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Mrs. Fitz
Mrs. Fitz

Chapter XII

Chapter 12 of Mrs. Fitz is here in full — 179 sentences across 36 reading sections, with audio for every sentence and word.

Cover illustration for Mrs. Fitz
Context Illustration Reading 1/35 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.
The peremptory decision of his manner fitted him for the part.
The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.
Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.
"Sorry to interrupt you, Countess, but there is no time to lose."
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Mrs. Fitz

Chapter XII

Chapter 12 of Mrs. Fitz is here in full — 179 sentences across 36 reading sections, with audio for every sentence and word.

Reading 1/35 · 5 reading units · Lines 1–5

Line 1
THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.
Line 2
The peremptory decision of his manner fitted him for the part.
/ðə pərˈemptəri dɪˈsɪʒən ʌv hɪz ˈmænər ˈfɪtəd hɪm fɔːr ðə pɑːrt/
Line 3
The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.
/ðə ˈbjuːtəfəl mjuːˈzɪʃən ənd hɜːr ˈsʌtəl ˈkeɪdənsɪz wɜːr səɡˈnɪfɪkənt tuː hɪm ˈoʊnli ɪn soʊ fɑːr æz ðeɪ kʊd sɜːrv hɪz wɪl/
Line 4
Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.
Line 5
"Sorry to interrupt you, Countess, but there is no time to lose."
/ˈsɑːri tuː ˌɪntərˈʌpt juː ˈkaʊntəs bʌt ðer ɪz noʊ taɪm tuː luːz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cadences noun US /ˈkeɪdənsɪz/

plural of “cadence” — (prosody) the accent in a metrical foot of verse

From this reading “The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.”

divinely adverb US /dɪˈvaɪnli/

by divine means

From this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

effrontery noun US /ɪˈfrʌntəri/

audacious (even arrogant) behavior that you have no right to

From this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

musician noun US /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading “The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.”

Napoleonic adjective US /nəˌpoʊliˈɑːnɪk/

of or relating to or like Napoleon Bonaparte

From this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

peremptory adjective US /pərˈemptəri/

offensively self-assured or given to exercising usually unwarranted power

From this reading “The peremptory decision of his manner fitted him for the part.”

rhapsody noun US /ˈræpsədi/

an enthusiastic expression of emotion

From this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

unconcerned adjective US /ˌʌnkənˈsɜːrnd/

lacking in interest or care or feeling

From this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

in the midst preposition + article + noun counted as “in … midst”

the middle or central part or point

In this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

went straight verb + adjective counted as “go straight”

In this reading “Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

cadencesnounUS /ˈkeɪdənsɪz/

plural of “cadence” — (prosody) the accent in a metrical foot of verse

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

CountessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

decisionnounUS /dɪˈsɪʒən/

the act of making up your mind about something

From this reading The peremptory decision of his manner fitted him for the part.

DESTINYnounUS /ˈdestəni/

an event (or a course of events) that will inevitably happen in the future

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

divinelyadverbUS /dɪˈvaɪnli/

by divine means

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

effronterynounUS /ɪˈfrʌntəri/

audacious (even arrogant) behavior that you have no right to

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

elbownounUS /ˈelboʊ/

hinge joint between the forearm and upper arm and the corresponding joint in the forelimb of a quadruped

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

fittedadjectiveUS /ˈfɪtəd/

being the right size and shape to fit as desired

From this reading The peremptory decision of his manner fitted him for the part.

Fitz

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The peremptory decision of his manner fitted him for the part.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The peremptory decision of his manner fitted him for the part.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The peremptory decision of his manner fitted him for the part.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

interruptverbUS /ˌɪntərˈʌpt/

make a break in

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading The peremptory decision of his manner fitted him for the part.

midstnounUS /mɪdst/

the location of something surrounded by other things

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

musiciannounUS /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

NapoleonicadjectiveUS /nəˌpoʊliˈɑːnɪk/

of or relating to or like Napoleon Bonaparte

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

nodeterminerUS /noʊ/

not any; not one

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The peremptory decision of his manner fitted him for the part.

peremptoryadjectiveUS /pərˈemptəri/

offensively self-assured or given to exercising usually unwarranted power

From this reading The peremptory decision of his manner fitted him for the part.

pianonounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

resembledverbUS /rɪˈzembəld/

past form of “resemble” — appear like; be similar or bear a likeness to

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

rhapsodynounUS /ˈræpsədi/

an enthusiastic expression of emotion

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

serveverbUS /sɜːrv/

serve a purpose, role, or function

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

significantadjectiveUS /səɡˈnɪfɪkənt/

important in effect or meaning

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

SorryadjectiveUS /ˈsɑːri/

feeling or expressing regret or sorrow or a sense of loss over something done or undone

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

straightadjectiveUS /streɪt/

successive (without a break)

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

thereadverbUS /ðer/

in or at that place or location

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

unconcernedadjectiveUS /ˌʌnkənˈsɜːrnd/

lacking in interest or care or feeling

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE MAN OF DESTINY It was not in looks alone that Fitz resembled the Man of Destiny.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The beautiful musician and her subtle cadences were significant to him only in so far as they could serve his will.

withprepositionUS /wɪð/

in the company of; together with

From this reading Fitz entered in the midst of a rhapsody played divinely; and with an unconcerned air he went straight up to the piano, and, with Napoleonic effrontery, placed his elbow across the music.

youpronounUS /juː/

the person or people being spoken to

From this reading "Sorry to interrupt you, Countess, but there is no time to lose."

Chapter 12 of Mrs. Fitz by J. C. (John Collis) Snaith holds 179 sentences, grouped into 36 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Mrs. Fitz contain?

Chapter 12 holds 179 sentences of Mrs. Fitz, unabridged, divided into 36 reading sections.

This page carries chapter 12 of Mrs. Fitz by J. C. (John Collis) Snaith exactly as it stands in the source edition, without abridgement. It runs to 179 sentences, grouped into 36 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Mrs. Fitz?

Work through the 36 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 36 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Mrs. Fitz

Common questions about reading Mrs. Fitz by J. C. (John Collis) Snaith on this page, its source edition and its audio.

Is this the complete text of Mrs. Fitz?

Yes. All 5325 sentences of Project Gutenberg eBook #34398 are kept, with a record of which sentences cover which part.

Which edition of Mrs. Fitz is used?

Project Gutenberg eBook #34398, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Mrs. Fitz take to read?

About 443 minutes of reading across 1065 sections of 5 sentences each, at an unhurried pace.

How to read Mrs. Fitz section by section

How to work through Mrs. Fitz section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 34 chapters of Mrs. Fitz to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Mrs. Fitz

Words and structures a reader meets early in Mrs. Fitz, each tappable for pronunciation and meaning.

Snowing
A word that appears in the opening chapter of Mrs. Fitz; the reader can tap it to hear it and see its dictionary entry.
Arbuthnot
A word that appears in the opening chapter of Mrs. Fitz; the reader can tap it to hear it and see its dictionary entry.
Worse
A word that appears in the opening chapter of Mrs. Fitz; the reader can tap it to hear it and see its dictionary entry.
Growled
A word that appears in the opening chapter of Mrs. Fitz; the reader can tap it to hear it and see its dictionary entry.