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Modern Eloquence — Vol II, After-Dinner Speeches E-O
Modern Eloquence — Vol II, After-Dinner Speeches E-O

Chapter IX · Chapter 9

Chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O is here in full — 394 sentences across 79 reading sections, with audio for every sentence and word.

Cover illustration for Modern Eloquence — Vol II, After-Dinner Speeches E-O
Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
_ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.
Of one thing, however, I am certain, and that is, that Music was born of love.
Had there never been any human affection, there never could have been uttered a strain of music.
Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.
Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Modern Eloquence — Vol II, After-Dinner Speeches E-O

Chapter IX · Chapter 9

Chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O is here in full — 394 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
_ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.
Line 2
Of one thing, however, I am certain, and that is, that Music was born of love.
/ʌv wʌn θɪŋ ˌhaʊˈevər aɪ æm ˈsɜːrtən ənd ðæt ɪz ðæt ˈmjuːzɪk wɑːz bɔːrn ʌv lʌv/
Line 3
Had there never been any human affection, there never could have been uttered a strain of music.
/hæd ðer ˈnevər bɪn ˈeni ˈhjuːmən əˈfekʃən ðer ˈnevər kʊd hæv bɪn ˈʌtərd ə streɪn ʌv ˈmjuːzɪk/
Line 4
Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.
/ˈpɑːsəbli sʌm ˈmʌðər ˈlʊkɪŋ ɪn ðə aɪz ʌv hɜːr beɪb ɡeɪv ðə fɜːrst ˈmelədi tuː ðə enˈræptʃərd er/
Line 5
Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.
/ˈlæŋɡwədʒ ɪz nɑːt ˈsʌtəl ɪˈnʌf ˈtendər ɪˈnʌf tuː ɪkˈspres ɔːl ðæt wiː fiːl ənd wen ˈlæŋɡwədʒ feɪlz ðə ˈhaɪəst ənd ˈdiːpəst ˈlɔːŋɪŋz ɑːr trænzˈleɪtɪd ˈɪntuː ˈmjuːzɪk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

babe noun US /beɪb/

a very young child (birth to 1 year) who has not yet begun to walk or talk

From this reading “Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.”

enraptured adjective US /enˈræptʃərd/

feeling great rapture or delight

From this reading “Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.”

fails verb US /feɪlz/

third-person singular of “fail” — fail to do something; leave something undone

From this reading “Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.”

longings noun US /ˈlɔːŋɪŋz/

plural of “longing” — prolonged unfulfilled desire or need

From this reading “Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.”

melody noun US /ˈmelədi/

a succession of notes forming a distinctive sequence

From this reading “Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.”

photograph verb US /ˈfoʊtəɡræf/

record on photographic film

From this reading “_ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.”

rudely adverb US /ˈruːdli/

in an impolite manner

From this reading “_ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.”

translated verb US /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading “Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.”

All words in this reading · 82

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

affectionnounUS /əˈfekʃən/

a positive feeling of liking

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

afterprepositionUS /ˈæftər/

later than; following

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

babenounUS /beɪb/

a very young child (birth to 1 year) who has not yet begun to walk or talk

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

bornadjectiveUS /bɔːrn/

brought into existence

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

deepestadjectiveUS /ˈdiːpəst/

superlative of “deep” — relatively deep or strong; affecting one deeply

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

enrapturedadjectiveUS /enˈræptʃərd/

feeling great rapture or delight

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

expressverbUS /ɪkˈspres/

give expression to

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

eyesnounUS /aɪz/

opinion or judgment

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

failsverbUS /feɪlz/

third-person singular of “fail” — fail to do something; leave something undone

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

fearsnounUS /fɪrz/

plural of “fear” — an emotion experienced in anticipation of some specific pain or danger (usually accompanied by a desire to flee or fight)

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

foundverbUS /faʊnd/

set up or found

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

GREENnounUS /ɡriːn/

green color or pigment; resembling the color of growing grass

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

highestadjectiveUS /ˈhaɪəst/

superlative of “high” — greater than normal in degree or intensity or amount

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

hopesnounUS /hoʊps/

plural of “hope” — a specific instance of feeling hopeful

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

INGERSOLL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

LanguagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

longingsnounUS /ˈlɔːŋɪŋz/

plural of “longing” — prolonged unfulfilled desire or need

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

melodynounUS /ˈmelədi/

a succession of notes forming a distinctive sequence

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

MusicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

OfprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

passionsnounUS /ˈpæʃənz/

plural of “passion” — a strong feeling or emotion

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

photographverbUS /ˈfoʊtəɡræf/

record on photographic film

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

Photogravurenoun

printing from an intaglio plate prepared by photographic methods

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

PossiblyadverbUS /ˈpɑːsəbli/

by chance

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

ROBERTnounUS /ˈrɑːbərt/

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

rudelyadverbUS /ˈruːdli/

in an impolite manner

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

strainnounUS /streɪn/

(physics) deformation of a physical body under the action of applied forces

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

tenderadjectiveUS /ˈtendər/

given to sympathy or gentleness or sentimentality

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

thereadverbUS /ðer/

in or at that place or location

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

thingnounUS /θɪŋ/

a special situation

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Possibly some mother, looking in the eyes of her babe, gave the first melody to the enraptured air.

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

utteredadjectiveUS /ˈʌtərd/

communicated in words

From this reading Had there never been any human affection, there never could have been uttered a strain of music.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Of one thing, however, I am certain, and that is, that Music was born of love.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading _ROBERT GREEN INGERSOLL Photogravure after a photograph from life_ Before man found a name for any thought, or thing, he had hopes and fears and passions, and these were rudely expressed in tones.

whenconjunctionUS /wen/

at the time that

From this reading Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music.

Chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O by Thomas B. (Thomas Brackett) [Editor] Reed holds 394 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O contain?

Chapter 9 holds 394 sentences of Modern Eloquence — Vol II, After-Dinner Speeches E-O, unabridged, divided into 79 reading sections.

This page carries chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O by Thomas B. (Thomas Brackett) [Editor] Reed exactly as it stands in the source edition, without abridgement. It runs to 394 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Modern Eloquence — Vol II, After-Dinner Speeches E-O?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Modern Eloquence — Vol II, After-Dinner Speeches E-O

Common questions about reading Modern Eloquence — Vol II, After-Dinner Speeches E-O by Thomas B. (Thomas Brackett) [Editor] Reed on this page, its source edition and its audio.

Is this the complete text of Modern Eloquence — Vol II, After-Dinner Speeches E-O?

Yes. All 5593 sentences of Project Gutenberg eBook #18823 are kept, with a record of which sentences cover which part.

Which edition of Modern Eloquence — Vol II, After-Dinner Speeches E-O is used?

Project Gutenberg eBook #18823, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Modern Eloquence — Vol II, After-Dinner Speeches E-O take to read?

About 466 minutes of reading across 1119 sections of 5 sentences each, at an unhurried pace.

How to read Modern Eloquence — Vol II, After-Dinner Speeches E-O section by section

How to work through Modern Eloquence — Vol II, After-Dinner Speeches E-O section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of Modern Eloquence — Vol II, After-Dinner Speeches E-O to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Modern Eloquence — Vol II, After-Dinner Speeches E-O

Words and structures a reader meets early in Modern Eloquence — Vol II, After-Dinner Speeches E-O, each tappable for pronunciation and meaning.

Photo-engraving
A word that appears in the opening chapter of Modern Eloquence — Vol II, After-Dinner Speeches E-O; the reader can tap it to hear it and see its dictionary entry.
Colors
A word that appears in the opening chapter of Modern Eloquence — Vol II, After-Dinner Speeches E-O; the reader can tap it to hear it and see its dictionary entry.
Original
A word that appears in the opening chapter of Modern Eloquence — Vol II, After-Dinner Speeches E-O; the reader can tap it to hear it and see its dictionary entry.
Painting
A word that appears in the opening chapter of Modern Eloquence — Vol II, After-Dinner Speeches E-O; the reader can tap it to hear it and see its dictionary entry.