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Okewood of the Secret Service
Okewood of the Secret Service

Chapter IV · Chapter 4

Chapter 4 of Okewood of the Secret Service is here in full — 175 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for Okewood of the Secret Service
Context Illustration Reading 1/35 · 5 lines
English subtitles · tap any word to listen 1 / 5
MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word murder,” which reacts upon even the most hardened sensibility.
Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written The Murders in the Rue Morgue.”
From the very beginning of the war, Desmond had seen death in all its forms but that word murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.
Murdered!”
Desmond repeated dully and sat down.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Okewood of the Secret Service

Chapter IV · Chapter 4

Chapter 4 of Okewood of the Secret Service is here in full — 175 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/35 · 5 reading units · Lines 1–5

Line 1
MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the wordmurder,” which reacts upon even the most hardened sensibility.
Line 2
Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever writtenThe Murders in the Rue Morgue.”
Line 3
From the very beginning of the war, Desmond had seen death in all its forms but that wordmurdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.
Line 4
Murdered!”
/ˈmɜːrdərd/
Line 5
Desmond repeated dully and sat down.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

battlefield noun US /ˈbætəlfiːld/

a region where a battle is being (or has been) fought

From this reading “From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.”

Edgar noun US /ˈedɡər/

the younger brother of Edwy who became king of Northumbria when it renounced Edwy; on Edwy's death he succeeded to the throne of England (944-975)

From this reading “Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.””

encounters noun US /ɪnˈkaʊntərz/

plural of “encounter” — a minor short-term fight

From this reading “MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.”

Morgue noun US /mɔːrɡ/

a building (or room) where dead bodies are kept before burial or cremation

From this reading “Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.””

Murders noun US /ˈmɜːrdərz/

plural of “murder” — unlawful premeditated killing of a human being by a human being

From this reading “Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.””

Poe noun US /poʊ/

United States writer and poet (1809-1849)

From this reading “Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.””

reacts verb US /riˈækts/

third-person singular of “react” — show a response or a reaction to something

From this reading “MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.”

sensibility noun US /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading “MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.”

All words in this reading · 82

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

Allan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Desmond repeated dully and sat down.

battlefieldnounUS /ˈbætəlfiːld/

a region where a battle is being (or has been) fought

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

chillnounUS /tʃɪl/

coldness due to a cold environment

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

deathnounUS /deθ/

the event of dying or departure from life

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

Desmond

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

detectivenounUS /dɪˈtektɪv/

a police officer who investigates crimes

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Desmond repeated dully and sat down.

dullyadverb

without liveliness

From this reading Desmond repeated dully and sat down.

EdgarnounUS /ˈedɡər/

the younger brother of Edwy who became king of Northumbria when it renounced Edwy; on Edwy's death he succeeded to the throne of England (944-975)

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

emphasisnounUS /ˈemfəsəs/

special importance or significance

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

ENCOUNTERSnounUS /ɪnˈkaʊntərz/

plural of “encounter” — a minor short-term fight

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

everadverbUS /ˈevər/

at any time

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

experiencedadjectiveUS /ɪkˈspɪriənst/

having experience; having knowledge or skill from observation or participation

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

hardenedadjectiveUS /ˈhɑːrdənd/

used of persons; emotionally hardened

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

MAJORadjectiveUS /ˈmeɪdʒər/

of greater importance or stature or rank

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

MorguenounUS /mɔːrɡ/

a building (or room) where dead bodies are kept before burial or cremation

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

mostadverbUS /moʊst/

used to form the superlative

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

murderverbUS /ˈmɜːrdər/

kill intentionally and with premeditation

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

murderedadjectiveUS /ˈmɜːrdərd/

killed unlawfully

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

MurdersnounUS /ˈmɜːrdərz/

plural of “murder” — unlawful premeditated killing of a human being by a human being

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

NEWadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

OKEWOOD

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

PoenounUS /poʊ/

United States writer and poet (1809-1849)

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

reactsverbUS /riˈækts/

third-person singular of “react” — show a response or a reaction to something

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

realizedadjectiveUS /ˈriːəlaɪzd/

successfully completed or brought to an end

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

repeatedadjectiveUS /rɪˈpiːtɪd/

recurring again and again

From this reading Desmond repeated dully and sat down.

ringverbUS /rɪŋ/

sound loudly and sonorously

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

RuenounUS /ruː/

European strong-scented perennial herb with grey-green bitter-tasting leaves; an irritant similar to poison ivy

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading Desmond repeated dully and sat down.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

sensibilitynounUS /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

sinisteradjectiveUS /ˈsɪnɪstər/

threatening or foreshadowing evil or tragic developments

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

slowadjectiveUS /sloʊ/

not moving quickly; taking a comparatively long time

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

spokenadjectiveUS /ˈspoʊkən/

uttered through the medium of speech or characterized by speech; sometimes used in combination

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

suggestiveadjectiveUS /səˈdʒestɪv/

tending to suggest or imply

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

ThereadverbUS /ðer/

in or at that place or location

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

TYPEnounUS /taɪp/

a subdivision of a particular kind of thing

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

uglyadjectiveUS /ˈʌɡli/

displeasing to the senses

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

usenounUS /juːs/

the act of using

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

veryadjectiveUS /ˈveri/

precisely as stated

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

whenconjunctionUS /wen/

at the time that

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

whopronounUS /huː/

which person or people

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

withprepositionUS /wɪð/

in the company of; together with

From this reading From the very beginning of the war, Desmond had seen death in all its forms but that word “murdered,” spoken with slow emphasis in the quiet room, gave him an ugly chill feeling round the heart that he had never experienced on the battlefield.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading MAJOR OKEWOOD ENCOUNTERS A NEW TYPE There is a sinister ring about the word “murder,” which reacts upon even the most hardened sensibility.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Edgar Allan Poe, who was a master of the suggestive use of words, realized this when he called the greatest detective story ever written “The Murders in the Rue Morgue.”

Chapter 4 of Okewood of the Secret Service by Valentine Williams holds 175 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Okewood of the Secret Service contain?

Chapter 4 holds 175 sentences of Okewood of the Secret Service, unabridged, divided into 35 reading sections.

This page carries chapter 4 of Okewood of the Secret Service by Valentine Williams exactly as it stands in the public-domain source edition, without abridgement. It runs to 175 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Okewood of the Secret Service?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Okewood of the Secret Service

Common questions about reading Okewood of the Secret Service by Valentine Williams on this page, its source edition and its audio.

Is this the complete text of Okewood of the Secret Service?

Yes. All 5816 sentences of Project Gutenberg eBook #2417 are kept, with a record of which sentences cover which part.

Which edition of Okewood of the Secret Service is used?

Project Gutenberg eBook #2417, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Okewood of the Secret Service take to read?

About 484 minutes of reading across 1164 sections of 5 sentences each, at an unhurried pace.

How to read Okewood of the Secret Service section by section

How to work through Okewood of the Secret Service section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of Okewood of the Secret Service to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

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Vocabulary met early in Okewood of the Secret Service

Words and structures a reader meets early in Okewood of the Secret Service, each tappable for pronunciation and meaning.

Arthur
A word that appears in the opening chapter of Okewood of the Secret Service; the reader can tap it to hear it and see its dictionary entry.
Mackwayte
A word that appears in the opening chapter of Okewood of the Secret Service; the reader can tap it to hear it and see its dictionary entry.
Slipped
A word that appears in the opening chapter of Okewood of the Secret Service; the reader can tap it to hear it and see its dictionary entry.
Noiselessly
A word that appears in the opening chapter of Okewood of the Secret Service; the reader can tap it to hear it and see its dictionary entry.