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Nona Vincent
Nona Vincent

Chapter III · Chapter 3

Chapter 3 of Nona Vincent is here in full — 206 sentences across 42 reading sections, with audio for every sentence and word.

Cover illustration for Nona Vincent
Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
You’re wanted, siryou’re wanted!”
He thought his tone very ominoushe devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?
Some one else pressed him, almost pushed him, forward; he was already on the stage.
Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.
But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Nona Vincent

Chapter III · Chapter 3

Chapter 3 of Nona Vincent is here in full — 206 sentences across 42 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
You’re wanted, siryou’re wanted!”
Line 2
He thought his tone very ominoushe devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?
Line 3
Some one else pressed him, almost pushed him, forward; he was already on the stage.
Line 4
Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.
/ðen hiː bɪˈkeɪm ˈkɑːnʃəs ʌv ə saʊnd mɔːr ɔːr les kənˈtɪnjuːəs bʌt ˈsiːmɪŋli feɪnt ənd fɑːr wɪtʃ hiː tʊk æt fɜːrst fɔːr ðə vɔɪs ʌv ðə ˈæktərz hɜːrd θruː ðer ˈkænvəs wɔːlz ðə ˈbjuːtəfəl ˈbɪltɪn ruːm ʌv ðə læst ækt/
Line 5
But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.
/bʌt ðə ˈæktərz wɜːr ɪn ðə wɪŋ ðeɪ sərˈaʊndɪd hɪm ðə ˈkɜːrtən wɑːz daʊn ənd ðeɪ wɜːr ˈkʌmɪŋ ɔːf frʌm bɪˈfɔːr ɪt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actors noun US /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading “Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.”

betrayal noun US /bɪˈtreɪ.əl/

The action of betraying one's country, a group, or a person; breach of trust.

From this reading “He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?”

built-in adjective US /ˈbɪltɪn/

existing as an essential constituent or characteristic

From this reading “Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.”

canvas noun US /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading “Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.”

continuous adjective US /kənˈtɪnjuːəs/

continuing in time or space without interruption

From this reading “Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.”

devoured verb US /dɪˈvaʊərd/

past form of “devour” — destroy completely

From this reading “He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?”

ominous adjective US /ˈɑːmənəs/

threatening or foreshadowing evil or tragic developments

From this reading “He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?”

seemingly adverb US /ˈsiːmɪŋli/

from appearances alone

From this reading “Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

atprepositionUS /æt/

in or near a particular place or position

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

betrayalnounUS /bɪˈtreɪ.əl/

The action of betraying one's country, a group, or a person; breach of trust.

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

built-inadjectiveUS /ˈbɪltɪn/

existing as an essential constituent or characteristic

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

canvasnounUS /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

continuousadjectiveUS /kənˈtɪnjuːəs/

continuing in time or space without interruption

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

devouredverbUS /dɪˈvaʊərd/

past form of “devour” — destroy completely

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

executionnounUS /ˌeksəˈkjuːʃən/

putting a condemned person to death

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

eyesnounUS /aɪz/

opinion or judgment

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

faintadjectiveUS /feɪnt/

deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

forwardadverbUS /ˈfɔːrwərd/

at or to or toward the front

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

lastadjectiveUS /læst/

immediately past

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

man'snounUS /mænz/

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

meanverbUS /miːn/

mean or intend to express or convey

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

ominousadjectiveUS /ˈɑːmənəs/

threatening or foreshadowing evil or tragic developments

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

ownverbUS /oʊn/

have ownership or possession of

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

pressedadjectiveUS /prest/

compacted by ironing

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

pushedverbUS /pʊʃt/

past form of “push” — move with force

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

seeminglyadverbUS /ˈsiːmɪŋli/

from appearances alone

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

sirnounUS /sɜːr/

term of address for a man

From this reading “You’re wanted, sir—you’re wanted!”

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Some one else pressed him, almost pushed him, forward; he was already on the stage.

surroundedadjectiveUS /sərˈaʊndɪd/

confined on all sides

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

tonenounUS /toʊn/

the quality of a person's voice

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading “You’re wanted, sir—you’re wanted!”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act.

wingnounUS /wɪŋ/

a movable organ for flying (one of a pair)

From this reading But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it.

withprepositionUS /wɪð/

in the company of; together with

From this reading He thought his tone very ominous—he devoured the man’s eyes with his own, for a betrayal: did he mean that he was wanted for execution?

You're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You’re wanted, sir—you’re wanted!”

Chapter 3 of Nona Vincent by Henry James holds 206 sentences, grouped into 42 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Nona Vincent contain?

Chapter 3 holds 206 sentences of Nona Vincent, unabridged, divided into 42 reading sections.

This page carries chapter 3 of Nona Vincent by Henry James exactly as it stands in the public-domain source edition, without abridgement. It runs to 206 sentences, grouped into 42 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Nona Vincent?

Work through the 42 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 42 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Nona Vincent

Common questions about reading Nona Vincent by Henry James on this page, its source edition and its audio.

Is this the complete text of Nona Vincent?

Yes. All 622 sentences of Project Gutenberg eBook #2717 are kept, with a record of which sentences cover which part.

Which edition of Nona Vincent is used?

Project Gutenberg eBook #2717, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Nona Vincent take to read?

About 51 minutes of reading across 125 sections of 5 sentences each, at an unhurried pace.

How to read Nona Vincent section by section

How to work through Nona Vincent section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 3 chapters of Nona Vincent to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Nona Vincent

Words and structures a reader meets early in Nona Vincent, each tappable for pronunciation and meaning.

Vincent
A word that appears in the opening chapter of Nona Vincent; the reader can tap it to hear it and see its dictionary entry.
Wondered
A word that appears in the opening chapter of Nona Vincent; the reader can tap it to hear it and see its dictionary entry.
Whether
A word that appears in the opening chapter of Nona Vincent; the reader can tap it to hear it and see its dictionary entry.
Wouldn
A word that appears in the opening chapter of Nona Vincent; the reader can tap it to hear it and see its dictionary entry.