Chapter XV
Chapter 15 of ODTAA: A novel is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.
“Anselmo?” the man said. “Anselmo? I never heard of Anselmo. Where is that?” “I don’t know,” Hi said.
Chapter 15 of ODTAA: A novel is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.
Chapter XV
Chapter 15 of ODTAA: A novel is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.
“Anselmo?” the man said. “Anselmo? I never heard of Anselmo. Where is that?” “I don’t know,” Hi said.
Chapter 15 of ODTAA: A novel is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.
Reading 1/79 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
detected or perceived by the sense of hearing
From this reading “I never heard of Anselmo.”
be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about
From this reading ““I don’t know,” Hi said.”
an adult person who is male (as opposed to a woman)
From this reading ““Anselmo?” the man said.”
not ever; at no time in the past or future
From this reading “I never heard of Anselmo.”
being the one previously mentioned or spoken of
From this reading ““Anselmo?” the man said.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “I never heard of Anselmo.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Anselmo?” the man said.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “I don’t know,” Hi said.
detected or perceived by the sense of hearing
From this reading I never heard of Anselmo.
an expression of greeting
From this reading “I don’t know,” Hi said.
the person speaking or writing, as the subject of the verb
From this reading I never heard of Anselmo.
the form of “be” used with he, she, it, or a singular noun
From this reading Where is that?”
be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about
From this reading “I don’t know,” Hi said.
an adult person who is male (as opposed to a woman)
From this reading “Anselmo?” the man said.
not ever; at no time in the past or future
From this reading I never heard of Anselmo.
belonging to, or connected with, somebody or something
From this reading I never heard of Anselmo.
being the one previously mentioned or spoken of
From this reading “Anselmo?” the man said.
used to introduce what somebody said, thought, or felt
From this reading Where is that?”
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading “Anselmo?” the man said.
in or at the place that
From this reading Where is that?”
Chapter 15 of ODTAA: A novel by John Masefield holds 395 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 15 holds 395 sentences of ODTAA: A novel, unabridged, divided into 79 reading sections.
This page carries chapter 15 of ODTAA: A novel by John Masefield exactly as it stands in the source edition, without abridgement. It runs to 395 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading ODTAA: A novel by John Masefield on this page, its source edition and its audio.
Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.
About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.
How to work through ODTAA: A novel section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 0 chapters of ODTAA: A novel to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in ODTAA: A novel, each tappable for pronunciation and meaning.