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"My Novel" — Volume 11
"My Novel" — Volume 11

Chapter XVI · Chapter 16

Chapter 16 of "My Novel" — Volume 11 is here in full — 133 sentences across 27 reading sections, with audio for every sentence and word.

Cover illustration for "My Novel" — Volume 11
Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.
Why was the object presented to us?
In itself it seemed comparatively insignificant.
It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.
We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

"My Novel" — Volume 11

Chapter XVI · Chapter 16

Chapter 16 of "My Novel" — Volume 11 is here in full — 133 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.
Line 2
Why was the object presented to us?
/waɪ wɑːz ðə ˈɑːbdʒekt priˈzentɪd tuː ʌs/
Line 3
In itself it seemed comparatively insignificant.
/ɪn ˌɪtˈself ɪt siːmd kəmˈperətɪvli ˌɪnsɪɡˈnjɪfɪkənt/
Line 4
It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.
Line 5
We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bazaars noun US /bəˈzɑːrz/

plural of “bazaar” — a shop where a variety of goods are sold

From this reading “We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.”

caravans noun US /ˈkærəvænz/

plural of “caravan” — a procession (of wagons or mules or camels) traveling together in single file

From this reading “We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.”

contrasting adjective US /kənˈtræstɪŋ/

strikingly different; tending to contrast

From this reading “When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.”

Damascus noun US /dəˈmæskəs/

an ancient city (widely regarded as the world's oldest) and present capital and largest city of Syria; according to the New Testament, the Apostle Paul (then known as Saul) underwent a dramatic conversion on the road to Damascus

From this reading “We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.”

glides noun US /ɡlaɪdz/

plural of “glide” — a vowellike sound that serves as a consonant

From this reading “When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.”

halts noun US /hɔːlts/

plural of “halt” — the state of inactivity following an interruption

From this reading “When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.”

sated verb US /ˈseɪtɪd/

past form of “sate” — fill to satisfaction

From this reading “We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.”

undefined adjective US /ˌʌndɪˈfaɪnd/

not precisely limited, determined, or distinguished

From this reading “When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.”

All words in this reading · 88

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

amidstprepositionUS /əˈmɪdst/

in the middle of; surrounded by

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

Araby

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

awes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

bazaarsnounUS /bəˈzɑːrz/

plural of “bazaar” — a shop where a variety of goods are sold

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

brightadjectiveUS /braɪt/

emitting or reflecting light readily or in large amounts

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

brokenadjectiveUS /ˈbroʊkən/

physically and forcibly separated into pieces or cracked or split

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

caravansnounUS /ˈkærəvænz/

plural of “caravan” — a procession (of wagons or mules or camels) traveling together in single file

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

citiesnounUS /ˈsɪtiz/

plural of “city” — a large and densely populated urban area; may include several independent administrative districts

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

colossaladjectiveUS /kəˈlɑːsəl/

so great in size or force or extent as to elicit awe

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

columnnounUS /ˈkɑːləm/

a line of units following one after another

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

comfortlessadjective

without comfort

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

comparativelyadverbUS /kəmˈperətɪvli/

in a relative manner; by comparison to something else

From this reading In itself it seemed comparatively insignificant.

contrastingadjectiveUS /kənˈtræstɪŋ/

strikingly different; tending to contrast

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

DamascusnounUS /dəˈmæskəs/

an ancient city (widely regarded as the world's oldest) and present capital and largest city of Syria; according to the New Testament, the Apostle Paul (then known as Saul) underwent a dramatic conversion on the road to Damascus

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

defileverb

place under suspicion or cast doubt upon

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

dioramanoun

a picture (or series of pictures) representing a continuous scene

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

eyenounUS /aɪ/

the organ of sight

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

gazenounUS /ɡeɪz/

a long fixed look

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

glidesnounUS /ɡlaɪdz/

plural of “glide” — a vowellike sound that serves as a consonant

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

haltsnounUS /hɔːlts/

plural of “halt” — the state of inactivity following an interruption

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

insignificantadjectiveUS /ˌɪnsɪɡˈnjɪfɪkənt/

signifying nothing

From this reading In itself it seemed comparatively insignificant.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In itself it seemed comparatively insignificant.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading In itself it seemed comparatively insignificant.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

lengthenedadjectiveUS /ˈleŋθənd/

drawn out or made longer spatially

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

lonelyadjectiveUS /ˈloʊnli/

lacking companions or companionship

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

marchverbUS /mɑːrtʃ/

march in a procession

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

mightyadjectiveUS /ˈmaɪti/

having or showing great strength or force or intensity

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

passverbUS /pæs/

go across or through

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

perhapsadverbUS /pərˈhæps/

by chance

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

phantasmaladjective

resembling or characteristic of a phantom

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

poolnounUS /puːl/

an excavation that is (usually) filled with water

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading Why was the object presented to us?

pyramidsnounUS /ˈpɪrəmɪdz/

plural of “pyramid” — a polyhedron having a polygonal base and triangular sides with a common vertex

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

rivernounUS /ˈrɪvər/

a large natural stream of water (larger than a creek)

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

sandsnounUS /sændz/

the region of the shore of a lake or sea or ocean

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

satedverbUS /ˈseɪtɪd/

past form of “sate” — fill to satisfaction

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading In itself it seemed comparatively insignificant.

slowadjectiveUS /sloʊ/

not moving quickly; taking a comparatively long time

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

solemnlyadverbUS /ˈsɔːləmli/

in a grave and sedate manner

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

solitaryadjectiveUS /ˈsɑːləteri/

characterized by or preferring solitude

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

Stamboulnoun

the largest city and former capital of Turkey

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

star-beam

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

statelyadjectiveUS /ˈsteɪtli/

impressive in appearance

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

thereadverbUS /ðer/

in or at that place or location

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Why was the object presented to us?

undefinedadjectiveUS /ˌʌndɪˈfaɪnd/

not precisely limited, determined, or distinguished

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Why was the object presented to us?

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

WhenconjunctionUS /wen/

at the time that

From this reading When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Why was the object presented to us?

withprepositionUS /wɪð/

in the company of; together with

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

wonderingadjectiveUS /ˈwʌndərɪŋ/

showing curiosity

From this reading We remember it when phantasmal pictures of bright Damascus, or of colossal pyramids, of bazaars in Stamboul, or lengthened caravans that defile slow amidst the sands of Araby, have sated the wondering gaze.

yetconjunctionUS /jet/

but in spite of that

From this reading It may have been but a broken column, a lonely pool with a star-beam on its quiet surface,--yet it awes us.

Chapter 16 of "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton holds 133 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of "My Novel" — Volume 11 contain?

Chapter 16 holds 133 sentences of "My Novel" — Volume 11, unabridged, divided into 27 reading sections.

This page carries chapter 16 of "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the source edition, without abridgement. It runs to 133 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of "My Novel" — Volume 11?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading "My Novel" — Volume 11

Common questions about reading "My Novel" — Volume 11 by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of "My Novel" — Volume 11?

Yes. All 2363 sentences of Project Gutenberg eBook #7712 are kept, with a record of which sentences cover which part.

Which edition of "My Novel" — Volume 11 is used?

Project Gutenberg eBook #7712, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does "My Novel" — Volume 11 take to read?

About 196 minutes of reading across 473 sections of 5 sentences each, at an unhurried pace.

How to read "My Novel" — Volume 11 section by section

How to work through "My Novel" — Volume 11 section by section, using the audio and the tap-to-define vocabulary.

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in "My Novel" — Volume 11

Words and structures a reader meets early in "My Novel" — Volume 11, each tappable for pronunciation and meaning.

Glory
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Street
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Title
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Lounger
A word that appears in the opening chapter of "My Novel" — Volume 11; the reader can tap it to hear it and see its dictionary entry.