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Modern American Poetry
Modern American Poetry

Chapter V

Chapter 5 of Modern American Poetry is here in full — 377 sentences across 76 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/75 · 5 lines
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_Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.
His later poems are still more vivid and racy.
“Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.
BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.
The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Modern American Poetry

Chapter V

Chapter 5 of Modern American Poetry is here in full — 377 sentences across 76 reading sections, with audio for every sentence and word.

Reading 1/75 · 5 reading units · Lines 1–5

Line 1
_Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.
Line 2
His later poems are still more vivid and racy.
/hɪz ˈleɪtər ˈpoʊəmz ɑːr stɪl mɔːr ˈvɪvəd ənd ˈreɪsi/
Line 3
“Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.
Line 4
BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.
Line 5
The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.
/ðə ɡræs bent loʊ wɪð ˈʃɪmərɪŋ duː ənd ˈmeni ə leɪt waɪld roʊz ˌʌnˈroʊld ðə ˈpetəlz frʌm ɪts ˈoʊdərəs hɑːrt waɪl bɜːrdz held ˈtuːnfəl ˈɡɑːsəp/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Barbed adjective US /bɑːrbd/

capable of wounding

From this reading “_Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.”

Burns's noun US /ˈbɜːrnzɪz/

possessive form of “burns” — United States comedian and film actor (1896-1996)

creative adjective US /kriˈeɪtɪv/

having the ability or power to create

From this reading ““Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.”

odorous adjective US /ˈoʊdərəs/

having odor or a characteristic odor

From this reading “The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.”

racy adjective US /ˈreɪsi/

full of zest or vigor

From this reading “His later poems are still more vivid and racy.”

saturated adjective US /ˈsætʃəreɪtɪd/

being the most concentrated solution possible at a given temperature; unable to dissolve still more of a substance

From this reading “_Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.”

tuneful adjective US /ˈtuːnfəl/

having a musical sound; especially a pleasing tune

From this reading “The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.”

Unrolled verb US /ˌʌnˈroʊld/

past form of “unroll” — reverse the winding or twisting of

From this reading “The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Barbed Wire adjective + noun

strong wire with barbs at regular intervals used to prevent passage

In this reading “_Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.”

wild rose adjective + noun

In this reading “The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.”

fresh evidences adjective + noun counted as “fresh evidence”

In this reading ““Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.”

ran Into verb + particle counted as “run into”

be beset by

In this reading “BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.”

At dawn preposition + noun

In this reading “BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.”

All words in this reading · 82

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1918

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading His later poems are still more vivid and racy.

AtprepositionUS /æt/

in or near a particular place or position

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

balladsnounUS /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

BarbedadjectiveUS /bɑːrbd/

capable of wounding

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

bentnounUS /bent/

a relatively permanent inclination to react in a particular way

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

Bindlestiff

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

birdsnounUS /bɜːrdz/

plural of “bird” — warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

brighteningverbUS /ˈbraɪtənɪŋ/

-ing form of “brighten” — make more cheerful through the use of color

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

Burns'snounUS /ˈbɜːrnzɪz/

possessive form of “burns” — United States comedian and film actor (1896-1996)

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

colornounUS /ˈkʌlər/

a visual attribute of things that results from the light they emit or transmit or reflect

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

dawnnounUS /dɔːn/

the first light of day

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

debtnounUS /det/

the state of owing something (especially money)

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

dewnounUS /duː/

water that has condensed on a cool surface overnight from water vapor in the air

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

environmentnounUS /ɪnˈvaɪrənmənt/

the totality of surrounding conditions

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

evidencesnounUS /ˈevədənsəz/

plural of “evidence” — your basis for belief or disbelief; knowledge on which to base belief

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

folk-lore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

gossipnounUS /ˈɡɑːsəp/

light informal conversation for social occasions

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

grassverbUS /ɡræs/

shoot down, of birds

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

hedgesnounUS /ˈhedʒɪz/

plural of “hedge” — a fence formed by a row of closely planted shrubs or bushes

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

IntoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading His later poems are still more vivid and racy.

livesnounUS /lɪvz/

plural of “life” — a characteristic state or mode of living

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

Mary'snounUS /ˈmeriz/

possessive form of “mary” — the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

mennounUS /men/

the force of workers available

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading His later poems are still more vivid and racy.

odorousadjectiveUS /ˈoʊdərəs/

having odor or a characteristic odor

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

OtheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

pattern-molds

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

petalsnounUS /ˈpetəlz/

plural of “petal” — part of the perianth that is usually brightly colored

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

Piper's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

PoemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

racyadjectiveUS /ˈreɪsi/

full of zest or vigor

From this reading His later poems are still more vivid and racy.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

RangenounUS /reɪndʒ/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

Rattlin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

Roarin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

rosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

saturatedadjectiveUS /ˈsætʃəreɪtɪd/

being the most concentrated solution possible at a given temperature; unable to dissolve still more of a substance

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

self-acknowledged

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

shimmeringverbUS /ˈʃɪmərɪŋ/

-ing form of “shimmer” — shine with a weak or fitful light

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

skynounUS /skaɪ/

the atmosphere and outer space as viewed from the earth

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

SonnounUS /sʌn/

a male human offspring

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

stilladjectiveUS /stɪl/

not in physical motion

From this reading His later poems are still more vivid and racy.

Sweetgrass

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

there's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

tunefuladjectiveUS /ˈtuːnfəl/

having a musical sound; especially a pleasing tune

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

UnrolledverbUS /ˌʌnˈroʊld/

past form of “unroll” — reverse the winding or twisting of

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

vividadjectiveUS /ˈvɪvəd/

evoking lifelike images within the mind

From this reading His later poems are still more vivid and racy.

wheel-ruts

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

WhileconjunctionUS /waɪl/

during the time that

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

wildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading The grass bent low With shimmering dew, and many a late wild rose Unrolled the petals from its odorous heart While birds held tuneful gossip.

Willie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sweetgrass Range” (with its self-acknowledged debt to Burns’s “Rattlin’ Roarin’ Willie”) and “Bindlestiff” are fresh evidences of this author’s creative interest in ballads and folk-lore.

WirenounUS /ˈwaɪər/

ligament made of metal and used to fasten things or make cages or fences etc

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

withprepositionUS /wɪð/

in the company of; together with

From this reading _Piper’s Barbed Wire and Other Poems_ (1918) is saturated with the color of his environment.

youpronounUS /juː/

the person or people being spoken to

From this reading BINDLESTIFF _Oh, the lives of men, lives of men, In pattern-molds be run; But there’s you, and me, and Bindlestiff— And remember Mary’s Son._ At dawn the hedges and the wheel-ruts ran Into a brightening sky.

Chapter 5 of Modern American Poetry by Louis [Editor] Untermeyer holds 377 sentences, grouped into 76 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Modern American Poetry contain?

Chapter 5 holds 377 sentences of Modern American Poetry, unabridged, divided into 76 reading sections.

This page carries chapter 5 of Modern American Poetry by Louis [Editor] Untermeyer exactly as it stands in the source edition, without abridgement. It runs to 377 sentences, grouped into 76 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Modern American Poetry?

Work through the 76 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 76 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Modern American Poetry

Common questions about reading Modern American Poetry by Louis [Editor] Untermeyer on this page, its source edition and its audio.

Is this the complete text of Modern American Poetry?

Yes. All 3972 sentences of Project Gutenberg eBook #58992 are kept, with a record of which sentences cover which part.

Which edition of Modern American Poetry is used?

Project Gutenberg eBook #58992, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Modern American Poetry take to read?

About 331 minutes of reading across 795 sections of 5 sentences each, at an unhurried pace.

How to read Modern American Poetry section by section

How to work through Modern American Poetry section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of Modern American Poetry to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Modern American Poetry

Words and structures a reader meets early in Modern American Poetry, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Modern American Poetry; the reader can tap it to hear it and see its dictionary entry.
Challenge
A word that appears in the opening chapter of Modern American Poetry; the reader can tap it to hear it and see its dictionary entry.
Including
A word that appears in the opening chapter of Modern American Poetry; the reader can tap it to hear it and see its dictionary entry.
Horace
A word that appears in the opening chapter of Modern American Poetry; the reader can tap it to hear it and see its dictionary entry.