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O. Henry memorial award prize stories of 1923
O. Henry memorial award prize stories of 1923

Chapter I

Chapter 1 of O. Henry memorial award prize stories of 1923 is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/82 · 5 lines
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_Author of A Handbook on Story Writing,” Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.
The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.
Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.
For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.
Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

O. Henry memorial award prize stories of 1923

Chapter I

Chapter 1 of O. Henry memorial award prize stories of 1923 is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
_Author ofA Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.
Line 2
The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.
Line 3
Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.
Line 4
For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.
/fɔːr ɪɡˈzæmpəl ˈkærəktərz enˈɡeɪdʒ ɪn ə ˈstrʌɡəl ɔːr bɪˈkʌm ˌɪnˈvɑːlvd ɪn ˈdɪfəkəltiz aʊt ʌv wɪtʃ ðeɪ ɪˈmɜːrdʒ səkˈsesfəli ɔːr ˌʌnsəkˈsesfəli/
Line 5
Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conceivably adverb US /kənˈsiːvəbli/

within the realm of possibility

From this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

emphasize verb US /ˈemfəsaɪz/

to stress, single out as important

From this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

Handbook noun US /ˈhændbʊk/

a concise reference book providing specific information about a subject or location

From this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

insures verb US /ˌɪnˈʃʊrz/

third-person singular of “insure” — be careful or certain to do something; make certain of something

From this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

limitation noun US /ˌlɪmɪˈteɪʃən/

a principle that limits the extent of something

From this reading “Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.”

rape verb US /reɪp/

force (someone) to have sex against their will

From this reading “Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.”

requisites noun US /ˈrekwəzəts/

plural of “requisite” — anything indispensable

From this reading “The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.”

unsuccessfully adverb US /ˌʌnsəkˈsesfəli/

without success

From this reading “For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

per cent preposition + noun

In this reading “The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.”

become involved verb + adjective

In this reading “For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.”

Short Story adjective + noun

a prose narrative shorter than a novel

In this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

single person adjective + noun

In this reading “_Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.”

For example preposition + noun

as an example

In this reading “For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.”

engage in verb + particle

In this reading “For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.”

All words in this reading · 130

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1923

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

annualadjectiveUS /ˈænjuːəl/

completing its life cycle within a year

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

ApplyverbUS /əˈplaɪ/

put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

ArtsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

AssociateverbUS /əˈsoʊsiət/

make a logical or causal connection

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

bestnounUS /best/

the supreme effort one can make

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

biasnounUS /ˈbaɪəs/

a partiality that prevents objective consideration of an issue or situation

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

catholicitynoun

the beliefs and practices of a Catholic Church

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

centnounUS /sent/

a fractional monetary unit of several countries

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

chariotnounUS /ˈtʃeriət/

a light four-wheel horse-drawn ceremonial carriage

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

Chibou's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

CitynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

collectionnounUS /kəˈlekʃən/

several things grouped together or considered as a whole

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

CollegenounUS /ˈkɑːlɪdʒ/

the body of faculty and students of a college

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

ColumbianounUS /kəˈlʌmbiə/

a North American river; rises in southwestern Canada and flows southward across Washington to form the border between Washington and Oregon before emptying into the Pacific; known for its salmon runs in the spring

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

combinedadjectiveUS /kəmˈbaɪnd/

made or joined or united into one

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

CommitteenounUS /kəˈmɪti/

a special group delegated to consider some matter

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

conceivablyadverbUS /kənˈsiːvəbli/

within the realm of possibility

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

David-Goliath

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

difficultiesnounUS /ˈdɪfəkəltiz/

plural of “difficulty” — an effort that is inconvenient

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

driveverbUS /draɪv/

operate or control a vehicle

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

editorsnounUS /ˈedɪtərz/

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

emergeverbUS /ɪˈmɜːrdʒ/

come out into view, as from concealment

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

emphasizeverbUS /ˈemfəsaɪz/

to stress, single out as important

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

engageverbUS /enˈɡeɪdʒ/

carry out or participate in an activity; be involved in

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

Etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

ExtensionnounUS /ɪkˈstenʃən/

a mutually agreed delay in the date set for the completion of a job or payment of a debt

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

fifthnounUS /fɪfθ/

a quantity of liquor equal to one fifth of a United States gallon

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

fightverbUS /faɪt/

be engaged in a fight; carry on a fight

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

formulæ

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

freedomnounUS /ˈfriːdəm/

the condition of being free; the power to act or speak or think without externally imposed restraints

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

generouslyadverbUS /ˈdʒenərəsli/

in a generous manner

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

Hag-riddenadjective

tormented or harassed by nightmares or unreasonable fears

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

HandbooknounUS /ˈhændbʊk/

a concise reference book providing specific information about a subject or location

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

Hebraicadjective

of or relating to the language of the Hebrews

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

HunternounUS /ˈhʌntər/

someone who hunts game

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

includesverbUS /ˌɪnˈkluːdz/

third-person singular of “include” — have as a part, be made up out of

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

InstructornounUS /ˌɪnˈstrʌktər/

a person whose occupation is teaching

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

insuresverbUS /ˌɪnˈʃʊrz/

third-person singular of “insure” — be careful or certain to do something; make certain of something

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

involvedadjectiveUS /ˌɪnˈvɑːlvd/

connected by participation or association or use

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

limitationnounUS /ˌlɪmɪˈteɪʃən/

a principle that limits the extent of something

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

meetverbUS /miːt/

come together

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

mythnounUS /mɪθ/

a traditional story accepted as history; serves to explain the world view of a people

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

NapoleonnounUS /nəˈpoʊliən/

French general who became emperor of the French (1769-1821)

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

nodeterminerUS /noʊ/

not any; not one

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

opinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

PapanounUS /ˈpɑːpʌ/

an informal term for a father; probably derived from baby talk

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

perprepositionUS /pɜːr/

for each

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

personnounUS /ˈpɜːrsən/

a human being

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

Phaëton's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

prejudicesnounUS /ˈpredʒədɪsɪz/

plural of “prejudice” — a partiality that prevents objective consideration of an issue or situation

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

previousadjectiveUS /ˈpriːviəs/

just preceding something else in time or order

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

ProfessornounUS /prəˈfesər/

someone who is a member of the faculty at a college or university

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

rapeverbUS /reɪp/

force (someone) to have sex against their will

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

requisitesnounUS /ˈrekwəzəts/

plural of “requisite” — anything indispensable

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

SciencesnounUS /ˈsaɪənsəz/

plural of “science” — a particular branch of scientific knowledge

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

SessionnounUS /ˈseʃən/

a meeting for execution of a group's functions

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

ShortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

singleadjectiveUS /ˈsɪŋɡəl/

being or characteristic of a single thing or person

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

SocietynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

specificadjectiveUS /spəˈsɪfɪk/

(sometimes followed by “to”) applying to or characterized by or distinguishing something particular or special or unique

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

statedadjectiveUS /ˈsteɪtɪd/

declared as fact; explicitly stated

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

StorynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

struggleverbUS /ˈstrʌɡəl/

make a strenuous or labored effort

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

successfullyadverbUS /səkˈsesfəli/

with success; in a successful manner

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

SummernounUS /ˈsʌmər/

the warmest season of the year; in the northern hemisphere it extends from the summer solstice to the autumnal equinox

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

sunnounUS /sʌn/

the star that is the source of light and heat for the planets in the solar system

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

TeachingnounUS /ˈtiːtʃɪŋ/

the profession of a teacher

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

testsnounUS /tests/

plural of “test” — trying something to find out about it

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

thirtynounUS /ˈθɜːrdiː/

the cardinal number that is the product of ten and three

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Apply this limitation to the David-Goliath fight, Phaëton’s sun chariot drive, or to Papa Chibou’s rape of Napoleon; it generously includes all.

twenty-fiveadjectiveUS /ˈtwentifaɪv/

being five more than twenty

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

UniversitynounUS /ˌjuːnəˈvɜːrsəti/

the body of faculty and students at a university

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

unsuccessfullyadverbUS /ˌʌnsəkˈsesfəli/

without success

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

volumesnounUS /ˈvɑːljuːmz/

plural of “volume” — the amount of 3-dimensional space occupied by an object

From this reading The fifth annual volume presented by the Committee from the Society of Arts and Sciences, it contains in the judgment of the Committee twenty-five or thirty per cent. of the best stories published in 1923.[A] In previous volumes the Committee have stated the requisites of a good story.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading For example, characters engage in a struggle or become involved in difficulties out of which they emerge successfully or unsuccessfully.

whosedeterminerUS /huːz/

belonging to which person

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

worthyadjectiveUS /ˈwɜːr.ði/

Having or showing the qualities or abilities that merit recognition in character or magic.

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

WritersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

WritingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

yetconjunctionUS /jet/

but in spite of that

From this reading Hag-ridden by no formulæ, the Committee believe that every worthy narrative--whether Hebraic tale, Greek myth, or American short story--must yet meet specific tests.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading _Author of “A Handbook on Story Writing,” “Our Short Story Writers,” Etc._ _Associate Professor of English, Hunter College of the City of New York_ _Instructor in Story Writing, Columbia University_ (_Extension Teaching and Summer Session_) This collection is that of no single person, whose prejudices conceivably might emphasize one type or another; but of editors, critics, and writers of fiction, whose combined opinion insures catholicity of taste and freedom from bias.

Chapter 1 of O. Henry memorial award prize stories of 1923 by Society of Arts and Sciences (U.S.) [Editor] holds 412 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of O. Henry memorial award prize stories of 1923 contain?

Chapter 1 holds 412 sentences of O. Henry memorial award prize stories of 1923, unabridged, divided into 83 reading sections.

This page carries chapter 1 of O. Henry memorial award prize stories of 1923 by Society of Arts and Sciences (U.S.) [Editor] exactly as it stands in the source edition, without abridgement. It runs to 412 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of O. Henry memorial award prize stories of 1923?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading O. Henry memorial award prize stories of 1923

Common questions about reading O. Henry memorial award prize stories of 1923 by Society of Arts and Sciences (U.S.) [Editor] on this page, its source edition and its audio.

Is this the complete text of O. Henry memorial award prize stories of 1923?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of O. Henry memorial award prize stories of 1923 is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does O. Henry memorial award prize stories of 1923 take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read O. Henry memorial award prize stories of 1923 section by section

How to work through O. Henry memorial award prize stories of 1923 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of O. Henry memorial award prize stories of 1923 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in O. Henry memorial award prize stories of 1923

Words and structures a reader meets early in O. Henry memorial award prize stories of 1923, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of O. Henry memorial award prize stories of 1923, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of O. Henry memorial award prize stories of 1923, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of O. Henry memorial award prize stories of 1923, divided into 5-sentence reading sections.