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Nightmare Tales
Nightmare Tales

Chapter IV

Chapter 4 of Nightmare Tales is here in full — 350 sentences across 70 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/70 · 5 lines
English subtitles · tap any word to listen 1 / 5
Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.
Samuel suppressed a cry of horror.
The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.
By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.
May I be accursed for ever and ever if I do!”
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Nightmare Tales

Chapter IV

Chapter 4 of Nightmare Tales is here in full — 350 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/70 · 5 reading units · Lines 1–5

Line 1
Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.
Line 2
Samuel suppressed a cry of horror.
/ˈsæmjuːl səˈprest ə kraɪ ʌv ˈhɔːrər/
Line 3
The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.
Line 4
By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.
Line 5
May I be accursed for ever and ever if I do!”
/meɪ aɪ biː ˌæˈkɜːrst fɔːr ˈevər ənd ˈevər ɪf aɪ duː/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accursed adjective US /ˌæˈkɜːrst/

under a curse

From this reading “May I be accursed for ever and ever if I do!””

calmness noun US /ˈkɑːmnəs/

steadiness of mind under stress

From this reading “Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.”

chords noun US /kɔːrdz/

plural of “chord” — a straight line connecting two points on a curve

From this reading “Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.”

foaming adjective US /ˈfoʊmɪŋ/

emitting or filled with bubbles as from carbonation or fermentation

From this reading ““By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.”

hissing noun US /ˈhɪsɪŋ/

a fricative sound (especially as an expression of disapproval)

From this reading “The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.”

Pluto noun US /ˈpluːtoʊ/

a cartoon character created by Walt Disney

From this reading ““By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.”

violin noun US /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading “Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.”

witches noun US /ˈwɪtʃəz/

plural of “witch” — a female sorcerer or magician

From this reading ““By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

for ever preposition + adverb

In this reading “May I be accursed for ever and ever if I do!””

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

accursedadjectiveUS /ˌæˈkɜːrst/

under a curse

From this reading May I be accursed for ever and ever if I do!”

againadverbUS /əˈɡen/

anew

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

answerverbUS /ˈænsər/

react verbally

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

awfuladjectiveUS /ˈɑːfəl/

exceptionally bad or displeasing

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading May I be accursed for ever and ever if I do!”

beholdverbUS /bɪˈhoʊld/

see with attention

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

blazingadjectiveUS /ˈbleɪzɪŋ/

shining intensely

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

burningnounUS /ˈbɜːrnɪŋ/

the act of burning something

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

calmnessnounUS /ˈkɑːmnəs/

steadiness of mind under stress

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

chordsnounUS /kɔːrdz/

plural of “chord” — a straight line connecting two points on a curve

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

Circenoun

(Greek mythology) a sorceress who detained Odysseus on her island and turned his men into swine

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

coalsnounUS /koʊlz/

plural of “coal” — fossil fuel consisting of carbonized vegetable matter deposited in the Carboniferous period

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

cryverbUS /kraɪ/

utter a sudden loud cry

From this reading Samuel suppressed a cry of horror.

curledadjectiveUS /kɜːrld/

(of hair) making curls or having been made to curl

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

darknounUS /dɑːrk/

absence of light or illumination

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading May I be accursed for ever and ever if I do!”

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

everadverbUS /ˈevər/

at any time

From this reading May I be accursed for ever and ever if I do!”

exclaimedverbUS /ɪkˈskleɪmd/

past form of “exclaim” — utter aloud; often with surprise, horror, or joy

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

eyesnounUS /aɪz/

opinion or judgment

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

fireverbUS /ˈfaɪər/

start firing a weapon

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

flungverbUS /flʌŋ/

inflected form of “fling” — throw with force or recklessness

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

foamingadjectiveUS /ˈfoʊmɪŋ/

emitting or filled with bubbles as from carbonation or fermentation

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading May I be accursed for ever and ever if I do!”

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

Franz

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

Furies

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

graspverbUS /ɡræsp/

hold firmly

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

hangingnounUS /ˈhæŋɪŋ/

decoration that is hung (as a tapestry) on a wall or over a window

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

HellnounUS /hel/

any place of pain and turmoil

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

hissingnounUS /ˈhɪsɪŋ/

a fricative sound (especially as an expression of disapproval)

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

horrornounUS /ˈhɔːrər/

intense and profound fear

From this reading Samuel suppressed a cry of horror.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading May I be accursed for ever and ever if I do!”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

logsnounUS /lɔːɡz/

plural of “log” — a segment of the trunk of a tree when stripped of branches

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

Maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading May I be accursed for ever and ever if I do!”

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

OnounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

PlutonounUS /ˈpluːtoʊ/

a cartoon character created by Walt Disney

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

powerfuladjectiveUS /ˈpaʊərfəl/

having great power or force or potency or effect

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

presencenounUS /ˈprezəns/

the state of being present; current existence

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

SamuelnounUS /ˈsæmjuːl/

(Old Testament) Hebrew prophet and judge who anointed Saul as king

From this reading Samuel suppressed a cry of horror.

snakesnounUS /sneɪks/

plural of “snake” — limbless scaly elongate reptile; some are venomous

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

stringnounUS /strɪŋ/

a lightweight cord

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

suppressedadjectiveUS /səˈprest/

kept from public knowledge by various means

From this reading Samuel suppressed a cry of horror.

swearverbUS /swer/

utter obscenities or profanities

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

Thessalynoun

a fertile plain on the Aegean Sea in east central Greece; Thessaly was a former region of ancient Greece

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

thydeterminerUS /ðaɪ/

an old word for “your”, speaking to one person

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

torenounUS /tɔːr/

commonly the lowest molding at the base of a column

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

violinnounUS /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

whereconjunctionUS /wer/

in or at the place that

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

witchesnounUS /ˈwɪtʃəz/

plural of “witch” — a female sorcerer or magician

From this reading “By the witches of Thessaly and the dark arts of Circe!” he exclaimed, with foaming mouth and his eyes burning like coals; “by the Furies of Hell and Pluto himself, I now swear, in thy presence, O Samuel, my master, never to touch a violin again until I can string it with four human chords.

withprepositionUS /wɪð/

in the company of; together with

From this reading Franz did not answer; but with a calmness awful to behold, he left his place, took down his violin from the wall where it was hanging, and, with one powerful grasp of the chords, he tore them out and flung them into the fire.

wriggled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The chords were hissing upon the coals, where, among the blazing logs, they wriggled and curled like so many living snakes.

Chapter 4 of Nightmare Tales by H. P. (Helena Petrovna) Blavatsky holds 350 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Nightmare Tales contain?

Chapter 4 holds 350 sentences of Nightmare Tales, unabridged, divided into 70 reading sections.

This page carries chapter 4 of Nightmare Tales by H. P. (Helena Petrovna) Blavatsky exactly as it stands in the source edition, without abridgement. It runs to 350 sentences, grouped into 70 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Nightmare Tales?

Work through the 70 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 70 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Nightmare Tales

Common questions about reading Nightmare Tales by H. P. (Helena Petrovna) Blavatsky on this page, its source edition and its audio.

Is this the complete text of Nightmare Tales?

Yes. All 1636 sentences of Project Gutenberg eBook #44559 are kept, with a record of which sentences cover which part.

Which edition of Nightmare Tales is used?

Project Gutenberg eBook #44559, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Nightmare Tales take to read?

About 136 minutes of reading across 328 sections of 5 sentences each, at an unhurried pace.

How to read Nightmare Tales section by section

How to work through Nightmare Tales section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of Nightmare Tales to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Nightmare Tales

Words and structures a reader meets early in Nightmare Tales, each tappable for pronunciation and meaning.

Words
A word that appears in the opening chapter of Nightmare Tales; the reader can tap it to hear it and see its dictionary entry.
Italics
A word that appears in the opening chapter of Nightmare Tales; the reader can tap it to hear it and see its dictionary entry.
Surrounded
A word that appears in the opening chapter of Nightmare Tales; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of Nightmare Tales; the reader can tap it to hear it and see its dictionary entry.