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"My Novel" — Volume 11
"My Novel" — Volume 11

Chapter XIII · Chapter 13

Chapter 13 of "My Novel" — Volume 11 is here in full — 62 sentences across 13 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/12 · 5 lines
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On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.
It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."
No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.
The charm was in a simplicity that unbent more into kindness than it did with men.
Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

"My Novel" — Volume 11

Chapter XIII · Chapter 13

Chapter 13 of "My Novel" — Volume 11 is here in full — 62 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.
Line 2
It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."
/ɪt wɑːz ə tʃɑːrm ɪn strɔːŋ ˈkɑːntræst tuː ðə ˈɔːrdəneri ˈmænərz ʌv ðoʊz huː ɑːr emˈfætɪkli kɔːld ˈleɪdiz men/
Line 3
No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.
Line 4
The charm was in a simplicity that unbent more into kindness than it did with men.
Line 5
Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blandness noun US /ˈblændnəs/

the trait of exhibiting no personal embarrassment or concern

From this reading “No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.”

defects noun US /ˈdiːfekts/

plural of “defect” — an imperfection in a bodily system

From this reading “Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.”

gentler adjective US /ˈdʒentlər/

comparative of “gentle” — soft and mild; not harsh or stern or severe

From this reading “Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.”

indulgent adjective US /ˌɪnˈdʌldʒənt/

characterized by or given to yielding to the wishes of someone

From this reading “Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.”

presumption noun US /prɪˈzʌmpʃən/

an assumption that is taken for granted

From this reading “Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.”

reputed verb US /rɪˈpjuːtɪd/

past form of “repute” — look on as or consider

From this reading “On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.”

sensibly adverb US /ˈsensəbli/

with good sense or in a reasonable or intelligent manner

From this reading “On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.”

varnish noun US /ˈvɑːrnɪʃ/

a coating that provides a hard, lustrous, transparent finish to a surface

From this reading “No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.”

All words in this reading · 101

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

addressingverbUS /əˈdresɪŋ/

-ing form of “address” — speak to

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

affairsnounUS /əˈferz/

matters of personal concern

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

affectedadjectiveUS /əˈfektɪd/

acted upon; influenced

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

artificialadjectiveUS /ˌɑːrtəˈfɪʃəl/

contrived by art rather than nature

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

Audley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

Audley's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

blandnessnounUS /ˈblændnəs/

the trait of exhibiting no personal embarrassment or concern

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

business-like

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

chieflyadverbUS /ˈtʃiːfli/

for the most part

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

conventionaladjectiveUS /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

defectsnounUS /ˈdiːfekts/

plural of “defect” — an imperfection in a bodily system

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

di

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

Egerton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

emphaticallyadverbUS /emˈfætɪkli/

without question and beyond doubt

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

enteringnounUS /ˈentərɪŋ/

a movement into or inward

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

equallyadverbUS /ˈiːkwəli/

to the same degree (often followed by “as”)

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

essentiallyadverbUS /eˈsenʃəli/

in essence; at bottom or by one's (or its) very nature

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

everadverbUS /ˈevər/

at any time

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

faultsnounUS /fɔːlts/

plural of “fault” — a wrong action attributable to bad judgment or ignorance or inattention

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

frivolousadjectiveUS /ˈfrɪvələs/

not serious in content or attitude or behavior

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

gayety

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

gentleradjectiveUS /ˈdʒentlər/

comparative of “gentle” — soft and mild; not harsh or stern or severe

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

gossipnounUS /ˈɡɑːsəp/

light informal conversation for social occasions

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

hithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

hollowadjectiveUS /ˈhɑːloʊ/

not solid; having a space or gap or cavity

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

indulgentadjectiveUS /ˌɪnˈdʌldʒənt/

characterized by or given to yielding to the wishes of someone

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

insinceritynoun

the quality of not being open or truthful; deceitful or hypocritical

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

kindnessnounUS /ˈkaɪndnəs/

the quality of being warmhearted and considerate and humane and sympathetic

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

LadiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

MadamenounUS /ˈmædəm/

title used for a married Frenchwoman

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

mannersnounUS /ˈmænərz/

social deportment

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

masculineadjectiveUS /ˈmæskjələn/

of grammatical gender

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

mennounUS /men/

the force of workers available

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

Negra

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

NodeterminerUS /noʊ/

not any; not one

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

presumptionnounUS /prɪˈzʌmpʃən/

an assumption that is taken for granted

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

relationsnounUS /riˈleɪʃənz/

mutual dealings or connections or communications among persons or groups

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

reputedverbUS /rɪˈpjuːtɪd/

past form of “repute” — look on as or consider

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

sensenounUS /sens/

a general conscious awareness

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

sensiblyadverbUS /ˈsensəbli/

with good sense or in a reasonable or intelligent manner

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

severeadjectiveUS /səˈvɪr/

intensely or extremely bad or unpleasant in degree or quality

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

sexnounUS /seks/

activities associated with sexual intercourse

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

simplicitynounUS /sɪmˈplɪsəti/

the quality of being simple or uncompounded

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

tendernessnounUS /ˈtendərnəs/

a tendency to express warm and affectionate feeling

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

unbentadjective

not bent

From this reading The charm was in a simplicity that unbent more into kindness than it did with men.

ungenial

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

varnishnounUS /ˈvɑːrnɪʃ/

a coating that provides a hard, lustrous, transparent finish to a surface

From this reading No artificial smile, no conventional, hollow blandness, no frivolous gossip, no varnish either of ungenial gayety or affected grace.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

voidadjectiveUS /vɔɪd/

lacking any legal or binding force

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was a charm in strong contrast to the ordinary manners of those who are emphatically called "Ladies' men."

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

whenconjunctionUS /wen/

at the time that

From this reading Audley's nature, whatever its faults and defects, was essentially masculine; and it was the sense of masculine power that gave to his voice a music when addressing the gentler sex, and to his manner a sort of indulgent tenderness that appeared equally void of insincerity and presumption.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

whopronounUS /huː/

which person or people

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

withprepositionUS /wɪð/

in the company of; together with

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading On entering the drawing-room of Madame di Negra, the peculiar charm which the severe Audley Egerton had been ever reputed to possess with women would have sensibly struck one who had hitherto seen him chiefly in his relations with men in the business-like affairs of life.

Chapter 13 of "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton holds 62 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of "My Novel" — Volume 11 contain?

Chapter 13 holds 62 sentences of "My Novel" — Volume 11, unabridged, divided into 13 reading sections.

This page carries chapter 13 of "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the source edition, without abridgement. It runs to 62 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of "My Novel" — Volume 11?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading "My Novel" — Volume 11

Common questions about reading "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of "My Novel" — Volume 11?

Yes. All 2363 sentences of Project Gutenberg eBook #7712 are kept, with a record of which sentences cover which part.

Which edition of "My Novel" — Volume 11 is used?

Project Gutenberg eBook #7712, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does "My Novel" — Volume 11 take to read?

About 196 minutes of reading across 473 sections of 5 sentences each, at an unhurried pace.

How to read "My Novel" — Volume 11 section by section

How to work through "My Novel" — Volume 11 section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in "My Novel" — Volume 11

Words and structures a reader meets early in "My Novel" — Volume 11, each tappable for pronunciation and meaning.

Glory
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Street
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Title
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Lounger
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.