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Notre Coeur
Notre Coeur

Chapter II

Chapter 2 of Notre Coeur is here in full — 314 sentences across 63 reading sections, with audio for every sentence and word.

Cover illustration for Notre Coeur
Context Illustration Reading 1/62 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:
"Why is it that you have never secured a presentation to Mme. Michèle de Burne?
Take my word for it, she is one of the most interesting women in new Paris."
"Because I do not feel myself at all adapted to her surroundings."
"You are wrong, my dear fellow.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Notre Coeur

Chapter II

Chapter 2 of Notre Coeur is here in full — 314 sentences across 63 reading sections, with audio for every sentence and word.

Reading 1/62 · 5 reading units · Lines 1–5

Line 1
THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:
Line 2
"Why is it that you have never secured a presentation to Mme. Michèle de Burne?
Line 3
Take my word for it, she is one of the most interesting women in new Paris."
/teɪk maɪ wɜːrd fɔːr ɪt ʃiː ɪz wʌn ʌv ðə moʊst ˈɪntrəstɪŋ ˈwɪmən ɪn nuː ˈperɪs/
Line 4
"Because I do not feel myself at all adapted to her surroundings."
/bɪˈkɔːz aɪ duː nɑːt fiːl ˌmaɪˈself æt ɔːl əˈdæptɪd tuː hɜːr sərˈaʊndɪŋz/
Line 5
"You are wrong, my dear fellow.
/juː ɑːr rɔːŋ maɪ dɪr ˈfeloʊ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adapted adjective US /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading “"Because I do not feel myself at all adapted to her surroundings."”

celebrated adjective US /ˈseləbreɪtɪd/

widely known and esteemed

From this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

composer noun US /kəmˈpoʊzər/

someone who composes music as a profession

From this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

illustrious adjective US /ˌɪˈlʌstriəs/

widely known and esteemed

From this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

introduction noun US /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

presentation noun US /ˌprezənˈteɪʃən/

the activity of formally presenting something (as a prize or reward)

From this reading “"Why is it that you have never secured a presentation to Mme. Michèle de Burne?”

Rebecca noun US /rəˈbekə/

(Old Testament) wife of Isaac and mother of Jacob and Esau

From this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

surroundings noun US /sərˈaʊndɪŋz/

the environmental condition

From this reading “"Because I do not feel myself at all adapted to her surroundings."”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

fifteen years noun + noun

In this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

most interesting adverb + adjective

In this reading “Take my word for it, she is one of the most interesting women in new Paris."”

dear fellow adjective + noun

In this reading “"You are wrong, my dear fellow.”

for fifteen preposition + noun

In this reading “THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

adaptedadjectiveUS /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading "Because I do not feel myself at all adapted to her surroundings."

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading "Because I do not feel myself at all adapted to her surroundings."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

André

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading "You are wrong, my dear fellow.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

atprepositionUS /æt/

in or near a particular place or position

From this reading "Because I do not feel myself at all adapted to her surroundings."

BecauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading "Because I do not feel myself at all adapted to her surroundings."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

Burne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

celebratedadjectiveUS /ˈseləbreɪtɪd/

widely known and esteemed

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

composernounUS /kəmˈpoʊzər/

someone who composes music as a profession

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

dearadjectiveUS /dɪr/

dearly loved

From this reading "You are wrong, my dear fellow.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "Because I do not feel myself at all adapted to her surroundings."

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading "Because I do not feel myself at all adapted to her surroundings."

fellownounUS /ˈfeloʊ/

a boy or man

From this reading "You are wrong, my dear fellow.

fifteennounUS /fɪfˈtiːn/

the cardinal number that is the sum of fourteen and one

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading "Because I do not feel myself at all adapted to her surroundings."

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "Because I do not feel myself at all adapted to her surroundings."

illustriousadjectiveUS /ˌɪˈlʌstriəs/

widely known and esteemed

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Take my word for it, she is one of the most interesting women in new Paris."

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Take my word for it, she is one of the most interesting women in new Paris."

INTRODUCTIONnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

Mariolle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

Massival

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

Michèle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

Mme

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

mostadverbUS /moʊst/

used to form the superlative

From this reading Take my word for it, she is one of the most interesting women in new Paris."

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Take my word for it, she is one of the most interesting women in new Paris."

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading "Because I do not feel myself at all adapted to her surroundings."

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Take my word for it, she is one of the most interesting women in new Paris."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading "Because I do not feel myself at all adapted to her surroundings."

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading Take my word for it, she is one of the most interesting women in new Paris."

presentationnounUS /ˌprezənˈteɪʃən/

the activity of formally presenting something (as a prize or reward)

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

RebeccanounUS /rəˈbekə/

(Old Testament) wife of Isaac and mother of Jacob and Esau

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

securedverbUS /sɪˈkjʊrd/

past form of “secure” — get by special effort

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Take my word for it, she is one of the most interesting women in new Paris."

surroundingsnounUS /sərˈaʊndɪŋz/

the environmental condition

From this reading "Because I do not feel myself at all adapted to her surroundings."

TakeverbUS /teɪk/

carry out

From this reading Take my word for it, she is one of the most interesting women in new Paris."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

whopronounUS /huː/

which person or people

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading Take my word for it, she is one of the most interesting women in new Paris."

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading Take my word for it, she is one of the most interesting women in new Paris."

wrongadjectiveUS /rɔːŋ/

not correct; not in conformity with fact or truth

From this reading "You are wrong, my dear fellow.

yearsnounUS /jɪrz/

a late time of life

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

youpronounUS /juː/

the person or people being spoken to

From this reading "Why is it that you have never secured a presentation to Mme. Michèle de Burne?

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading THE INTRODUCTION One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle:

Chapter 2 of Notre Coeur by Guy de Maupassant holds 314 sentences, grouped into 63 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Notre Coeur contain?

Chapter 2 holds 314 sentences of Notre Coeur, unabridged, divided into 63 reading sections.

This page carries chapter 2 of Notre Coeur by Guy de Maupassant exactly as it stands in the source edition, without abridgement. It runs to 314 sentences, grouped into 63 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Notre Coeur?

Work through the 63 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 63 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Notre Coeur

Common questions about reading Notre Coeur by Guy de Maupassant on this page, its source edition and its audio.

Is this the complete text of Notre Coeur?

Yes. All 4118 sentences of Project Gutenberg eBook #50477 are kept, with a record of which sentences cover which part.

Which edition of Notre Coeur is used?

Project Gutenberg eBook #50477, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Notre Coeur take to read?

About 343 minutes of reading across 824 sections of 5 sentences each, at an unhurried pace.

How to read Notre Coeur section by section

How to work through Notre Coeur section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of Notre Coeur to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Notre Coeur

Words and structures a reader meets early in Notre Coeur, each tappable for pronunciation and meaning.

French
A word that appears in the opening chapter of Notre Coeur; the reader can tap it to hear it and see its dictionary entry.
Writers
A word that appears in the opening chapter of Notre Coeur; the reader can tap it to hear it and see its dictionary entry.
Romance
A word that appears in the opening chapter of Notre Coeur; the reader can tap it to hear it and see its dictionary entry.
Latter
A word that appears in the opening chapter of Notre Coeur; the reader can tap it to hear it and see its dictionary entry.