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"My Novel" — Complete
"My Novel" — Complete

Chapter XXVIII

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Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!
For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.
That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.
But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.
So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

"My Novel" — Complete

Chapter XXVIII

Reading 1/152 · 5 reading units · Lines 1–5

Line 1
Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!
Line 2
For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.
Line 3
That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.
Line 4
But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.
Line 5
So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

About preposition US /əˈbaʊt/

on the subject of; concerning

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Across preposition US /əˈkrɔːs/

from one side of something to the other

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Already noun US /already/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Around preposition US /ərˈaʊnd/

surrounding, or on every side of, something

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Art auxiliary verb US /ɑːrt/

an old form of “are”, used with “thou”

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Been auxiliary verb US /bɪn/

the past participle of “be”

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Between preposition US /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Bible noun US /bible/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Cell noun US /sel/

A small stone room in a prison where an inmate is locked behind iron bars.

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Ever noun US /ever/

an important story-specific word used in this passage

From this reading “So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.”

Exact adjective US /ɪɡˈzækt/

Strictly particular and correct.

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

First noun US /first/

an important story-specific word used in this passage

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Good noun US /good/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Great noun US /great/

an important story-specific word used in this passage

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Half noun US /half/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Handsome noun US /ˈhandsome/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Has auxiliary verb US /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!”

Himself pronoun US /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Immortal adj US /ɪˈmɔːr.t̬əl/

Living forever; never dying or decaying. (Bất tử, trường tồn vĩnh cửu.)

From this reading “Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!”

Least noun US /least/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Little noun US /little/

an important story-specific word used in this passage

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

May modal verb US /meɪ/

used to say something is possible, or to give permission

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Must modal verb US /mʌst/

used to say something is necessary, or almost certainly true

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Myself pronoun US /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Name noun US /name/

an important story-specific word used in this passage

From this reading “Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!”

Nothing pronoun US /ˈnʌθɪŋ/

not one thing; not anything

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Over preposition US /ˈoʊvər/

above and across; more than

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Passed noun US /passed/

an important story-specific word used in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Same noun US /same/

an important story-specific word used in this passage

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Secret noun US /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Shadow noun US /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Shall modal verb US /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Struck noun US /struck/

an important story-specific word used in this passage

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Terrible noun US /ˈterrible/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

These determiner US /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

Though conjunction US /ðoʊ/

in spite of the fact that

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Through noun US /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Towards preposition US /təˈwɔːrdz/

in the direction of

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Under preposition US /ˈʌndər/

below or beneath something; less than

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Upon preposition US /əˈpɑːn/

a formal word for “on”

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

Whether conjunction US /ˈweðər/

used to introduce two or more possibilities

From this reading “But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.”

While conjunction US /waɪl/

during the time that

From this reading “For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.”

Yet conjunction US /jet/

but in spite of that

From this reading “That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.”

All words in this reading · 291

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Abstract

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

accomplished

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

acquired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

admired

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

admiring

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

affluence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

age

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

agencies

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

all

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

alreadynounUS /already/

an important story-specific word used in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

always

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

ancestor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

antagonism

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

anxiously

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

applause

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

arisen

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

artisan

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

artist

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

artist's

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

attributes

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

away

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

back

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

beauty

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Bible

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Book

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Book-diffuser

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

bright

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

brow

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

calm

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

careless

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

cares

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

casts

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Caxton

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

cellnounUS /sel/

A small stone room in a prison where an inmate is locked behind iron bars.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

charmed

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

child

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

chivalrous

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Chivalry

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Christianity

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Clarence

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

cloister

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

colour

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

comely

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

conception

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

consummation

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

created

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

crime

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

crowd

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

Crystal

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

curante

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

curious

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

Daniel

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

darkened

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

daylight

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

deathless

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

dedicated

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

deeper

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

deeply

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

defend

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

delighted

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

depicted

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

depth

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

discovery

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

doubt

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

drawing

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

Duke

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Edward

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

effecting

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

elaborately

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

enthusiasm

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

epicures

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

evernounUS /ever/

an important story-specific word used in this passage

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

evil

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

exactadjectiveUS /ɪɡˈzækt/

Strictly particular and correct.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

execution

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

expression

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

eyes

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

face

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

far

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

features

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

fellow-artists

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

Fiend

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

fierce

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

firstnounUS /first/

an important story-specific word used in this passage

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

fixed

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

force

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

forced

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

foreigners

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

foreseeing

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

form

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

futurity

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

generation

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

generous

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

gentle-looking

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

gesture

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

glance

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

gleam

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

Gloucester

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

goodnounUS /good/

an important story-specific word used in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

gorgeous

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

grand

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

graver

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

greatnounUS /great/

an important story-specific word used in this passage

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

group

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

grouped

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

halfnounUS /half/

an important story-specific word used in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

handsomenounUS /ˈhandsome/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

head

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

heard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

heed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

helmet

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Henry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

hour

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

idea

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Ideal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

immortaladjUS /ɪˈmɔːr.t̬əl/

Living forever; never dying or decaying. (Bất tử, trường tồn vĩnh cửu.)

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

implicated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

indeed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

indifferent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

intellect

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

intent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

invention

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

jot

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

just

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

King

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

knitted

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

leastnounUS /least/

an important story-specific word used in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

less

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

light

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

littlenounUS /little/

an important story-specific word used in this passage

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

living

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

logic

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

looking

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

low

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Maclise

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

man

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

manifestation

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

masters

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

medieval

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

menacing

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

modern

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

monk

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

more

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

murmurs

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

musing

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

namenounUS /name/

an important story-specific word used in this passage

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

Napoleon

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

nation

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

national

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

nature

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

new

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

nodeterminerUS /noʊ/

not any; not one

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

noble

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

obscures

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

observe

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

out

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Palace

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

passednounUS /passed/

an important story-specific word used in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

passionless

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

perilous

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

personages

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

picture

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

Plantagenet

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

Poco

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

popular

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

precision

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

pride

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

printer

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

profile

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

profound

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

proofs

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

proud

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

rare

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

ray

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

recently

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

refreshes

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

rejoices

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

renowned

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

restless

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

revolutions

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Richard

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Rivers

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

rude

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

rugged

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

samenounUS /same/

an important story-specific word used in this passage

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

sanctioning

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From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

saving

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

schemes

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Science

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From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

scowl

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

secretnounUS /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

seen

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From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

sentiment

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

serene

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

service

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

showed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

sinews

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

solely

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

sombre

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

soul

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

steel

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From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

storms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

strucknounUS /struck/

an important story-specific word used in this passage

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

struggling

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

sunk

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

supremely

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From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

surprise

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

t

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

terriblenounUS /ˈterrible/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

there

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

thews

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

throughnounUS /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

toy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

transition

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

troubled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

true

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

Tudor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

two

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

type

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

union

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

unrelenting

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

untroubled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

warm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

weal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

whatpronounUS /wʌt/

used to ask for information about something

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

whenconjunctionUS /wen/

at the time that

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention, observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan, King Edward, handsome Poco curante, delighted in the surprise of a child, with a new toy, and Clarence, with his curious, yet careless, glance,--all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor--‘t is all the same to that comely, gentle-looking man.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

whileconjunctionUS /waɪl/

during the time that

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

WhopronounUS /huː/

which person or people

From this reading Who has not seen, who not admired, that noble picture by Daniel Maclise, which refreshes the immortal name of my ancestor Caxton!

whole

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

withprepositionUS /wɪð/

in the company of; together with

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

woe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.

work

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For myself, while with national pride I heard the admiring murmurs of the foreigners who grouped around it (nothing, indeed, of which our nation may be more proud had they seen in the Crystal Palace),--heard, with no less a pride in the generous nature of fellow-artists, the warm applause of living and deathless masters sanctioning the enthusiasm of the popular crowd, what struck me more than the precision of drawing, for which the artist has been always renowned, and the just, though gorgeous affluence of colour which he has more recently acquired, was the profound depth of conception, out of which this great work had so elaborately arisen.

yetconjunctionUS /jet/

but in spite of that

From this reading That monk, with his scowl towards the printer and his back on the Bible over which his form casts a shadow--the whole transition between the medieval Christianity of cell and cloister, and the modern Christianity that rejoices in the daylight, is depicted there, in the shadow that obscures the Book, in the scowl that is fixed upon the Book-diffuser;--that sombre, musing face of Richard, Duke of Gloucester, with the beauty of Napoleon, darkened to the expression of a Fiend, looking far and anxiously into futurity, as if foreseeing there what antagonism was about to be created to the schemes of secret crime and unrelenting force; the chivalrous head of the accomplished Rivers, seen but in profile, under his helmet, as if the age when Chivalry must defend its noble attributes in steel was already half passed away; and, not least grand of all, the rude thews and sinews of the artisan forced into service on the type, and the ray of intellect, fierce, and menacing revolutions yet to be, struggling through his rugged features, and across his low knitted brow,--all this, which showed how deeply the idea of the discovery in its good and its evil, its saving light and its perilous storms, had sunk into the artist’s soul, charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading So is it ever with your Abstract Science!--not a jot cares its passionless logic for the woe or weal of a generation or two.