Chapter XII · Chapter 12

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

a theatrical performer

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

the form of “a” used before a word that begins with a vowel sound

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

used to join words or parts of a sentence that go together

From this reading "_The Uncles and Nephews._" Ring up the curtain!

give a certain impression or have a certain outward aspect

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

move towards

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

in ceremonial attire and paraphernalia

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

at the same time that; because; in the way that

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

a particular environment or surrounding influence

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

in the space, time, or range separating two things

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

state capital and largest city of Massachusetts; a major center for banking and financial services

From this reading Room there for the Boston Players.

having great (or a certain) extent from one side to the other

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

used to introduce something that contrasts with what came before

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “calf” — young of domestic cattle

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

an imaginary person represented in a work of fiction (play or film or story)

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

compatibility between persons

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

soft silky fibers from cotton plants in their raw state

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

hanging cloth used as a blind (especially for a window)

From this reading "_The Uncles and Nephews._" Ring up the curtain!

the specified day of the month

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

the time after sunrise and before sunset while it is light outside

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

your usual mood

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

the act of consuming liquids

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

covered with a layer of dust

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

the experiencing of affective and emotional states

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

intended to be given to, or used by, somebody

From this reading Room there for the Boston Players.

showing where something starts, or who sent it

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “garment” — an article of clothing

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

an established custom

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

not disposed to cheat or defraud; not deceptive or fraudulent

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

the person speaking or writing, as the subject of the verb

From this reading Room, I say!

the act of consuming liquids

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

inside something, or within a place, period, or state

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

in place of, or as an alternative to

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

marked by close acquaintance, association, or familiarity

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

the form of “be” used with he, she, it, or a singular noun

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

used to make a suggestion or a command including the speaker

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

perceive with attention; direct one's gaze towards

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

treat with malt or malt extract

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

belonging to the modern era; since the Middle Ages

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “nephew” — a son of your brother or sister

From this reading "_The Uncles and Nephews._" Ring up the curtain!

used to make a word, phrase, or sentence negative

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “oath” — profane or obscene expression usually of surprise or anger

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

belonging to, or connected with, somebody or something

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

used to join alternatives or possibilities

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

belonging to the speaker and others

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

not allowed to continue to bat or run

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

above and across; more than

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

have ownership or possession of

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

a number of sheets of paper fastened together along one edge

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

stiff cardboard made by pasting together layers of paper

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

concerning or affecting a particular person or his or her private life and personality

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

any of various alloys of tin with small amounts of other metals (especially lead)

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

participate in games or sport

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “player” — a person who participates in or is skilled at some game

From this reading Room there for the Boston Players.

the state of being present; current existence

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

exert pressure or force to or upon

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

confined to particular persons or groups or providing privacy

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

sound loudly and sonorously

From this reading "_The Uncles and Nephews._" Ring up the curtain!

an area within a building enclosed by walls and floor and ceiling

From this reading Room there for the Boston Players.

makeup consisting of a pink or red powder applied to the cheeks

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

express in words

From this reading Room, I say!

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

any distinct time period in a sequence of events

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

profane or obscene expression usually of surprise or anger

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

To perceive flavor through the mouth.

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

used to introduce what somebody said, thought, or felt

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading "_The Uncles and Nephews._" Ring up the curtain!

belonging to the people or things already mentioned

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

the people or things already mentioned, as the object

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

in or at that place or location

From this reading Room there for the Boston Players.

the people, animals, or things already mentioned, as the subject

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “uncle” — the brother of your father or mother; the husband of your aunt

From this reading "_The Uncles and Nephews._" Ring up the curtain!

being or moving higher in position or greater in some value; being above a former position or level

From this reading "_The Uncles and Nephews._" Ring up the curtain!

a formal word for “on”

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

(geology) the mechanical process of wearing or grinding something down (as by particles washing over it)

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

at the time that

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

plural of “wig” — hairpiece covering the head and made of real or synthetic hair

From this reading Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets.

writes (books or stories or articles or the like) professionally (for pay)

From this reading There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor.