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Not George Washington
Not George Washington

Chapter XXVIII · Chapter 28

Chapter 28 of Not George Washington is here in full — 69 sentences across 14 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/13 · 5 lines
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MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.
All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.
Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.
To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.
And I had no clear days.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Not George Washington

Chapter XXVIII · Chapter 28

Chapter 28 of Not George Washington is here in full — 69 sentences across 14 reading sections, with audio for every sentence and word.

Reading 1/13 · 5 reading units · Lines 1–5

Line 1
MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.
Line 2
All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.
Line 3
Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.
Line 4
To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.
Line 5
And I had no clear days.
/ənd aɪ hæd noʊ klɪr deɪz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actresses noun US /ˈæktrəsɪz/

plural of “actress” — a female actor

From this reading “All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.”

concocted verb US /kənˈkɑːktəd/

past form of “concoct” — make a concoction (of) by mixing

From this reading “To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.”

evasion noun US /ɪˈveɪʒən/

a statement that is not literally false but that cleverly avoids an unpleasant truth

From this reading “Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.”

insistent adjective US /ˌɪnˈsɪstənt/

repetitive and persistent

From this reading “Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.”

inventive adjective US /ˌɪnˈventɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading “Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.”

rehearsal noun US /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading “All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.”

rehearsals noun US /rɪˈhɜːrsəlz/

plural of “rehearsal” — a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading “Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.”

Waterloo noun US /ˈwɔːtərluː/

a town in central Belgium where in 1815 Napoleon met his final defeat

From this reading “MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

actressesnounUS /ˈæktrəsɪz/

plural of “actress” — a female actor

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

atprepositionUS /æt/

in or near a particular place or position

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

awfuladjectiveUS /ˈɑːfəl/

exceptionally bad or displeasing

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

breakingnounUS /ˈbreɪkɪŋ/

the act of breaking something

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

busyadjectiveUS /ˈbɪzi/

actively or fully engaged or occupied

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

claimsnounUS /kleɪmz/

plural of “claim” — an assertion of a right (as to money or property)

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

clearverbUS /klɪr/

rid of obstructions

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

Cloyster's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

comfortedadjectiveUS /ˈkʌmfərtɪd/

made comfortable or more comfortable in a time of distress

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

concoctedverbUS /kənˈkɑːktəd/

past form of “concoct” — make a concoction (of) by mixing

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

dawnedverbUS /dɔːnd/

past form of “dawn” — become clear or enter one's consciousness or emotions

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

day'snounUS /deɪz/

possessive form of “day” — time for Earth to make a complete rotation on its axis

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

dimlyadverbUS /ˈdɪmli/

in a dim indistinct manner

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

discardedadjectiveUS /dɪˈskɑːrdɪd/

thrown away

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

endlessadjectiveUS /ˈendləs/

tiresomely long; seemingly without end

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

evasionnounUS /ɪˈveɪʒən/

a statement that is not literally false but that cleverly avoids an unpleasant truth

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

everythingpronounUS /ˈevriθɪŋ/

all things; all of a situation

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

facultiesnounUS /ˈfækəltiz/

plural of “faculty” — one of the inherent cognitive or perceptual powers of the mind

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

Goodwin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

half-matured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

honestadjectiveUS /ˈɑːnəst/

not disposed to cheat or defraud; not deceptive or fraudulent

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

insistentadjectiveUS /ˌɪnˈsɪstənt/

repetitive and persistent

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

inventiveadjectiveUS /ˌɪnˈventɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

Margaret

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

meetverbUS /miːt/

come together

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

metverbUS /met/

inflected form of “meet” — come together

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

MYdeterminerUS /maɪ/

belonging to the person speaking

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

nodeterminerUS /noʊ/

not any; not one

From this reading And I had no clear days.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

Orlebar

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

persuadeverbUS /pərˈsweɪd/

win approval or support for

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

PlansnounUS /plænz/

plural of “plan” — a series of steps to be carried out or goals to be accomplished

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

playverbUS /pleɪ/

participate in games or sport

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

refusedverbUS /rəˈfjuːzd/

past form of “refuse” — show unwillingness towards

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

rehearsalnounUS /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

rehearsalsnounUS /rɪˈhɜːrsəlz/

plural of “rehearsal” — a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

sobbedverbUS /sɑːbd/

inflected form of “sob” — weep convulsively

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

TRIUMPHnounUS /ˈtraɪəmf/

a successful ending of a struggle or contest

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

unpolishedadjective

not carefully reworked or perfected or made smooth by polishing

From this reading Plans for evasion had been half-matured by my inventive faculties, only to be discarded, unpolished, on account of the insistent claims of the endless rehearsals.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

WaterloonounUS /ˈwɔːtərluː/

a town in central Belgium where in 1815 Napoleon met his final defeat

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

whenconjunctionUS /wen/

at the time that

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading MY TRIUMPH _(James Orlebar Cloyster’s narrative continued)_ On the morning of the day for which the production had been fixed, it dawned upon me that I had to meet Mrs. Goodwin and Margaret at Waterloo.

wingsnounUS /wɪŋz/

a means of flight or ascent

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

withprepositionUS /wɪð/

in the company of; together with

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading To have concocted a story with which to persuade Margaret that I stood to lose money if the play succeeded would have been a clear day’s work.

wrongadjectiveUS /rɔːŋ/

not correct; not in conformity with fact or truth

From this reading All through the busy days of rehearsal, even on those awful days when everything went wrong and actresses, breaking down, sobbed in the wings and refused to be comforted, I had dimly recognised the fact that when I met Margaret I should have to be honest with her.

Chapter 28 of Not George Washington by P. G. (Pelham Grenville) Wodehouse holds 69 sentences, grouped into 14 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of Not George Washington contain?

Chapter 28 holds 69 sentences of Not George Washington, unabridged, divided into 14 reading sections.

This page carries chapter 28 of Not George Washington by P. G. (Pelham Grenville) Wodehouse exactly as it stands in the source edition, without abridgement. It runs to 69 sentences, grouped into 14 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of Not George Washington?

Work through the 14 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 14 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Not George Washington

Common questions about reading Not George Washington by P. G. (Pelham Grenville) Wodehouse on this page, its source edition and its audio.

Is this the complete text of Not George Washington?

Yes. All 4121 sentences of Project Gutenberg eBook #7230 are kept, with a record of which sentences cover which part.

Which edition of Not George Washington is used?

Project Gutenberg eBook #7230, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Not George Washington take to read?

About 343 minutes of reading across 825 sections of 5 sentences each, at an unhurried pace.

How to read Not George Washington section by section

How to work through Not George Washington section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of Not George Washington to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Not George Washington

Words and structures a reader meets early in Not George Washington, each tappable for pronunciation and meaning.

Those
A word that appears in the opening chapter of Not George Washington; the reader can tap it to hear it and see its dictionary entry.
August
A word that appears in the opening chapter of Not George Washington; the reader can tap it to hear it and see its dictionary entry.
Realise
A word that appears in the opening chapter of Not George Washington; the reader can tap it to hear it and see its dictionary entry.
Difficulty
A word that appears in the opening chapter of Not George Washington; the reader can tap it to hear it and see its dictionary entry.