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Nathaniel Hawthorne
Nathaniel Hawthorne

Chapter V · Chapter 5

Chapter 5 of Nathaniel Hawthorne is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for Nathaniel Hawthorne
Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.
The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.
What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.
All this, too, is distilled from the soil.
Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Nathaniel Hawthorne

Chapter V · Chapter 5

Chapter 5 of Nathaniel Hawthorne is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.
Line 2
The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.
Line 3
What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.
Line 4
All this, too, is distilled from the soil.
/ɔːl ðɪs tuː ɪz dɪˈstɪld frʌm ðə sɔɪl/
Line 5
Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.
/ˈhɔːθɔːrn felt ɪn hɪz oʊn laɪf ðə weɪt ʌv ðɪs pæst ɪts ˈeləmənts wɜːr fəˈmɪljər ənd nɪr tuː hɪm soʊ ðæt hɪz oʊn ˈfæməli ˈledʒənd ˌɪmˈpɑːrts ˈkʌlərɪŋ tuː ðə teɪl ənd ɡɪvz hɪm ˈsɪmpəθi wɪð ɪt ənd ɪn ˈliːvɪŋ ˈseɪləm ɪt wɑːz frʌm sʌtʃ ə pæst ðæt hiː dɪˈzaɪərd tuː biː friː/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

compounding noun US /kəmˈpaʊndɪŋ/

the act of combining things to form a new whole

From this reading “What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.”

distilled verb US /dɪˈstɪld/

inflected form of “distil” — undergo condensation; change from a gaseous to a liquid state and fall in drops

From this reading “All this, too, is distilled from the soil.”

generated verb US /ˈdʒenəreɪtəd/

past form of “generate” — bring into existence

From this reading “What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.”

Hawthorne noun US /ˈhɔːθɔːrn/

United States writer of novels and short stories mostly on moral themes (1804-1864)

From this reading “What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.”

horizons noun US /hərˈaɪzənz/

plural of “horizon” — the line at which the sky and Earth appear to meet

From this reading “What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.”

imparts verb US /ˌɪmˈpɑːrts/

third-person singular of “impart” — transmit (knowledge or skills)

From this reading “Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.”

ineffective adjective US /ˌɪnɪˈfektɪv/

not producing an intended effect

From this reading “After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.”

mackerel noun US /ˈmækərəl/

flesh of very important usually small (to 18 in) fatty Atlantic fish

From this reading “The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.”

All words in this reading · 157

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

absorbedadjectiveUS /əbˈzɔːrbd/

giving or marked by complete attention to

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

aestheticadjectiveUS /esˈθetɪk/

relating to or dealing with the subject of aesthetics

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

affectionsnounUS /əˈfekʃənz/

plural of “affection” — a positive feeling of liking

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

aidnounUS /eɪd/

a person or thing that is a resource that helps make something easier or possible to do

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

aimedverbUS /eɪmd/

past form of “aim” — point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

ancestraladjectiveUS /ænˈsestrəl/

inherited or inheritable by established rules (usually legal rules) of descent

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

atprepositionUS /æt/

in or near a particular place or position

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

barrenadjectiveUS /ˈbærən/

providing no shelter or sustenance

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

breakfastverbUS /ˈbrekfəst/

eat an early morning meal

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

century-old

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

chickensnounUS /ˈtʃɪkənz/

plural of “chicken” — the flesh of a chicken used for food

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

coloringnounUS /ˈkʌlərɪŋ/

a digestible substance used to give color to food

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

compoundingnounUS /kəmˈpaʊndɪŋ/

the act of combining things to form a new whole

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

cowardlyadjectiveUS /ˈkaʊərdli/

lacking courage; ignobly timid and faint-hearted

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

crimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

CrowverbUS /kroʊ/

dwell on with satisfaction

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

cursenounUS /kɜːrs/

profane or obscene expression usually of surprise or anger

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

decaynounUS /dɪˈkeɪ/

the process of gradually becoming inferior

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

delicacynounUS /ˈdeləkəsi/

the quality of being beautiful and delicate in appearance

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

desiredadjectiveUS /dɪˈzaɪərd/

wanted intensely

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

distilledverbUS /dɪˈstɪld/

inflected form of “distil” — undergo condensation; change from a gaseous to a liquid state and fall in drops

From this reading All this, too, is distilled from the soil.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

easilyadverbUS /ˈiːzəli/

with ease (“easy” is sometimes used informally for “easily”)

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

elementsnounUS /ˈeləmənts/

violent or severe weather (viewed as caused by the action of the four elements)

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

engagingadjectiveUS /enˈɡeɪdʒɪŋ/

attracting or delighting

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

familynounUS /ˈfæməli/

a social unit living together

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

feltverbUS /felt/

mat together and make felt-like

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

forgetsverbUS /fərˈɡets/

third-person singular of “forget” — dismiss from the mind; stop remembering

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

foundverbUS /faʊnd/

set up or found

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

generatedverbUS /ˈdʒenəreɪtəd/

past form of “generate” — bring into existence

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

gentilitynounUS /dʒenˈtɪlɪti/

elegance by virtue of fineness of manner and expression

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

gossipnounUS /ˈɡɑːsəp/

light informal conversation for social occasions

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

happinessnounUS /ˈhæpinəs/

state of well-being characterized by emotions ranging from contentment to intense joy

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

hard-hearted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

HawthornenounUS /ˈhɔːθɔːrn/

United States writer of novels and short stories mostly on moral themes (1804-1864)

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

Hepzibah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

horizonsnounUS /hərˈaɪzənz/

plural of “horizon” — the line at which the sky and Earth appear to meet

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

impartsverbUS /ˌɪmˈpɑːrts/

third-person singular of “impart” — transmit (knowledge or skills)

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

ineffectiveadjectiveUS /ˌɪnɪˈfektɪv/

not producing an intended effect

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

Jim

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

JudgeverbUS /dʒʌdʒ/

determine the result of (a competition)

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

legendnounUS /ˈledʒənd/

a story about mythical or supernatural beings or events

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

mackerelnounUS /ˈmækərəl/

flesh of very important usually small (to 18 in) fatty Atlantic fish

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

makeverbUS /meɪk/

engage in

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

marvelousadjectiveUS /ˈmɑːrvələs/

extraordinarily good or great; used especially as intensifiers

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

memoriesnounUS /ˈmɛm.ə.riz/

Recollections of past events.

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

odornounUS /ˈoʊdər/

any property detected by the olfactory system

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

ownverbUS /oʊn/

have ownership or possession of

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

pastnounUS /pæst/

the time that has elapsed

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

phasenounUS /feɪz/

any distinct time period in a sequence of events

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

PhoebenounUS /ˈfiːbi/

the cardinal number that is the sum of four and one

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

politicaladjectiveUS /pəˈlɪtəkəl/

involving or characteristic of politics or parties or politicians

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

processionnounUS /prəˈseʃən/

(theology) the origination of the Holy Spirit at Pentecost

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

purchasenounUS /ˈpɜːrtʃəs/

the acquisition of something for payment

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

SalemnounUS /ˈseɪləm/

capital of the state of Oregon in the northwestern part of the state on the Willamette River

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

scenenounUS /siːn/

the place where some action occurs

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

simplenessnoun

a lack of penetration or subtlety

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

singularlyadverbUS /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

soilnounUS /sɔɪl/

the state of being covered with unclean things

From this reading All this, too, is distilled from the soil.

spiritualadjectiveUS /ˈspɪrɪtʃuːəl/

concerned with sacred matters or religion or the church

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

stimulatingadjectiveUS /ˈstɪmjəleɪtɪŋ/

rousing or quickening activity or the senses

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

sympathynounUS /ˈsɪmpəθi/

an inclination to support or be loyal to or to agree with an opinion

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

thenceadverbUS /ðens/

from that place or that time

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading All this, too, is distilled from the soil.

threadbareadjectiveUS /ˈθredber/

repeated too often; overfamiliar through overuse

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

trivialadjectiveUS /ˈtrɪviəl/

(informal) small and of little importance

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

UnclenounUS /ˈʌŋkəl/

the brother of your father or mother; the husband of your aunt

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

Venner

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

victimnounUS /ˈvɪktəm/

an unfortunate person who suffers from some adverse circumstance

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

weightnounUS /weɪt/

the vertical force exerted by a mass as a result of gravity

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Hawthorne felt in his own life the weight of this past; its elements were familiar and near to him, so that his own family legend imparts coloring to the tale and gives him sympathy with it; and in leaving Salem it was from such a past that he desired to be free.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

whereconjunctionUS /wer/

in or at the place that

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

witchcraftnounUS /ˈwɪtʃkræft/

the art of sorcery

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

withprepositionUS /wɪð/

in the company of; together with

From this reading The real scene is the singularly trivial and barren life of the old house, where nothing takes place but the purchase of a Jim Crow, a breakfast of mackerel, a talk about chickens, gossip with Uncle Venner, and the passing of a political procession in the street; and one too easily forgets the marvelous art which could make such a life interesting and stimulating and engaging to the affections, even with the aid of Hepzibah and Phoebe in their simpleness.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading What makes the happiness of the story is to be found in these details, and in the century-old atmosphere which Hawthorne has generated about them, compounding into one element the witchcraft memories, the foreign horizons, the curse in the house, the threadbare gentility, the decay material and spiritual, the odor of time, all of which he had absorbed from his Salem life; thence it came that he was able to give to New England its only imaginative work that has ancestral quality.

youthfuladjectiveUS /ˈjuːθfəl/

suggestive of youth; vigorous and fresh

From this reading After all, the story in its contemporary phase is but a small part of the novel, which does not much suffer even if the Judge in his youthful, hard-hearted, cowardly crime and the victim in his aesthetic delicacy are both ineffective in making the impression the author aimed at.

Chapter 5 of Nathaniel Hawthorne by George Edward Woodberry holds 409 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Nathaniel Hawthorne contain?

Chapter 5 holds 409 sentences of Nathaniel Hawthorne, unabridged, divided into 82 reading sections.

This page carries chapter 5 of Nathaniel Hawthorne by George Edward Woodberry exactly as it stands in the source edition, without abridgement. It runs to 409 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Nathaniel Hawthorne?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Nathaniel Hawthorne

Common questions about reading Nathaniel Hawthorne by George Edward Woodberry on this page, its source edition and its audio.

Is this the complete text of Nathaniel Hawthorne?

Yes. All 2519 sentences of Project Gutenberg eBook #7301 are kept, with a record of which sentences cover which part.

Which edition of Nathaniel Hawthorne is used?

Project Gutenberg eBook #7301, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Nathaniel Hawthorne take to read?

About 209 minutes of reading across 504 sections of 5 sentences each, at an unhurried pace.

How to read Nathaniel Hawthorne section by section

How to work through Nathaniel Hawthorne section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Nathaniel Hawthorne to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Nathaniel Hawthorne

Words and structures a reader meets early in Nathaniel Hawthorne, each tappable for pronunciation and meaning.

Sterman
A word that appears in the opening chapter of Nathaniel Hawthorne; the reader can tap it to hear it and see its dictionary entry.
Eldred
A word that appears in the opening chapter of Nathaniel Hawthorne; the reader can tap it to hear it and see its dictionary entry.
Charles
A word that appears in the opening chapter of Nathaniel Hawthorne; the reader can tap it to hear it and see its dictionary entry.
Franks
A word that appears in the opening chapter of Nathaniel Hawthorne; the reader can tap it to hear it and see its dictionary entry.