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Mrs. Siddons
Mrs. Siddons

Chapter VIII

Chapter 8 of Mrs. Siddons is here in full — 132 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
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LADY MACBETH.
Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.
She made the part her own, and identified herself with it in the memories of all who saw her.
It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.
The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Mrs. Siddons

Chapter VIII

Chapter 8 of Mrs. Siddons is here in full — 132 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
LADY MACBETH.
/ˈleɪdi məkˈbeθ/
Line 2
Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.
Line 3
She made the part her own, and identified herself with it in the memories of all who saw her.
/ʃiː meɪd ðə pɑːrt hɜːr oʊn ənd aɪˈdentəfaɪd hərˈself wɪð ɪt ɪn ðə ˈmɛm.ə.riz ʌv ɔːl huː sɔː hɜːr/
Line 4
It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.
Line 5
The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied toVala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Contemporaneous adjective US /kənˌtempərˈeɪniəs/

occurring in the same period of time

From this reading “Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.”

fatalism noun US /ˈfeɪtəlɪzəm/

a submissive mental attitude resulting from acceptance of the doctrine that everything that happens is predetermined and inevitable

From this reading “The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.”

impersonation noun US /ˌɪmpərsəˈneɪʃən/

a representation of a person that is exaggerated for comic effect

From this reading “Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.”

Scandinavian adjective US /ˌskændɪˈneɪviən/

of or relating to Scandinavia or its peoples or cultures

From this reading “The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.”

Siddons noun US /ˈsɪdənz/

English actress noted for her performances in Shakespearean roles (1755-1831)

From this reading “Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.”

Sophocles noun US /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading “The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.”

Teutonic adjective US /tuːˈtɔːnɪk/

of or pertaining to the ancient Teutons or their languages

From this reading “It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.”

unswerving adjective US /ənˈswɜːrvɪŋ/

going directly ahead from one point to another without veering or turning aside

From this reading “The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

nearly allied adverb + adjective

In this reading “The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.”

Great Actress adjective + noun

In this reading “Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

ActressnounUS /ˈæktrəs/

a female actor

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

alliedadjectiveUS /əˈlaɪd/

related by common characteristics or ancestry

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

ambitionnounUS /æmˈbɪʃən/

a cherished desire

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

Anglo-Saxonnoun

a native or inhabitant of England prior to the Norman Conquest

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

conceptionnounUS /kənˈsepʃən/

an abstract or general idea inferred or derived from specific instances

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

connectverbUS /kəˈnekt/

connect, fasten, or put together two or more pieces

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

ContemporaneousadjectiveUS /kənˌtempərˈeɪniəs/

occurring in the same period of time

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

declaringverbUS /dɪˈklerɪŋ/

-ing form of “declare” — state emphatically and authoritatively

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

despairingadjectiveUS /dɪˈsperɪŋ/

arising from or marked by despair or loss of hope

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

embodimentnounUS /emˈbɑːdimənt/

a new personification of a familiar idea

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

essentiallyadverbUS /eˈsenʃəli/

in essence; at bottom or by one's (or its) very nature

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

Euripidesnoun

one of the greatest tragic dramatists of ancient Greece (480-406 BC)

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

fatalismnounUS /ˈfeɪtəlɪzəm/

a submissive mental attitude resulting from acceptance of the doctrine that everything that happens is predetermined and inevitable

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

finestadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

identifiedadjectiveUS /aɪˈdentəfaɪd/

having the identity known or established

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

impersonationnounUS /ˌɪmpərsəˈneɪʃən/

a representation of a person that is exaggerated for comic effect

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

LADYnounUS /ˈleɪdi/

a polite name for any woman

From this reading LADY MACBETH.

MACBETHnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading LADY MACBETH.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

memoriesnounUS /ˈmɛm.ə.riz/

Recollections of past events.

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

murderessnoun

a woman murderer

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

mythologynounUS /məˈθɑːlədʒiː/

myths collectively; the body of stories associated with a culture or institution or person

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

ownverbUS /oʊn/

have ownership or possession of

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

personnounUS /ˈpɜːrsən/

a human being

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

provesverbUS /pruːvz/

third-person singular of “prove” — be shown or be found to be

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

remorse-haunted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

renderedverbUS /ˈrendərd/

past form of “render” — cause to become

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

rôle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

sawverbUS /sɔː/

cut with a saw

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

ScandinavianadjectiveUS /ˌskændɪˈneɪviən/

of or relating to Scandinavia or its peoples or cultures

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

SiddonsnounUS /ˈsɪdənz/

English actress noted for her performances in Shakespearean roles (1755-1831)

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

Siddons's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

SophoclesnounUS /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

TeutonicadjectiveUS /tuːˈtɔːnɪk/

of or pertaining to the ancient Teutons or their languages

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

thoroughlyadverbUS /ˈθɜːroʊli/

in an exhaustive manner

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

unanimousadjectiveUS /juːˈnænəməs/

in complete agreement

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

unswervingadjectiveUS /ənˈswɜːrvɪŋ/

going directly ahead from one point to another without veering or turning aside

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

Vala

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The idea of the remorse-haunted murderess, with her despairing fatalism and unswerving ambition, is more nearly allied to “Vala,” in the Scandinavian mythology, than anything in the tragedies of Sophocles or Euripides, and this it is that rendered Mrs. Siddons so perfect an embodiment of the character.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

whopronounUS /huː/

which person or people

From this reading She made the part her own, and identified herself with it in the memories of all who saw her.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading It is essentially in Lady Macbeth that Shakespeare proves himself so thoroughly Anglo-Saxon; the whole conception of the person is Teutonic.

withprepositionUS /wɪð/

in the company of; together with

From this reading Contemporaneous critics are unanimous in declaring Lady Macbeth to be Mrs. Siddons’s finest impersonation, and it is with this _rôle_ that we always connect the Great Actress.

Chapter 8 of Mrs. Siddons by Nina H. Kennard holds 132 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Mrs. Siddons contain?

Chapter 8 holds 132 sentences of Mrs. Siddons, unabridged, divided into 27 reading sections.

This page carries chapter 8 of Mrs. Siddons by Nina H. Kennard exactly as it stands in the source edition, without abridgement. It runs to 132 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Mrs. Siddons?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Mrs. Siddons

Common questions about reading Mrs. Siddons by Nina H. Kennard on this page, its source edition and its audio.

Is this the complete text of Mrs. Siddons?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Mrs. Siddons is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Mrs. Siddons take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Mrs. Siddons section by section

How to work through Mrs. Siddons section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Mrs. Siddons to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Mrs. Siddons

Words and structures a reader meets early in Mrs. Siddons, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Mrs. Siddons, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Mrs. Siddons, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Mrs. Siddons, divided into 5-sentence reading sections.