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Notes on the Royal Academy Exhibition, 1868
Notes on the Royal Academy Exhibition, 1868

Chapter II

Chapter 2 of Notes on the Royal Academy Exhibition, 1868 is here in full — 429 sentences across 86 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/85 · 5 lines
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499.
PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”
Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.
As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.
But no doubt this is only what the artist intended.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Notes on the Royal Academy Exhibition, 1868

Chapter II

Chapter 2 of Notes on the Royal Academy Exhibition, 1868 is here in full — 429 sentences across 86 reading sections, with audio for every sentence and word.

Reading 1/85 · 5 reading units · Lines 1–5

Line 1
499.
Line 2
PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”
Line 3
Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.
Line 4
As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.
Line 5
But no doubt this is only what the artist intended.
/bʌt noʊ daʊt ðɪs ɪz ˈoʊnli wʌt ðə ˈɑːrtəst ˌɪnˈtendɪd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dispense verb US /dɪˈspens/

administer or bestow, as in small portions

From this reading “PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.””

gist noun US /dʒɪst/

the central meaning or theme of a speech or literary work

From this reading “PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.””

impassioned adjective US /ˌɪmˈpæʃənd/

characterized by intense emotion

From this reading “As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.”

pictorial adjective US /pɪkˈtɔːriəl/

pertaining to or consisting of pictures

From this reading “Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.”

provoke verb US /prəˈvoʊk/

call forth (emotions, feelings, and responses)

From this reading “As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.”

qualified adjective US /ˈkwɑːləfaɪd/

meeting the proper standards and requirements and training for an office or position or task

From this reading “Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.”

tints noun US /tɪnts/

plural of “tint” — a quality of a given color that differs slightly from another color

Venetian noun US /vəˈniːʃən/

a resident of Venice

From this reading “PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

large scale adjective + noun

In this reading “Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.”

dispense with verb + particle

give up what is not strictly needed

In this reading “PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.””

well qualified adverb + adjective

In this reading “Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

499

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 499.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

adorernoun

someone who admires a young woman

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

againadverbUS /əˈɡen/

anew

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

aime

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

aimer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

amans

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading But no doubt this is only what the artist intended.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

atprepositionUS /æt/

in or near a particular place or position

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

breadthnounUS /bredθ/

the capacity to understand a broad range of topics

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But no doubt this is only what the artist intended.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

commandnounUS /kəˈmænd/

an authoritative direction or instruction to do something

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

DenounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

deux

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

discontentnounUS /dɪskənˈtent/

a longing for something better than the present situation

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

dispenseverbUS /dɪˈspens/

administer or bestow, as in small portions

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

doubtnounUS /daʊt/

the state of being unsure of something

From this reading But no doubt this is only what the artist intended.

drawverbUS /drɔː/

cause to move by pulling

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

ennounUS /en/

half the width of an em

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

et

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

evidentadjectiveUS /ˈevədənt/

clearly revealed to the mind or the senses or judgment

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

extremeadjectiveUS /ekˈstriːm/

of the greatest possible degree or extent or intensity

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

facultynounUS /ˈfækəlti/

one of the inherent cognitive or perceptual powers of the mind

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

failverbUS /feɪl/

fail to do something; leave something undone

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

fulness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

fundnounUS /fʌnd/

a reserve of money set aside for some purpose

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

gistnounUS /dʒɪst/

the central meaning or theme of a speech or literary work

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

HandledadjectiveUS /ˈhændəld/

having a usually specified type of handle

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

ilnounUS /ɪl/

a midwestern state in north-central United States

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

impassionedadjectiveUS /ˌɪmˈpæʃənd/

characterized by intense emotion

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

impassivitynoun

apathy demonstrated by an absence of emotional reactions

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

intendedadjectiveUS /ˌɪnˈtendɪd/

resulting from one's intentions

From this reading But no doubt this is only what the artist intended.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

l'autre

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

laisse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

LovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

markedadjectiveUS /mɑːrkt/

strongly marked; easily noticeable

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

mottonounUS /ˈmɑːtoʊ/

a favorite saying of a sect or political group

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

neednounUS /niːd/

a condition requiring relief

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

nodeterminerUS /noʊ/

not any; not one

From this reading But no doubt this is only what the artist intended.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

onceadverbUS /wʌns/

on one occasion

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading But no doubt this is only what the artist intended.

painter-like

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

pictorialadjectiveUS /pɪkˈtɔːriəl/

pertaining to or consisting of pictures

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

PRINSEP

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

provesverbUS /pruːvz/

third-person singular of “prove” — be shown or be found to be

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

provokeverbUS /prəˈvoʊk/

call forth (emotions, feelings, and responses)

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

qualifiedadjectiveUS /ˈkwɑːləfaɪd/

meeting the proper standards and requirements and training for an office or position or task

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

qui

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

scalenounUS /skeɪl/

an ordered reference standard

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

senounUS /seɪ/

a toxic nonmetallic element related to sulfur and tellurium

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

secureverbUS /sɪˈkjʊr/

get by special effort

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

sentimentnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

stressnounUS /stres/

the relative prominence of a syllable or musical note (especially with regard to stress or pitch)

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

tintsnounUS /tɪnts/

plural of “tint” — a quality of a given color that differs slightly from another color

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

toujours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

unnounUS /ʌn/

an organization of independent states formed in 1945 to promote international peace and security

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

VenetiannounUS /vəˈniːʃən/

a resident of Venice

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

whatpronounUS /wʌt/

used to ask for information about something

From this reading But no doubt this is only what the artist intended.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

withprepositionUS /wɪð/

in the company of; together with

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading As a matter of sentiment, the picture leaves a certain feeling of discontent; the impassivity of the woman is so extreme as to provoke one first with her and next with her impassioned adorer.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Handled with marked fulness and breadth, and with a very painter-like choice of the _tints_ of colour, the picture proves once again that Mr. Prinsep is well qualified to work on a large scale; having at command a fund of really pictorial material, on which he may draw with full stress of faculty, secure that it will not fail him at his need.

ynounUS /waɪ/

a silvery metallic element that is common in rare-earth minerals; used in magnesium and aluminum alloys

From this reading PRINSEP--_A Venetian Lover._--The gist of this subject is made so evident that we could dispense with the motto--“De deux amans, il y en a toujours un qui aime, et l’autre qui se laisse aimer.”

Chapter 2 of Notes on the Royal Academy Exhibition, 1868 by William Michael Rossetti holds 429 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Notes on the Royal Academy Exhibition, 1868 contain?

Chapter 2 holds 429 sentences of Notes on the Royal Academy Exhibition, 1868, unabridged, divided into 86 reading sections.

This page carries chapter 2 of Notes on the Royal Academy Exhibition, 1868 by William Michael Rossetti exactly as it stands in the source edition, without abridgement. It runs to 429 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Chapter 1
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Chapter 3
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