv tuː ʃɪft ənd feɪs raʊnd ɪn əˈnʌðər ɪz ˈkændi fɔːr ə ˈweðər veɪn bʌt bred fɔːr ə sluːθ/
Line 4
Well, that’s what happened to me.
Line 5
In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

candy noun US /ˈkændi/

a rich sweet made of flavored sugar and often combined with fruit or nuts

From this reading “You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.”

detective noun US /dɪˈtektɪv/

a police officer who investigates crimes

From this reading “One of the chief features of detective work is that you must be able to change your mind.”

female adjective US /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading “That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.”

happens verb US /ˈhæpənz/

third-person singular of “happen” — come to pass

From this reading “That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.”

shift verb US /ʃɪft/

make a shift in or exchange of

From this reading “You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.”

sleuth noun US /sluːθ/

a detective who follows a trail

From this reading “You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.”

stunt noun US /stʌnt/

a difficult or unusual or dangerous feat; usually done to gain attention

From this reading “That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.”

vane noun US /veɪn/

mechanical device attached to an elevated structure; rotates freely to show the direction of the wind

From this reading “You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

chief features noun + noun counted as “chief feature”

In this reading “One of the chief features of detective work is that you must be able to change your mind.”

start out verb + adjective

take the first step or steps in carrying out an action

In this reading “In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading One of the chief features of detective work is that you must be able to change your mind.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading One of the chief features of detective work is that you must be able to change your mind.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

breadnounUS /bred/

food made from dough of flour or meal and usually raised with yeast or baking powder and then baked

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

candynounUS /ˈkændi/

a rich sweet made of flavored sugar and often combined with fruit or nuts

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading One of the chief features of detective work is that you must be able to change your mind.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading One of the chief features of detective work is that you must be able to change your mind.

detectivenounUS /dɪˈtektɪv/

a police officer who investigates crimes

From this reading One of the chief features of detective work is that you must be able to change your mind.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading One of the chief features of detective work is that you must be able to change your mind.

femaleadjectiveUS /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading Well, that’s what happened to me.

happensverbUS /ˈhæpənz/

third-person singular of “happen” — come to pass

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

hardadjectiveUS /hɑːrd/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading One of the chief features of detective work is that you must be able to change your mind.

it's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading One of the chief features of detective work is that you must be able to change your mind.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading One of the chief features of detective work is that you must be able to change your mind.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading One of the chief features of detective work is that you must be able to change your mind.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading One of the chief features of detective work is that you must be able to change your mind.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

ownernounUS /ˈoʊnər/

(law) someone who owns (is legal possessor of) a business

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

pointedadjectiveUS /ˈpɔɪntɪd/

having a point

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

shiftverbUS /ʃɪft/

make a shift in or exchange of

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

sleuthnounUS /sluːθ/

a detective who follows a trail

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

stuntnounUS /stʌnt/

a difficult or unusual or dangerous feat; usually done to gain attention

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading One of the chief features of detective work is that you must be able to change your mind.

that's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Well, that’s what happened to me.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading One of the chief features of detective work is that you must be able to change your mind.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading One of the chief features of detective work is that you must be able to change your mind.

vanenounUS /veɪn/

mechanical device attached to an elevated structure; rotates freely to show the direction of the wind

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

waynounUS /weɪ/

how something is done or how it happens

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

weathernounUS /ˈweðər/

the atmospheric conditions that comprise the state of the atmosphere in terms of temperature and wind and clouds and precipitation

From this reading You get pointed one way, and to have to shift and face round in another is candy for a weather vane but bread for a sleuth.

weeknounUS /wiːk/

any period of seven consecutive days

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

WelladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Well, that’s what happened to me.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Well, that’s what happened to me.

whenconjunctionUS /wen/

at the time that

From this reading That may not sound hard—especially when the owner of the mind happens to be a female—but believe me it’s some stunt.

Whitneys

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the week that followed my visit to the Whitneys I had to start out fresh on a new line of thought.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading One of the chief features of detective work is that you must be able to change your mind.

youpronounUS /juː/

the person or people being spoken to

From this reading One of the chief features of detective work is that you must be able to change your mind.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading One of the chief features of detective work is that you must be able to change your mind.

Chapter 13 of Miss Maitland, Private Secretary by Geraldine Bonner holds 160 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Miss Maitland, Private Secretary contain?

Chapter 13 holds 160 sentences of Miss Maitland, Private Secretary, unabridged, divided into 32 reading sections.

This page carries chapter 13 of Miss Maitland, Private Secretary by Geraldine Bonner exactly as it stands in the source edition, without abridgement. It runs to 160 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Miss Maitland, Private Secretary?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Miss Maitland, Private Secretary

Common questions about reading Miss Maitland, Private Secretary by Geraldine Bonner on this page, its source edition and its audio.

Is this the complete text of Miss Maitland, Private Secretary?

Yes. All 4744 sentences of Project Gutenberg eBook #35504 are kept, with a record of which sentences cover which part.

Which edition of Miss Maitland, Private Secretary is used?

Project Gutenberg eBook #35504, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Miss Maitland, Private Secretary take to read?

About 395 minutes of reading across 949 sections of 5 sentences each, at an unhurried pace.

How to read Miss Maitland, Private Secretary section by section

How to work through Miss Maitland, Private Secretary section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Miss Maitland, Private Secretary

Words and structures a reader meets early in Miss Maitland, Private Secretary, each tappable for pronunciation and meaning.

Chapman
A word that appears in the opening chapter of Miss Maitland, Private Secretary; the reader can tap it to hear it and see its dictionary entry.
Price
A word that appears in the opening chapter of Miss Maitland, Private Secretary; the reader can tap it to hear it and see its dictionary entry.
Leaving
A word that appears in the opening chapter of Miss Maitland, Private Secretary; the reader can tap it to hear it and see its dictionary entry.
Grasslands
A word that appears in the opening chapter of Miss Maitland, Private Secretary; the reader can tap it to hear it and see its dictionary entry.