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Nostromo: A Tale of the Seaboard
Nostromo: A Tale of the Seaboard

Chapter I · Chapter 1

Chapter 1 of Nostromo: A Tale of the Seaboard is here in full — 236 sentences across 48 reading sections, with audio for every sentence and word.

Cover illustration for Nostromo: A Tale of the Seaboard
Context Illustration Reading 1/47 · 5 lines
English subtitles · tap any word to listen 1 / 5
So foul a sky clears not without a storm.”
--SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories.
I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.
And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.
What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Nostromo: A Tale of the Seaboard

Chapter I · Chapter 1

Chapter 1 of Nostromo: A Tale of the Seaboard is here in full — 236 sentences across 48 reading sections, with audio for every sentence and word.

Reading 1/47 · 5 reading units · Lines 1–5

Line 1
So foul a sky clears not without a storm.”
/soʊ faʊl ə skaɪ klɪrz nɑːt wɪˈθaʊt ə stɔːrm/
Line 2
--SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of theTyphoonvolume of short stories.
Line 3
I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.
Line 4
And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.
/ənd pərˈhæps ðer wɑːz ˈnevər ˈeni tʃeɪndʒ ɪkˈsept ɪn ðæt mɪˈstɪriəs ekˈstreɪniəs θɪŋ wɪtʃ hæz ˈnʌθɪŋ tuː duː wɪð ðə ˈθɪriz ʌv ɑːrt ə ˈsʌtəl tʃeɪndʒ ɪn ðə ˈneɪtʃər ʌv ðə ˌɪnspərˈeɪʃən ə fəˈnɑːmənɑːn fɔːr wɪtʃ aɪ kæn nɑːt ɪn ˈeni weɪ biː held riˈspɑːnsəbəl/
Line 5
What, however, did cause me some concern was that after finishing the last story of theTyphoonvolume it seemed somehow that there was nothing more in the world to write about.
/wʌt ˌhaʊˈevər dɪd kɑːz miː sʌm kənˈsɜːrn wɑːz ðæt ˈæftər ˈfɪnɪʃɪŋ ðə læst ˈstɔːri ʌv ðə ˌtaɪˈfuːn ˈvɑːljuːm ɪt siːmd ˈsʌmhaʊ ðæt ðer wɑːz ˈnʌθɪŋ mɔːr ɪn ðə wɜːrld tuː raɪt əˈbaʊt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clears noun US /klɪrz/

plural of “clear” — the state of being free of suspicion

From this reading ““So foul a sky clears not without a storm.””

extraneous adjective US /ekˈstreɪniəs/

not pertinent to the matter under consideration

From this reading “And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.”

impending adjective US /ˌɪmˈpendɪŋ/

close in time; about to occur

From this reading “I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.”

mentality noun US /menˈtæləti/

a habitual or characteristic mental attitude that determines how you will interpret and respond to situations

From this reading “I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.”

phenomenon noun US /fəˈnɑːmənɑːn/

any state or process known through the senses rather than by intuition or reasoning

From this reading “And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.”

publication noun US /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading “--SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.”

tasks noun US /tæsks/

plural of “task” — any piece of work that is undertaken or attempted

From this reading “I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.”

Typhoon noun US /ˌtaɪˈfuːn/

a tropical cyclone occurring in the western Pacific or Indian oceans

From this reading “--SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “So foul a sky clears not without a storm.”

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

afterprepositionUS /ˈæftər/

later than; following

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

anxiouslyadverbUS /ˈæŋkʃəsli/

with anxiety or apprehension

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

belongverbUS /bɪˈlɔːŋ/

be owned by; be in the possession of

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

causenounUS /kɑːz/

events that provide the generative force that is the origin of something

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

clearsnounUS /klɪrz/

plural of “clear” — the state of being free of suspicion

From this reading “So foul a sky clears not without a storm.”

concernnounUS /kənˈsɜːrn/

something that interests you because it is important or affects you

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

extraneousadjectiveUS /ekˈstreɪniəs/

not pertinent to the matter under consideration

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

finishingnounUS /ˈfɪnɪʃɪŋ/

a decorative texture or appearance of a surface (or the substance that gives it that appearance)

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

fouladjectiveUS /faʊl/

highly offensive; arousing aversion or disgust

From this reading “So foul a sky clears not without a storm.”

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

impendingadjectiveUS /ˌɪmˈpendɪŋ/

close in time; about to occur

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

lastadjectiveUS /læst/

immediately past

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

meanverbUS /miːn/

mean or intend to express or convey

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

meditated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

mentalitynounUS /menˈtæləti/

a habitual or characteristic mental attitude that determines how you will interpret and respond to situations

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

mostadverbUS /moʊst/

used to form the superlative

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

mysteriousadjectiveUS /mɪˈstɪriəs/

of an obscure nature

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

Nostromo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “So foul a sky clears not without a storm.”

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

perhapsadverbUS /pərˈhæps/

by chance

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

phenomenonnounUS /fəˈnɑːmənɑːn/

any state or process known through the senses rather than by intuition or reasoning

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

publicationnounUS /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

responsibleadjectiveUS /riˈspɑːnsəbəl/

worthy of or requiring responsibility or trust; or held accountable

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

sayverbUS /seɪ/

express in words

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

SHAKESPEAREnounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

skynounUS /skaɪ/

the atmosphere and outer space as viewed from the earth

From this reading “So foul a sky clears not without a storm.”

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading “So foul a sky clears not without a storm.”

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

somehowadverbUS /ˈsʌmhaʊ/

in some unspecified way or manner; or by some unspecified means

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

stormverbUS /stɔːrm/

behave violently, as if in state of a great anger

From this reading “So foul a sky clears not without a storm.”

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

tasksnounUS /tæsks/

plural of “task” — any piece of work that is undertaken or attempted

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

theoriesnounUS /ˈθɪriz/

plural of “theory” — a well-substantiated explanation of some aspect of the natural world; an organized system of accepted knowledge that applies in a variety of circumstances to explain a specific set of phenomena

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

thereadverbUS /ðer/

in or at that place or location

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

thingnounUS /θɪŋ/

a special situation

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

TyphoonnounUS /ˌtaɪˈfuːn/

a tropical cyclone occurring in the western Pacific or Indian oceans

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

waynounUS /weɪ/

how something is done or how it happens

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading --SHAKESPEARE “_Nostromo_” is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the “Typhoon” volume of short stories.

withprepositionUS /wɪð/

in the company of; together with

From this reading And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading “So foul a sky clears not without a storm.”

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

writeverbUS /raɪt/

produce a literary work

From this reading What, however, did cause me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing more in the world to write about.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life.

Chapter 1 of Nostromo: A Tale of the Seaboard by Joseph Conrad holds 236 sentences, grouped into 48 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Nostromo: A Tale of the Seaboard contain?

Chapter 1 holds 236 sentences of Nostromo: A Tale of the Seaboard, unabridged, divided into 48 reading sections.

This page carries chapter 1 of Nostromo: A Tale of the Seaboard by Joseph Conrad exactly as it stands in the public-domain source edition, without abridgement. It runs to 236 sentences, grouped into 48 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Nostromo: A Tale of the Seaboard?

Work through the 48 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 48 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Nostromo: A Tale of the Seaboard

Common questions about reading Nostromo: A Tale of the Seaboard by Joseph Conrad on this page, its source edition and its audio.

Is this the complete text of Nostromo: A Tale of the Seaboard?

Yes. All 9719 sentences of Project Gutenberg eBook #2021 are kept, with a record of which sentences cover which part.

Which edition of Nostromo: A Tale of the Seaboard is used?

Project Gutenberg eBook #2021, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Nostromo: A Tale of the Seaboard take to read?

About 600 minutes of reading across 1944 sections of 5 sentences each, at an unhurried pace.

How to read Nostromo: A Tale of the Seaboard section by section

How to work through Nostromo: A Tale of the Seaboard section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in Nostromo: A Tale of the Seaboard

Words and structures a reader meets early in Nostromo: A Tale of the Seaboard, each tappable for pronunciation and meaning.

Clears
A word that appears in the opening chapter of Nostromo: A Tale of the Seaboard; the reader can tap it to hear it and see its dictionary entry.
Without
A word that appears in the opening chapter of Nostromo: A Tale of the Seaboard; the reader can tap it to hear it and see its dictionary entry.
Storm
A word that appears in the opening chapter of Nostromo: A Tale of the Seaboard; the reader can tap it to hear it and see its dictionary entry.
Shakespeare
A word that appears in the opening chapter of Nostromo: A Tale of the Seaboard; the reader can tap it to hear it and see its dictionary entry.